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The first comprehensive guide to Constable's lesser-known but significant works inspired by the bustling Regency resort of Brighton. There was more to John Constable's art than the great rural landscapes for which he is famous. This lavishly illustrated book focuses on a largely overlooked element in his life - his close and artistically rewarding relationship with the boisterous resort of Brighton during the years 1824-28. He went in search of healthy air for his ailing wife Maria and the peace to help him clear a backlog of commissions, and became accustomed to painting on the beach or up by the windmills that dotted the Sussex Downs. More than 100 small, vivid studies from these walks exist, most dashed off outside in all weathers, some that are almost abstract responses to storms or the light on the sea. This book assembles the most complete collection of these Brighton sketches ever published, some of them only recently discovered. Regency Brighton - what was then the largest and most fashionable resort in Europe - is also explored through maps and prints, tracing the routes Constable took through the developing town. His great contemporary, Turner, was also active there in the mid-1820s, and a range of contrasting views by both artists is featured here. AUTHOR: Shan Lancaster is a writer, editor and researcher. As a freelance journalist she has written for most national newspaper titles and as a researcher she has collaborated on numerous book developments, and television and film scripts, including the BBC Four television documentary Constable: A Country Rebel, first aired in 2014. Her research originally identified the exact location of Constable's lodgings at 9 Sober's Gardens, now 11 Sillwood Road, Brighton, and marked with a Blue Plaque. SELLING POINTS: * Features the most comprehensive selection of Constable's Brighton studies ever assembled, including works from private collections never published before * Contains an exquisite bonus selection of Turner's marine studies of Brighton from the same period, alongside authoritative texts on both artists * A beautifully illustrated book written to accompany a major exhibition, Constable and Brighton, at Brighton Museum and Art Gallery in 2017 150 colour
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
Guardian Crime Book of the Month WINNER OF THE CRIMEFEST LAST LAUGH AWARD _______________ 'A giddy spell of sheer delight' Daily Mail 'Ingenious ' Sunday Times Crime Club Brighton, 1957. Inspector Steine rather enjoys his life as a policeman by the sea. No criminals, no crime, no stress. So it's really rather annoying when an ambitious new constable shows up to work and starts investigating a series of burglaries. And it's even more annoying when, after Constable Twitten is despatched to the theatre for the night, he sits next to a vicious theatre critic who is promptly shot dead part way through the opening night of a new play. It seems Brighton may be in need of a police force after all... A sparkling historical mystery set in sunny Sussex by the sea, perfect for fans of Richard Osman, Robert Thorogood and Elly Griffiths. _______________ 'Entertaining' Observer 'Will make you laugh out loud' Sunday Times 'Truss can work miracles' Telegraph
Fans of Peter James and his bestselling Roy Grace series of crime novels know that his books draw on in-depth research into the lives of Brighton and Hove police and are set in a world every bit as gritty as the real thing. His friend Graham Bartlett was a long-serving detective in the city once described as Britain's 'crime capital'. Together, in Death Comes Knocking, they have written a gripping account of the city's most challenging cases, taking the reader from crime scenes and incident rooms to the morgue, and introducing some of the real-life detectives who inspired Peter James's characters. Whether it's the murder of a dodgy nightclub owner and his family in Sussex's worst non-terrorist mass murder or the race to find the abductor of a young girl, tracking down the antique trade's most notorious 'knocker boys' or nailing an audacious ring of forgers, hunting for a cold-blooded killer who executed a surfer or catching a pair who kidnapped a businessman, leaving him severely beaten, to die on a hillside, the authors skilfully evoke the dangerous inside story of policing, the personal toll it takes and the dedication of those who risk their lives to keep the public safe.
A charming second comic crime novel from New York Times bestselling author Lynne Truss. 1957: In the beach town of Brighton, music is playing and guests are sunning themselves, when a young man is found dead, dripping blood, in a deck chair. Constable Twitten of the Brighton Police Force has a hunch that the fiendish murder may be connected to a notorious nightspot, but his captain and his colleagues are-as ever-busy with other more important issues. Inspector Steine is being conned into paying for the honor of being featured at the Museum of Wax, and Sergeant Brunswick is trying (and failing) to get the attention of the distraught Brighton Belles who found the body. As the case twists and turns, Constable Twitten must find the murderer and convince his colleagues that there's an evil mastermind behind Brighton's climbing crime rate. Our incomparable team of detectives are back for another outing in the second installment of Lynne Truss's joyfully quirky crime series.
