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A critical history of the major themes and accomplishments of well-known and obscure African art over the past fifty years examines artists and the new avenues of creative expression in post-colonial Africa.
In recent years Africa's booming art scene has gained substantial global attention, with a growing number of international exhibitions and a stronger-than-ever presence on the art market worldwide. Here, for the first time, is the most substantial survey to date of modern and contemporary African-born or Africa-based artists. Working with a panel of experts, this volume builds on the success of Phaidon's bestselling Great Women Artists in re-writing a more inclusive and diverse version of art history.
Describes the techniques involved in such native African crafts as pottery making, weaving, basketry, leather and metal working, beading, and carving.
[S]urvey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.... Organized in chronological order, the book covers all major artistic mediums: painting, sculpture, photography, film, video, installation, drawing, collage.... Presents examples of ... work by more than 160 African artists.... [I]ncludes Georges Adeagbo Tayo Adenaike, Ghada Amer, El Anatsui, Kader Attia, Luis Basto, Candice Breitz, Moustapha Dimé, Marlene Dumas, Victor Ekpuk, Samuel Fosso, Jak Katarikawe, William Kentridge, Rachid Koraichi, Mona Mazouk, Julie Mehretu, Nandipha Mntambo, Hassan Musa, Donald Odita, Iba Ndiaye, Richard Onyango, Ibrahim El Salahi, Issa Samb, Cheri Samba, Ousmane Sembene, Yinka Shonibare, Barthelemy Toguo, Obiora Udechukwu, and Sue Williamson.--From publisher description..
Presents an overview of West African culture and provides step-by-step instructions for using simple household materials to make such traditional items as a mask, a coiled pot, block-printed and woven cloths, and a drum.
Describes the techniques involved in such native African crafts as pottery making, weaving, basketry, leather and metal working, beading, and carving.
Artists include : El Anatsui, Youssouf Bath, Ablade Glover, Tapfuma Gutsa, Rosemary Karuga, Souleymane Keita, Nicholas Mukomberanwa, Henry Munyaradzi, Bruce Onobrakpeya.
KEYNOTE: This book provides a savvy survey of the latest work by designers, craftspeople, and architects of African descent around the world. Artists and designers of African ancestry-many in Africa but also others throughout Europe, the Americas, and the Far East- are working in a wide array of mediums: fashion, architecture, non-traditional crafts, design, fine art, and photography. Authors Lowery Stokes Sims and Leslie King-Hammond, together with six contributors, challenge presumptions of what constitutes an 'African' style or aesthetic, and demonstrate the power and expressive potential of materials, textures and forms. Work by well-known artists such as Yinka Shonibare, MBE and architects including David Adjaye appear alongside those of lesser-known but equally exciting designers whose garments, carpets, baskets, ceramics, furniture, body arts, wall painting, photographs and sculpture blur the distinction between art and craft. The result is an enormously diverse display of young and established talent, and a wide-ranging survey of contemporary African art and design. AUTHOR: LOWERY STOKES SIMS is Director and Organizing Curator of the Global Africa Project and the Charles Bronfman International Curator at the Museum of Arts and Design in New York City. She has published extensively on African, Latino, Native and Asian American Artists. She is a contributor to Fritz Scholder: Indian/ Not Indian (Prestel). LESLIE KING-HAMMOND is the founding director of the Center for Race and Culture and the Maryland Institute College of Art. A noted scholar, teacher, and curator, King-Hammond has directed numerous exhibitions on African-American art and artists. 200 colour illustrations
This collection derives from a conference held in Pretoria, South Africa, and discusses issues of indigenous knowledge systems (IKS) and the arts. It presents ideas about how to promote a deeper understanding of IKS within the arts, the development of IKS-arts research methodologies, and the protection and promotion of IKS in the arts. Knowledge, embedded in song, dance, folklore, design, architecture, theatre, and attire, and the visual arts can promote innovation and entrepreneurship, and it can improve communication. IKS, however, exists in a post-millennium, modernizing Africa. It is then the concept of post-Africanism that would induce one to think along the lines of a globalized, cosmopolitan and essentially modernized Africa. The book captures leading trends and ideas that could help to protect, promote, develop and affirm indigenous knowledge and systems, whilst also making room for ideas that do not necessarily oppose IKS, but encourage the modernization (not Westernization) of Africa.
Annette Schemmel provides a highly illuminating case study of the major actors, discourses and paradigm that shaped the history of visual arts in Cameroon during the second part of the 20th century. Her book meticulously reconstructs the multiple ways of artistic knowledge acquisition - from the consolidation of the "Système de Grands Frères" in the 1970s to the emergence of more discursively oriented small artists' initiatives which responded to the growing NGO market of social practice art opportunities in the 2000s. Based on archival research, participant observation and in depth interviews with art practitioners in Douala and Yaoundé, this study is a must read for everyone who wants to better understand the vibrant artistic scenes in countries like Cameroon, which until today lack a proper state-funded infrastructure in the arts.