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The Christian life, concerned with both spirituality and doctrine, aims not at rationally defensible truth but at life-transforming love. Greater understanding of the truth will not settle the restlessness in a human spirit; only the redemptive power of relationship with God can calm the soul. The crux of Kierkegaard's presentation of Christianity is not that doctrine is unimportant, but that it is ultimately insufficient for a life lived in relationship with God. In Contemporary with Christ, Joshua Cockayne explores the Christian spiritual life with Søren Kierkegaard (in the guise of his various pseudonyms) as his guide and analytic theology as his key tool of engagement. Cockayne contends that the Christian life is second-personal: it seeks encounter with a personal God. As Kierkegaard describes, God invites us to live on the most intimate terms with God. Cockayne argues that this vision of Christian spirituality is deeply practical because it advocates for a certain way of acting and existing. This approach to the Christian life moves from first-reflection, whereby one acquires objective knowledge, to second-reflection, whereby one attains deeper self-understanding, which fortifies one's relationship with God. Individuals encounter Christ through traditional practices: prayer, the Eucharist, and the reading of Scripture. However, experiences of suffering and mortality that mirror Christ's own passion also enliven this life of encounter. Spiritual progress comes through a reorientation of one's will, desire, and self-knowledge. Such progress must ultimately serve the goal of drawing close to God through Christ's presence. Engaging philosophy, theology, and psychology, Cockayne invites us to join in a conversation with Kierkegaard and explore how the spiritual disciplines provide opportunities for relationship with God by becoming contemporary with Christ. --C. Stephen Evans, University Professor of Philosophy and Humanities, Baylor University
John R. W. Stott challenges us to move with the times while standing firmly on the truth of God's Word.
The Imitation of Christ is the work of at least three men: Gerard Groote, Florent Radewijns, and Thomas a Kempis. The first two were founders of the Brethren of the Common Life, a lay religious society that flourished in the Netherlands from the fourteenth to the sixteenth century. Working on their manuscripts, first as a compiler and editor and then as a coauthor, was Kempis. So successful were Kempis's efforts that the work became the golden treasury not only of their community but also of the contemporary spirituality movement known as the Modern Devotion. Its prescriptions might very well be known as the Perennial Devotion for its continual appeal through the centuries. In its fifteenth century Latin original the Imitation was not a silken cord of consecutive prose. Rather it was a series of scratchings, the sort that a spiritual director would note down in preparation for sermons and addresses. What wasn't always in the original was exactly how Kempis developed each topic sentence or wisdom quotation as he delivered it. In this new rendition William Griffin recovers the original experience of listening to Kempis as he taught and preached to his spiritual charges. Using a variety of literary and historical means, Griffin enhances the original, making the insights of this seminal exposition of Christian life more accessible.
The Light of Christ provides an accessible presentation of Catholicism that is grounded in traditional theology, but engaged with a host of contemporary questions or objections. Inspired by the theologies of Iranaeus, Thomas Aquinas and John Henry Newman, and rooted in a post-Vatican II context, Fr. Thomas Joseph White presents major doctrines of the Christian religion in a way that is comprehensible for non-specialists: knowledge of God, the mystery of the Trinity, the Incarnation and the atonement, the sacraments and the moral life, eschatology and prayer. At the same time, The Light of Christ also addresses topics such as evolution, the modern historical study of Jesus and the Bible, and objections to Catholic moral teaching. Touching on the concerns of contemporary readers, Fr. White examines questions such as whether Christianity is compatible with the findings of the modern sciences, do historical Jesus studies disrupt or confirm the teaching of the faith, and does history confirm the antiquity of Catholic claims. This book serves as an excellent introduction for young professionals with no specialized background in theology who are interested in learning more about Catholicism, or as an introduction to Catholic theology. It will also serve as a helpful text for theology courses in a university context. As Fr. White states in the book’s introduction: “This is a book that offers itself as a companion. I do not presume to argue the reader into the truths of the Catholic faith, though I will make arguments. My goal is to make explicit in a few broad strokes the shape of Catholicism. I hope to outline its inherent intelligibility or form as a mystery that is at once visible and invisible, ancient and contemporary, mystical and reasonable.”
"In the first book devoted to representations of Jesus Christ in contemporary photography, Nathalie Dietschy presents a rich range of images from the 1980s to the present day. Acclaimed photographers such as Catherine Opie, Wang Qingsong, Joan Fontcuberta, Greg Semu, Andres Serrano, David LaChapelle, Renee Cox and Bettina Rheims offer fresh - and often provocative - depictions of Christ that address issues from race to sexuality to gender. The Figure of Christ in Contemporary Photography guides the reader through these alternative representations, analysing the complex social, political and cultural issues that the photographs bring to light."--Provided by publisher.
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
"Jane Barter Moulaison's remarkable book engages contemporary critical understandings of Jesus Christ including postcolonial, feminist, pluralist, ecological, and socialist to argue that the core convictions of traditional Christology remain a viable, valuable, and even indispensable witness to the gospel in an imperiled world. Contemporary theology often makes a virtue of deconstructing traditional claims about the person and work of Christ. Claims about the central significance of Jesus Christ appear to be oppressive, intolerant, and even violent. Jane Barter Moulaison engages several contemporary christological critiques of classical Christology and argues that such critical theologies are not undermined by the claim of Christ's central significance but are rather radicalized by it. She ably re-reads the tradition that seeks to interpret Christ's saving activity in light of several contemporary theological and political concerns. In so doing, she suggests that there are extraordinary resources available to those who long for political and material transformation precisely through the abandonment of spiritualized answers to Jesus' question: 'Who do you say that I am?' -- Publisher description.
Christology, that is, the study of Jesus, is a many-faceted subject. In this new edition of Jesus, the Christ, Brennan Hill clearly and cogently explores this critical theological area, resulting in a luminous and reliable portrait of the Jesus of history and the Christ of faith. He deftly surveys both the breadth of information covered in the previous edition as well as the wealth of developments that have occurred in the field since the early 1990s. Jesus, the Christ looks at the people and places in Jesus' time, then moves to a search for the historical Jesus. Hill next looks at the many areas of Jesus' life and mission: teacher, prophet, miracle worker, man of the earth, advocate for women, savior, and liberator. He examines the main gospel stories about Jesus' birth, death, and resurrection, and illustrates how the early christological doctrines developed. This new edition is written in a more informal and accessible style, enabling students to well understand and grasp the concepts and facts about the subject. Each chapter ends with discussion questions and a list of suggestions for further reading. Jesus, the Christ is eminently readable, constantly challenging, and filled with timely information in nontechnical language. It is strongly rooted in the best of modern biblical translation, and will be welcomed by students, teachers, and the general reader alike.
This volume aims to reconstruct and debate a contemporary Christian realist framework, while also applying such a perspective to the issues of contemporary politics such as the Bush Doctrine, the laws of war, democracy and democratization, U.S. participation in international institutions, and apocalyptic terrorism.
Popular Christian apologists, from Emir Caner to N.T. Wright, present their dynamic defenses of faith in Passionate Conviction.