Glanzvolle Abbilder vergangener Zeiten Die Gemälde von Lawrence Alma-Tadema waren bei seinen Zeitgenossen sehr beliebt und leben heute noch durch das Medium Film weiter. Jeder, der einmal einen Monumentalfilm - von den italienischen Stummfilmklassikern bis zu Ridley Scotts Gladiator - gesehen hat, erkennt sofort die von Alma-Tadema inspirierten Arrangements und Kostüme. Das Buch zeigt seine üppigen und detailreichen Werke und erklärt seine Kunst über seine Vorstellung vom Heim neu: von seiner Bewunderung für die in den frühen niederländischen Gemälden dargestellten Interieurs über seine Faszination für die Ruinen von Pompeji bis zu den großen Atelierhäusern, die er selbst schuf und die an sich schon Kunstwerke sind. Aufbauend auf Alma-Tademas Beinamen "Künstlerarchäologe" zeigt dieses beeindruckende Werk, wie die von ihm geschaffenen Räume, in denen er mit seiner Familie lebte, eine ästhetische Vision dessen darstellen, was die Betrachter und anderen Künstler seit mehr als hundert Jahren fasziniert.
The patrolman has the most difficult, complex, and least understood task in the police department. Much less is known of him than of his better publicized colleague, the detective. In this important and timely book, James Q. Wilson describes the patrolman and the problems he faces that arise out of constraints imposed by law, politics, public opinion, and the expectations of superiors. The study considers how the uniformed officer in eight communities deals with such common offenses as assault, theft, drunkenness, vice, traffic, and disorderly conduct. Six of the communities are in New York State: Albany, Amsterdam, Brighton, Nassau County, Newburgh, and Syracuse. The others are Highland Park, Illinois, and Oakland, California. Enforcing laws dealing with common offenses is especially difficult because it raises the question of administrative discretion. Murder, in the eyes of the police, is unambiguously wrong, and murderers are accordingly arrested; but in cases such as street-corner scuffles or speeding motorists, the patrolman must decide whether to intervene (should the scuffle be stopped? should the motorist be pulled over?) and, if he does, just how to intervene (by arrest? a warning? an interrogation?). In most large organizations, the lowest-ranking members perform the more routinized tasks and the means of accomplishing these tasks are decided by superiors, but in a police department the lowest-ranking officer--the patrolman--is almost solely responsible for enforcing those laws which are the least precise, the most ambiguous. Three ways or "styles" of policing--the watchman, the legalistic, and the service styles--are analyzed and their relation to local politics is explored. In the final chapter, Mr. Wilson discusses if and how the patrolman's behavior can be changed and examines some current proposals for reorganizing police departments. He observes that the ability of the patrolman to do his job well may determine our success in managing social conflict and our prospects for maintaining a proper balance between liberty and order. Table of Contents: 1. Introduction 2. THE PATROLMAN The Maintenance of Order Justice as a Constraint Some Organizational Consequences 3. THE POLICE ADMINISTRATOR Managing Discretion Critical Events 4. POLICE DISCRETION The Determinants of Discretion The Eight Communities The Uses of Discretion 5. THE WATCHMAN STYLE The Organizational Context Some Consequences 6. THE LEGALISTIC STYLE The Organizational Context Some Consequences 7. THE SERVICE STYLE The Organizational Context Some Consequences 8. POLITICS AND THE POLICE Politics and the Watchman Style Politics and the Service Style Politics and the Legalistic Style Some Findings from National Data 9. CONCLUSIONS AND POLICY IMPLICATIONS Reviews of this book: [This book] is a departure from the traditional treatise...and actually does take a large and long-awaited step toward revitalizing an exciting and important but inexcusably weak area of political science. --The American Political Science Review Reviews of this book: This book "must unquestionably become an indispensable study of politics in the American city. It is based on enormous and detailed research ... The material is presented in a controlled and disciplined no-nonsense style. --New York Review of Books Reviews of this book: This is surely one of the most informative books about the police ever written .... Varieties of Police Behavior is a rich, sophisticated book by an author unusually able to tackle the comprehensiveness and interdependence of the issues which affect police performance, and his analysis and conclusions have much to teach. --Times Literary Supplement It is, without doubt, the finest book on the American police ever written, and Professor Wilson is one of our best-known scholars of urban affairs...Rich...full to the brim with increasing details and shrewd insight. Anyone who wants to have an informed opinion about the policeman's relations to law and order ought to read it. --Irving Kristol
A beautiful, gift-sized volume celebrating Constable’s enduring fascination and engagement with the sky John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent. In a letter to friend John Fisher, written in 1821, Constable commented, “That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids . . . It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.” Written by Mark Evans, a leading authority on the work of John Constable, and brimming with beautiful images, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable’s painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable’s work around the world.