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Expertly introduced and edited by A. Leslie Willson, the present volume is a collection to read and cherish, and to reread: to pass along and talk about. Its broad themes of tragedy, satire, and carefully observed daily living make it a cross section of German life and liveliness over the second half of the 20th century.
This volume contains 22 stories and novellas, many appearing in English for the first time. Among the authors represented are Peter Handke, Alfred Andersch, Stefan Andres, Jurgen Becker, Ulla Merkewicz, Elisabeth Borchers, Gisela Elsner and Max von der Grun.
One of the twentieth century’s most important poets, W. H. Auden stands as an eloquent example of an individual within whom thought and faith not only coexist but indeed nourish each other. This book is the first to explore in detail how Auden’s religious faith helped him to come to terms with himself as an artist and as a man, despite his early disinterest in religion and his homosexuality. Auden and Christianity shows also how Auden’s Anglican faith informs, and is often the explicit subject of, his poetry and prose. Arthur Kirsch, a leading Auden scholar, discusses the poet’s boyhood religious experience and the works he wrote before emigrating to the United States as well as his formal return to the Anglican Communion at the beginning of World War II. Kirsch then focuses on Auden’s criticism and on neglected and underestimated works of the poet’s later years. Through insightful readings of Auden’s writings and biography, Kirsch documents that Auden’s faith and his religious doubt were the matrix of his work and life.
When Leo, the city mouse, visits his friend Zoe in the countryside for the first time, he meets a huge and horrible monster. It’s gigantic, has lots of horns, an enormous tail, and when it roars, the earth shakes. At least that’s what Leo saw. Or did he? Zoe thinks his description sounds just like Berta, the sweet-tempered cow in the meadow . . . Bestselling author Marcus Pfister skillfully weaves a hilarious story of mystery, suspense and just a hint of scariness.
A fundamental reassessment of the ways that racial policy worked and was understood under the Third Reich. Leading scholars explore race's function, content, and power in relation to society and nation, and above all, in relation to the extraordinary violence unleashed by the Nazis.
A striking and emotive graphic novel from debut trans creator, Joris Bas Backer about coming to terms with his gender before the age of the internet. For fans of Gender Queer and The Black Flamingo. “A nuanced look into the life of a trans teen by a trans author and illustrator. The black, white, and grayish-blue illustrations powerfully capture Jet’s complicated emotions." –BuzzFeed "Jet’s earnest questioning and relationship with gender and adolescence illustrates the conflict between becoming who the world wants them to be and who they are, conveyed in a raw, personal-feeling portrayal of transition in a pre-internet era." – Publishers Weekly "I love that this graphic novel exists for generations who may be feeling these same insecurities, anxieties, and challenges that Jet experiences." —Utopian State of Mind "A warm, funny, lived-in book that captures exactly the feeling of having a desire you just can’t place, and the relief when you manage to crack it wide open." — Mattie Lubchansky, The Nib "Exciting from the first to the last page! I say, this book is already a classic." — Ulli Lust, author of Today is the Last Day of the Rest of Your Life “Kisses for Jet is a sensitively written, beautifully-illustrated depiction of a trans-masculine experience so rarely shown in media…a huge step forward for trans representation.” — Jake Hall, Author of The Art of Drag Featured in Xtra Magazine with Interview by Gender Queer author, Maia Kobabe In 1999, when most people think that the world is about to end with the Y2K crash on the eve of the new Millennium, Jet is just trying to get through high school. When their Mom moves to another country to work on fixing the Millennium bug, Jet is forced to stay at a boarding house while they finish the school year, and they’re not pleased about it. But something’s not quite right, and it’s not just the out-of-control kids that Jet has to live with, or the staff who look after the boarding house who act super suspiciously. As Jet slowly starts to feel overwhelmed by their peers, they begin to notice that they don’t feel like the other girls in their class. As new feelings start to emerge, Jet slowly begins to realise that they may be more of a boy than a girl. Is that even possible? And who do they talk to about these feelings when there’s not even any internet around, and cell phones are barely used? This coming-of-gender graphic novel debut from trans creator Joris Bas Backer is an enlightening and often hilarious tale that casts light on what it was like to be transgender before information and help was more accessible and widespread.
This volume will be of great interest to scholars of German and global cinema.
Of the many innovative approaches to emerge during the twenty-first century, one of the most productive has been the interdisciplinary nexus of theories and methodologies broadly defined as “the study of emotions.” While this conceptual toolkit has generated significant insights, it has overwhelmingly focused on emotions as linguistic and semantic phenomena. This edited volume looks instead to the material aspects of emotion in German culture, encompassing the body, literature, photography, aesthetics, and a variety of other themes.