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An anthology of Australian poetry between the years 1990 and 2015
This book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here—“Indigeneities”; “Political Landscapes”; “Space, Place, Materiality”; “Revising an Australian Mythos”—models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.
This ground-breaking anthology collects poems written by Australian poets who are migrants, their children, and refugees of Asian heritage, spanning work that covers over three decades of writing. Inclusive of hitherto marginalised voices, these poems explore the hyphenated and variegated ways of being Asian Australian, and demonstrate how the different origins and traditions transplanted from Asia have generated new and different ways of being Australian. This anthology highlights the complexity of Asian Australian interactions between cultures and languages, and is a landmark in a rich, diversely-textured and evolving story. Timely and proactive this anthology fills existing cultural gaps in poetic expressions of home, travel, diaspora, identity, myth, empire and language.
Australia has been seen as a land of both punishment and refuge. Australian literature has explored these controlling alternatives, and vividly rendered the landscape on which they transpire. Twentieth-century writers left Australia to see the world; now Australia’s distance no longer provides sanctuary. But today the global perspective has arrived with a vengeance. In Contemporary Australian Literature: A World Not Yet Dead, Nicholas Birns tells the story of how novelists, poets and critics, from Patrick White to Hannah Kent, from Alexis Wright to Christos Tsiolkas, responded to this condition. With rancour, concern and idealism, modern Australian literature conveys a tragic sense of the past yet an abiding vision of the way forward. Birns paints a vivid picture of a rich Australian literary voice – one not lost to the churning of global markets, but in fact given new life by it. Contrary to the despairing of the critics, Australian literary identity continues to flourish. And as Birns finds, it is not one thing, but many. "In this remarkable, bold and fearless book, Nicholas Birns contests how literary cultures are read, how they are constituted and what they stand for … In examining the nature of the barriers between public and private utterance, and looking outside the absurdity of the rules of genre, Birns has produced a redemptive analysis that leaves hope for revivifying a world not yet dead." - John Kinsella
As no literature can claim to be monolithic, the essays collected in this book examine the various ways in which different European literary traditions were mediated and blended through individual Australian poets into Australian literature culture. In part one the focus is thus on the new or hitherto rather neglected European literary and cultural affiliations in verse written by major Australian poets: A.D. Hope, James McAuley and Douglas Stewart. Two recent Australian verse anthologies are also examined and contemporary Aboriginal poetry in English contextualized with regard to its 'hybridization' of orality and literacy. Part two is dedicated to Slovene migrant poetry produced in Australia. It analyzes the work of two major Slovene migrant poets living in Australia, Bert Pribac and Joze Zohar.
Fishing for Lightning gathers together acclaimed poet and critic Sarah Holland-Batt's celebrated columns on contemporary Australian poetry. In fifty illuminating and lively short essays on fifty poets, Holland-Batt offers a masterclass in how to read and love poetry, opening up the music of language, form, and poetic technique in her casual and conversational yet deeply intelligent style. From the villanelle to the verse novel, the readymade and the remix to the sonnet, Holland-Batt's essays range across the breadth of contemporary poetry, but also delve into the richness of poetic and literary history, connecting the contemporary to the ancient. Dazzling in its erudition, but always accessible and entertaining, Fishing for Lightning convinces us of the power of poetry to change our lives.
This is the first of a new series, offering a poetic snapshot of the year that was, 1 July 2020-30 June 2021--featuring 100 poets and 100 poems across an astonishing range of poetic voice, approaches and themes.
The first contemporary book of its kind: poems by gay and lesbian poets writing now in the freedoms and dangers of the 21st century. 'Out of the Box' features new poems by David Malouf and Dorothy Porter and introduces new poets Maria Zajkowski and Scott-Patrick Mitchell - not to mention the free ranging poets in between.
The turnrow Anthology of Contemporary Australian Poetry, edited by John Kinsella, features the work of 123 poets. The 600 page anthology is both inclusive and diverse, representative of both the major award winning poets of the country and its younger poets who have published only one or two books of poetry. Readers will recognize a variety of styles and attitudes in the collection; they will find poems which might be labeled as formalist, innovative, confessional, political, pastoral, lyrical, narrative, and those poems which reflect a "new hybridization and hybridity" of these styles.