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"Recognizing conservation as a dynamic social force, the eighty-one readings in this volume draw attention to the cultural significance of textiles and dress, illustrating the intellectual foundations as well as important changes in conservation practice." -- Back cover.
This publication introduces conservation techniques and research outcome of selected conservation projects for paper and textile objects. This publication introduces conservation techniques and research outcome of selected conservation projects for paper and textile objects. It compiles various kinds of resource on conservation treatment of paper and textile objects such as paintings ancient documents and costumes. It consists of essays on techniques and materials of conservation treatment,scientific analysis,and storage methods with case studies of previous conservation treatments to display general practice of conserving paper and textile objects in Korea. Case studies have been selected among previous treatments executed by major conservation institutes such as National Research Institute of Cultural Heritage, and which recorded information clearly on materials and techniques applied to the artifacts during conservation process in written documents. FORWORD & CONTENTS I. PAPERS II. TEXTILES III. ESSAYS APPENDIX
Textile Conservation: Advances in Practice demonstrates the development in the role and practice of the textile conservator and captures the current diversity of textile conservators’ work. The book focuses on four major factors which have influenced development in textile conservation practice since the 1980s: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical developments. These are all integral to effective conservation decision-making. • Includes case studies from the UK, USA and mainland Europe and Asia • Assesses the conservation of objects in some of the world’s major cultural institutions • Highly illustrated in full colour to show the effect of conservation in practice Textile Conservation is a reference manual for textile conservators, textile conservation students and museum and heritage professionals.
Contributors discuss current research, new findings, and specific problems, innovations, methods, and materials.
This book (first published in the Netherlands as Op de keper beschouwd. Handboekvoor het behoud van textielcollecties), sets out to present the basic information necessary for the professional safekeeping of textile collections. Aimed at curators, owners of textile collections, collection management staff, conservators and conservation students, it contains: An overview of the most common textile fibres, production processes and techniques of decoration. A description of the degradation processes of textiles and the effects of temperature, relative humidity, air pollution and light on textiles. Discussions on the storage, transit and exhibition of textiles and materials which can safely be used with textiles. Guidance for documentation, conservation and restoration, and collection management strategies. Book jacket.
Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. The book facilitates more informed conservation practice and decision-making, and helps custodians to select the most appropriate method of intervention.
One of the leading designer bookbinders in Great Britain, Arthur Johnson shares his expertise in this manual addressing the special problems of repairing cloth-covered books. Using more than 80 illustrations, Johnson explains the procedures for repair that he has developed over many decades. His text is aimed at bookbinders, conservationists, and students of binding history.
'Chemical Principles of Textile Conservation' provides must-have knowledge for conservators who do not always have a scientific background. This vital book brings together from many sources the material science necessary to understand the properties, deterioration and investigation of textile artefacts. It also aids understanding of the chemical processes during various treatments, such as: cleaning; humidification; drying; disinfestation; disinfection; and the use of adhesives and consolidants in conservation of historical textiles. Textile conservators will now have ready access to the necessary knowledge to understand the chemistry of the objects they are asked to treat and to make informed decisions about how to preserve textiles. The combination of a chemist and a conservator provides the perfect authorial team. It ensures a unique dual function of the text which provides textile conservators with vital chemical knowledge and gives scientists an understanding of textile conservation necessary to direct their research. The many practical examples and case studies illustrate the utility of the relatively large chemical introduction and the essential chemical information which is included. The case studies, many illustrated in colour, range from the treatment of the Ghandis' clothes, high-altitude flying suits and a Mary Quant raincoat, to the Hungarian Coronation Mantle.
Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.