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Conjuring Spirits contains both general surveys and analyses of magical texts and manuscripts by distinguished scholars in a variety of disciplines. Included are chapters by Richard Kieckhefer and Robert Mathiesen on the Sworn Book of Honorius, Michael Camille on the Ars Notoria, John B. Friedman on the Secretum Philosophorum, Nicholas Watson on the McMaster text, and Elizabeth Wade on Lullian divination. The work also includes Juris Lidaka's edition of the Liber de Angelis, and an overview of late medieval English ritual manuscripts by Frank Klaassen. This book will be invaluable for scholars and other readers interested in ritual magic in the later Middle Ages.
"Presents and analyzes texts of learned magic written in medieval Central Europe (Poland, Bohemia, and Hungary), and attempts to identify their authors, readers, and collectors"--Provided by publisher.
"A collection of essays examining medieval and early modern texts aimed at performing magic or receiving illumination via the mediation of angels. Includes discussion of Jewish, Christian and Muslim texts"--Provided by publisher.
The main text consists of prayers to the Virgin Mary. It is followed by the Office of the Angels, commencing at leaf 85, in a different hand. Nicholas Watson suggests in his essay in Clare Faranger's book Conjuring Spirits: Texts and Traditions of Medieval Ritual Magic (1990) that the manuscript is a copy of a work by Jean de Morigny, the first part composed between 1304 and 1307 and the second part composed before 1315. Manuscript is bound in reinforced vellum with "Codex" stamped on spine and slipcased with "Prayer book. c 1460" stamped on spine. Manuscript contains 12 illustrations and decorations executed by an amateurish other hand, all near the front.
Noted occult historian cites essential passages from Renaissance-era documents and offers modern analysis. Meticulously researched survey provides information on casting spells, conjuring spirits, other supernatural practices.
"Explores two principal genres of illicit learned magic in late Medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic, which could not"--Provided by publisher.
In Rewriting Magic, Claire Fanger explores a fourteenth-century text called The Flowers of Heavenly Teaching. Written by a Benedictine monk named John of Morigny, the work all but disappeared from the historical record, and it is only now coming to light again in multiple versions and copies. While John’s book largely comprises an extended set of prayers for gaining knowledge, The Flowers of Heavenly Teaching is unusual among prayer books of its time because it includes a visionary autobiography with intimate information about the book’s inspiration and composition. Through the window of this record, we witness how John reconstructs and reconsecrates a condemned liturgy for knowledge acquisition: the ars notoria of Solomon. John’s work was the subject of intense criticism and public scandal, and his book was burned as heretical in 1323. The trauma of these experiences left its imprint on the book, but in unexpected and sometimes baffling ways. Fanger decodes this imprint even as she relays the narrative of how she learned to understand it. In engaging prose, she explores the twin processes of knowledge acquisition in John’s visionary autobiography and her own work of discovery as she reconstructed the background to his extraordinary book. Fanger’s approach to her subject exemplifies innovative historical inquiry, research, and methodology. Part theology, part historical anthropology, part biblio-memoir, Rewriting Magic relates a story that will have deep implications for the study of medieval life, monasticism, prayer, magic, and religion.
How was magic practised in medieval times? How did it relate to the diverse beliefs and practices that characterised this fascinating period? In Magic in the Middle Ages Richard Kieckhefer surveys the growth and development of magic in medieval times. He examines its relation to religion, science, philosophy, art, literature and politics before introducing us to the different types of magic that were used, the kinds of people who practised magic, and the reasoning behind their beliefs. In addition, he shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law. This 2000 book places magic at the crossroads of medieval culture, shedding light on many other aspects of life in the middle ages.
This volume presents editions of two fascinating anonymous and untitled manuscripts of magic produced in Elizabethan England: the Antiphoner Notebook and the Boxgrove Manual. Frank Klaassen uses these texts, which he argues are representative of the overwhelming majority of magical practitioners, to explain how magic changed during this period and why these developments were crucial to the formation of modern magic. The Boxgrove Manual is a work of learned ritual magic that synthesizes material from Henry Cornelius Agrippa, the Fourth Book of Occult Philosophy, Heptameron, and various medieval conjuring works. The Antiphoner Notebook concerns the common magic of treasure hunting, healing, and protection, blending medieval conjuring and charm literature with materials drawn from Reginald Scot’s famous anti-magic work, Discoverie of Witchcraft. Klaassen painstakingly traces how the scribes who created these two manuscripts adapted and transformed their original sources. In so doing, he demonstrates the varied and subtle ways in which the Renaissance, the Reformation, new currents in science, the birth of printing, and vernacularization changed the practice of magic. Illuminating the processes by which two sixteenth-century English scribes went about making a book of magic, this volume provides insight into the wider intellectual culture surrounding the practice of magic in the early modern period.