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'Iran Modern' offers a timely exploration of the cultural diversity and production of avant-garde art in Iran after World War II and up to the revolution, from 1950 through to 1979.
Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
This book is a comprehensive analysis of the domestic and foreign politics of Iran, focusing on its complex nature from political, social and cultural perspectives. It has adopted a multidisciplinary approach, combining comparative politics and intellectual and modern history with international relations. It analyses the institutional structure of the Islamic Republic, the main political and social actors and alliances, as well as Iranian opposition forces both inside and outside the country. The book tries to simplify the seemingly intractable complexity of the Islamic Republic by demystifying it and using political science methods to prove that it is a peculiar hybrid regime.
In this revised and expanded version of Nikki Keddie's work, Roots of Revolution, the author brings the story of modern Iran to the present day, exploring the political, cultural, and social changes of the past quarter century. Keddie provides insightful commentary on the Iran-Iraq war, the Persian Gulf War, and the effects of 9/11 and Iran's strategic relationship with the US. She also discusses developments in education, health care, the arts and the role of women.
The election of Mohammad Khatami as President, the prospect of renewed dialogue between Tehran and Washington, and the display of popular rejoicing that greeted the nation's football team's qualification for the 1998 World Cup have shed light on aspects of everyday life in post-revolutionary Iran which have often been overlooked in the West. Through the Iranian example, this text reviews the debate not merely about political Islam, but also about democratic transition and its relation to social change.
Despite the relative calm apparent in Iran today, there is unmistakable evidence of political, social, and cultural ferment stirring beneath the surface. The authors of Politics and Culture in Contemporary Iran¿a unique group of scholars, activists, and artists¿explore that unrest and its challenge to the legitimacy and stability of the present authoritarian regime. Ranging from political theory to music, from human rights law to social media, their contributions reveal the tenacious and continually evolving forces that are at work resisting the status quo.
Iranian artists have been producing some of the world's most thought-provoking and intellectually grounded artworks. In this landmark compendium, renowned art historian Hamid Keshmirshekan provides a thorough review of contemporary art in Iran and shows that the twentieth century was a crucial period in the country's art and culture, when the legacies of tradition and modernism where critically reassessed. Contemporary Iranian Art is an unprecedented introduction to Iran's vibrant art history over the past one hundred years. This fully revised and updated edition features more than 370 colour illustrations by the country's leading artists, including Mahmoud Bakhshi, Shadi Ghadirian, Barbad Golshiri, Marcos Grigorian, Farhad Moshiri, Shirin Neshat, Sohrab Sepehri, Mitra Tabrizian, Parviz Tanavoli and Charles Hossein Zenderoudi.
Iran is a key player in some of the most crucial issues of our time. But because of its relative diplomatic isolation and the partisan nature of conflicting accounts voiced by different interest groups both inside and outside the country, there is a shortage of hard information about the scale and depth of social change in today's Iran. In this volume, and imposing roster of both internationally renowned Iranian scholars and rising young Iranian academics offer contributions--many based on recent fieldwork--on the nature and evolution of Iran's economy, significant aspects of Iran's changing society, and the dynamics of its domestic and international politics since the 1979 revolution, focusing particularly on the post-Khomeini period. The book will be of great interest not only to Iran specialists, but also to scholars of comparative politics, democratization, social change, politics in the Muslim world, and Middle Eastern studies.
This accessible introductory text explains the political, economic and religious developments since the formation of the Islamic Republic in 1979 and provides an analysis of the domestic politics of Iran. It identifies the ways in which the country, often imagined as ‘isolated’, is actually integrated into the global capitalist economy. It also explains the often-heated relationship of the regional powerhouse with the outside world, especially with West Asian neighbours and the United States. Both rigorous and readable, the book covers: • Iran’s unusual path of capitalist development; • The relationship between politics and religion in what is known as ‘God’s Kingdom’; • The international and domestic factors that shape Iranian politics and society. Assuming no prior knowledge, this book is an ideal starting point for students and general readers looking for a thought-provoking introduction to contemporary Iran.
This detailed examination of contemporary Iran addresses the most important current social, political, and economic issues facing the nation and the way it is perceived by the outside world. The volume brings together some of the most important scholars and researchers in the field, working in such diverse disciplines as anthropology, economics, history, international relations, philosophy, political science, and sociology, to offer a broad range of perspectives on the significance of three decades of changes for Iran’s current and near-term-future domestic and international politics. Drawing upon a wealth of original field research, the authors challenge conventional wisdom and simplistic media stereotypes about the Islamic Republic. The chapters reach beyond traditional images of the country to show that, as a consequence of thirty years of economic and social changes, the reality, or ‘essence’, of contemporary Iran is more complex and nuanced than is often portrayed in the international media. Offering valuable insights into Iran’s economic and social policies, as well as its politics, since the Islamic Revolution, this book will be of great interest to students and scholars of political science, sociology, and Iranian studies.