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The Apocalypse has been a war from the dawn of time, and the first horseman's story is shared. Young Abdias finds himself in the middle of this epic battle between the forces of creation and destruction as the first horseman of the end times. Attending a local festival, the youth falls for a lovely, mysterious woman. They enjoyed the stereotypical festival of flowing wine and fornication; however, the party is ruined by the horrifying force of a shadowy figure that topples the marble gods and burns all but two in attendance. With his love stolen by the shadowy figure, he thought his life seemingly meaningless, and his mind in shambles, he stumbles into the path of a wandering stranger. This man shares with him secrets of our world and those that rule it. He tells Abdias of his divine mission to restore balance-to ride against the rebel gods and their leader in the shadows. He must become Conquest.
From the dawn of writing in Sumer to the sunset of the Islamic empire, Founding Gods, Inventing Nations traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, William McCants looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. McCants argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest--they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.
The Apocalypse has been a war from the dawn of time, and the first horsemans story is shared. Young Abdias finds himself in the middle of this epic battle between the forces of creation and destruction as the first horseman of the end times. Attending a local festival, the youth falls for a lovely, mysterious woman. They enjoyed the stereotypical festival of flowing wine and fornication; however, the party is ruined by the horrifying force of a shadowy figure that topples the marble gods and burns all but two in attendance. With his love stolen by the shadowy figure, he thought his life seemingly meaningless, and his mind in shambles, he stumbles into the path of a wandering stranger. This man shares with him secrets of our world and those that rule it. He tells Abdias of his divine mission to restore balanceto ride against the rebel gods and their leader in the shadows. He must become Conquest.
Perhaps no biblical episode is more troubling than the conquest of Canaan. But do the so-called holy war texts of the Old Testament portray a divinely inspired genocide? John Walton and J. Harvey Walton take us on an archaeological dig, reframing our questions and excavating the layers of translation and interpretation that cloud our perception of these difficult texts.
In just over a hundred years--from the death of Muhammad in 632 to the beginning of the Abbasid Caliphate in 750--the followers of the Prophet swept across the whole of the Middle East, North Africa, and Spain. Their armies threatened states as far afield as the Franks in Western Europe and the Tang Empire in China. The conquered territory was larger than the Roman Empire at its greatest expansion, and it was claimed for the Arabs in roughly half the time. How this collection of Arabian tribes was able to engulf so many empires, states, and armies in such a short period of time is a question that has perplexed historians for centuries. Most recent popular accounts have been based almost solely on the early Muslim sources, which were composed centuries later for the purpose of demonstrating that God had chosen the Arabs as his vehicle for spreading Islam throughout the world. In this ground-breaking new history, distinguished Middle East expert Robert G. Hoyland assimilates not only the rich biographical and geographical information of the early Muslim sources but also the many non-Arabic sources, contemporaneous or near-contemporaneous with the conquests. The story of the conquests traditionally begins with the revelation of Islam to Muhammad. In God's Path, however, begins with a broad picture of the Late Antique world prior to the Prophet's arrival, a world dominated by the two superpowers of Byzantium and Sasanian Persia, "the two eyes of the world." In between these empires, in western (Saudi) Arabia, emerged a distinct Arab identity, which helped weld its members into a formidable fighting force. The Arabs are the principal actors in this drama yet, as Hoyland shows, the peoples along the edges of Byzantium and Persia--the Khazars, Bulgars, Avars, and Turks--also played important roles in the remaking of the old world order. The new faith propagated by Muhammad and his successors made it possible for many of the conquered peoples to join the Arabs in creating the first Islamic Empire. Well-paced and accessible, In God's Path presents a pioneering new narrative of one the great transformational periods in all of history.
This updated edition by one of the world's leading apologists presents a systematic, positive case for Christianity that reflects the latest work in the contemporary hard sciences and humanities. Brilliant and accessible.
War of the Three Gods is a military history of the first half of seventh century, with heavy focus on the reign of the Eastern Roman Emperor Heraclius (AD 610-641). This was a pivotal time in world history as well as a dramatic one. The Eastern Roman Empire was brought to the very brink of extinction by the Sassanid Persians, before Heraclius managed to inflict a crushing defeat on the Sassanids with a desperate, final gambit. His conquests were short-lived, however, for the newly-converted adherents of Islam burst upon the region, administering the coup de grace to Sassanid power and laying siege to Constantinople itself to usher in a new era. ??Peter Crawford skilfully narrates the three-way struggle between the Christian Byzantine, Sassanid Persian and Islamic empires, a period peopled with fascinating characters, including Heraclius, Khusro II and the Prophet Muhammad himself. Many of the epic battles and sieges are described in as much detail as possible including Nineveh, Yarmouk, Qadisiyyah and Nihawand, Jerusalem and Constantinople. The strategies and tactics of these very different armies are discussed and analysed, while maps allow the reader to place the events and follow the varying fortunes of the contending empires. This is an exciting and important study of a conflict that reshaped the map of the world.
Salvation is from our side a choice, from the divine side […] a conquest of the Most High God. – A. W. Tozer With words like these, Tozer shakes the soul. He crumbles the lies we believe and calls us to the more sure way. In these pages, Tozer says what it means to truly be saved. It is not merely to assent to Jesus and go on our same old way, but to be conquered by the Almighty God and invaded by His Spirit. A saved person is a transformed person. Let Tozer upend you in this moving prequel to The Pursuit of God. And being upended, may you be found standing upright in an upside-down world.
"Is my baby in heaven?" This is the most important question a grieving parent can ask. And even if the little one is someone else's child, the issue remains: What happens to children?those unborn, stillborn, or youngsters?when they die? Can you hope to see them again? Can you let go of your fear and guilt? Can God's love soothe a wound so jagged? With scriptural authority and the warmth of a pastor's heart, bestselling author John MacArthur examines the breadth of the entire Bible and reveals in this compelling book the Heavenly Father's care for every life. "I have sat by the grave of our daughter and son and wondered out loud if my belief that Hope and Gabriel are in heaven has any solid scriptural support. John MacArthur offers truth from God's Word that puts the doubts of any grieving parent to rest. Safe in the Arms of God reveals that confidence of heaven for the child you love is based on much more than mere sentimentality; it is revealed in the Word of God and reflective of the very heart of God." ?Nancy Guthrie, author of Holding On to Hope
The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.