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Among the women artists who came to prominence in the postwar era in New York, painter Nell Blaine had a uniquely hard-won career. In her mid-thirties, her horizons seemed limitless. Her shows received glowing reviews, ARTnews honored her with a lengthy feature article, and one of her paintings hung in the Whitney Museum. Then, on a trip to Greece, Blaine developed polio, rendering her a paraplegic. Angry at being told she would never paint again, she taught herself to hold a brush with her left hand and regained her skill. In Alive Still, author Cathy Curtis tells the story of Blaine's life and career for the first time by investigating the ways her experience of illness colored her personality and the evolving nature of her work, the importance of her Southern roots, and the influence of her bisexuality (and, in the latter part of her life, long term lesbian relationships) on her understanding of the world. Alive Still draws upon Blaine's unpublished diaries; her published writing; career-spanning interviews and reviews; and correspondence to and from family members, lovers, and the artists, poets, publishers, rescuers in Greece, and neighbors she knew. In addition, Curtis has conducted interviews with surviving artists and other individuals in Blaine's circle, including two of her longtime lovers. Featuring illustrations of Blaine's work and snapshots of family and friends, Alive Still is a compelling narrative of a leading, productive, and passionate woman artist who overcame the setbacks of disability.
James Nagel offers the first systematic history and definition of the short-story cycle as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the genre, all praised by critics while uniformly misidentified as novels. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.
The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performances in the 1960s. While much critical attention has been focused on experimental and radical theater of the period, the essays confirm that mainstream performances not only merit more scholarly attention than they have received, but through serious examination provide an important key to understanding the 1960s as a period. The introduction provides a broad overview of the social, political, and cultural contexts of artistic practices in mainstream theater from the mid-fifties to mid-seventies. Readers will find detailed examinations of the mainstream’s surprising attention to craft and innovation; to the rich exchange between European and American theatres; to the rise of regional theaters; and finally, to popular cultural performances that pushed the conceptual boundaries of mainstream institutions. The book looks afresh at productions of Hair, Cabaret, Raisin in the Sun, and Fiddler on the Roof, as well as German theater, and performances outside the Democratic National Convention of 1968.
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.
Curious Attractions: Essays on Fiction Writing is a book about what makes fiction work. In nine entertaining and instructive essays, novelist and master teacher Debra Spark pursues key questions that face both aspiring and accomplished writers, including: How does a writer find inspiration? What makes a story's closing line resonate? How can a writer "get" style? Where should an author "stand" in relation to his or her characters? While the book will have immediate appeal for students of writing, it will also be of interest to general readers for its in-depth reading of contemporary fiction and for its take on important issues of the day: Should writers try to be more uplifting? How is emotion best conveyed in fiction? Why are serious writers in North America wedded to the realist tradition? When she was only twenty-three, Debra Spark's best-selling anthology 20 Under 30 introduced readers to some of today's best writers, including David Leavitt, Susan Minot, Lorrie Moore, Ann Patchett, and Mona Simpson. Almost twenty years later, Spark brings this same keen critical eye to Curious Attractions, discussing a broad range of authors from multiple genres and generations. A collection of essays in the belles-lettres tradition, Curious Attractions offers lively and instructive discussions of craft flavored with autobiographical reflections and commentary on world events. Throughout, Spark's voice is warm, articulate, and engaging as it provides valuable insights to readers and writers alike.
The Routledge Companion to Children’s Literature is a vibrant and authoritative exploration of children’s literature in all its manifestations. It features a series of essays written by expert contributors who provide an illuminating examination of why children’s literature is the way it is. Topics covered include: the history and development of children's literature various theoretical approaches used to explore the texts, including narratological methods questions of gender and sexuality along with issues of race and ethnicity realism and fantasy as two prevailing modes of story-telling picture books, comics and graphic novels as well as ‘young adult’ fiction and the ‘crossover’ novel media adaptations and neglected areas of children’s literature. The Routledge Companion to Children’s Literature contains suggestions for further reading throughout plus a helpful timeline and a substantial glossary of key terms and names, both established and more cutting-edge. This is a comprehensive and up-to-date guide to an increasingly complex and popular discipline.
The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.
With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.