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Contemporary American Fiction, Volume 3 is a collection of scholarly essays and recent reviews of the best of contemporary American literary fiction, including the following titles: The Fault in Our Stars by John Green News of the World by Paulette Jiles Moonglow by Michael Chabon The Sellout by Paul Beatty and The Underground Railroad by Colson Whitehead A Gentleman in Moscow by Amor Towles.
The Cambridge Introduction to Contemporary American Fiction explores fiction written over the last thirty years in the context of the profound political, historical, and cultural changes that have distinguished the contemporary period. Focusing on both established and emerging writers - and with chapters devoted to the American historical novel, regional realism, the American political novel, the end of the Cold War and globalization, 9/11, borderlands and border identities, race, and the legacy of postmodern aesthetics - this Introduction locates contemporary American fiction at the intersection of a specific time and long-standing traditions. In the process, it investigates the entire concept of what constitutes an “American” author while exploring the vexed, yet resilient, nature of what the concept of home has come to signify in so much writing today. This wide-ranging study will be invaluable to students, instructors, and general readers alike.
This book considers the ways in which contemporary American fiction seeks to imagine a mode of ‘planetary memory’ able to address the scalar and systemic complexities of the Anthropocene – the epoch in which the combined activity of the human species has become a geological force in its own right. Authors examine the recent emergence of a literary and cultural imaginary of planetary memory, an imaginary which attempts to give form to the complex interrelations between human and non-human worlds, between local, national, and global concerns, and, perhaps most importantly, between historical and geological pasts, presents and futures. Chapters highlight distinct regions and landscapes of the US - from the Appalachians, to the South West, the Rust Belt, New York City, Alaska, New Orleans and the Rocky Mountains – in order to examine how the ecological, economic and historical specificity of these environments is underpinned by their implication on networks of planetary significance and scope. Overall, the collection aims to study, develop, and recognise new models of cultural memory and anxious anticipation as they emerge and evolve, thus opening new conversations about practices of remembering and remembrance on an increasingly fragile planet. This book was originally published as a special issue of Textual Practice.
'It was the summer that men first walked on the moon. I was very young back then, but did not believe there would ever be a future. I wanted to live dangerously, to push myself as far as I could go, and then see what happened when I got there.'So begins the mesmerising narrative of Marco Stanley Fogg - orphan, child of the 1960s, a quester by nature. Moon Palace is his story - a novel that spans three generations, from the early years of this century to the first lunar landings, and moves from the canyons of Manhattan to the cruelly beautiful landscape of the American West. Filled with suspense, unlikely coincidences, wrenching tragedies and marvellous flights of lyricism and erudition, the novel carries the reader effortlessly along with Marco's search - for love, for his unknown father, and for the key to the elusive riddle of his origins and his fate. 'Clever: very. Surprising: always - Auster is a master.' The Times
This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
Establishing an interdisciplinary connection between Food Studies and American literary scholarship, Piatti-Farnell investigates the significances of food and eating in American fiction, from 1980 to the present day. She argues that culturally-coded representations of the culinary illuminate contemporary American anxieties about class gender, race, tradition, immigration, nationhood, and history. As she offers a critical analysis of major works of contemporary fiction, Piatti-Farnell unveils contrasting modes of culinary nostalgia, disillusionment, and progress that pervasively address the cultural disintegration of local and familiar culinary values, in favor of globalized economies of consumption. In identifying different incarnations of the "American culinary," Piatti-Farnell covers the depiction of food in specific categories of American fiction and explores how the cultural separation that molds food preferences inevitably challenges the existence of a homogenous American identity. The study treads on new grounds since it not only provides the first comprehensive study of food and consumption in contemporary American fiction, but also aims to expose interrelated politics of consumption in a variety of authors from different ethnic, cultural, racial and social backgrounds within the United States.
The 1970s brought a new understanding of the biological and intellectual impact of environmental crises on human beings, and as efforts to prevent ecological and human degradation aligned, a new literature of sickness emerged. “Ecosickness fiction” imaginatively rethinks the link between ecological and bodily endangerment and uses affect and the sick body to bring readers to environmental consciousness. Tracing the development of ecosickness through a compelling archive of modern U.S. novels and memoirs, this study demonstrates the mode’s crucial role in shaping thematic content and formal and affective literary strategies. Examining works by David Foster Wallace, Richard Powers, Leslie Marmon Silko, Marge Piercy, Jan Zita Grover, and David Wojnarowicz, Heather Houser shows how these authors unite experiences of environmental and somatic damage through narrative affects that draw attention to ecological phenomena, organize perception, and convert knowledge into ethics. Traversing contemporary cultural studies, ecocriticism, affect studies, and literature and medicine, Houser juxtaposes ecosickness fiction against new forms of environmentalism and technoscientific innovations such as regenerative medicine and alternative ecosystems. Ecosickness in Contemporary U.S. Fiction recasts recent narrative as a laboratory in which affective and perceptual changes both support and challenge political projects.
Mythic and realist, farcical and tragic, these fifteen “fables of contemporary life [are] so funny and acutely observed that they might have been written [for] Saturday Night Live” (The New York Times)—from the award–winning author of The Tortilla Curtain. “Boyle . . . owns a ferocious, delicious imagination, often darkly satirical and always infatuated with language.”—The Los Angeles Times Book Review In “The Hector Quesadilla Story,” T.C. Boyle writes of an aging Latin ballplayer, long past his best stuff, who on his birthday is put into an endless rotation in a game that goes on forever; in “All Shook Up,” he tells of the doomed affair between his narrator and the sweet, feckless wife of an aspiring Elvis Presley look-alike; in “On for the Long Haul,” he describes the grim scenarios enacted by a credulous survivalist and his family in their nuclear-holocaust-proof haven in the sticks; and in the title story, he portrays a terrifying and violent encounter between a bunch of late-adolescent layabouts and a murderous drug-dealing biker.
Contemporary American Literature and Excremental Culture: American Sh*t analyzes post-1960 scatological novels that utilize representations of human waste to address pressing issues, including pollution of waterways, environmental racism, and militarism. Primarily examining postmodern parody, the book shows the value of aesthetic renderings of sanitary engineering for composting ideologies that fuel a ruinous impact on the world. Drawing on late twentieth-century psychoanalytic thinkers Norman O. Brown, Frantz Fanon, and Leo Bersani, American Sh*t shows the continued relevance of psychoanalytic interpretations of contemporary fiction for understanding post-45 authors’ engagement with waste. Ultimately, the monograph reveals how novelists Ishmael Reed, Jonathan Franzen, Gloria Naylor, Don DeLillo, and Samuel R. Delany critique subjects who abnegate their status as waste-producing beings and bring readers back to embrace Winner of the 2019 Northeast Modern Language Association Book Award for Literary Criticism of English Language Literature