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South Texas music roots - self-taught musicians playing music.
A collection of thirty-three essays from the program-magazine from the Tejano Conjunto Festival in San Antonio.
"MATEMATICAS BASICAS. Una Introducción al Cálculo" tiene una fácil manera para aprender a aprender Matemáticas con cuatro capítulos principales; el primero está referido a la teoría de conjuntos, el sistema numérico y la recta real, junto con el sistema cartesiano del plano y espacio. El segundo capítulo muestra aplicaciones de la teoría de conjuntos, las permutaciones, las combinaciones, las relaciones y las funciones. El tercer capítulo ilustra traslaciones y modelos funcionales con los tipos de funciones: real, polinómica, constante, lineal, cuadrática, exponencial, logarítmica, trigonométricas y función inversa. El cuarto capítulo desarrolla las ecuaciones y desigualdades, junto con sistemas de ecuaciones y desigualdades lineales o no lineales. El quinto capítulo concluye con ejercicios de recapitulación resueltos. Esta obra está dirigida a estudiantes universitarios en programas académicos presenciales o de educación a distancia en ciencias económicas, administrativas, sociales y humanísticas.
Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel Peña's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang. Using an approach that integrates musicological, historical, and sociological methods of analysis, Peña traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso Martínez (El Huracán del Valle), Santiago Jiménez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution. Peña also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and Peña's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.
With an emphasis on techniques, this volume focuses on the applications of basic mathematics and differential and integral calculus in the field of business, economics and the life and social sciences. All mathematical theorems, proofs and concepts are described intuitively and then mathematically. Reorganized and rewritten material includes chapters on exponentials and logarithms, curve sketching and optimization, application sections of straight lines and quadratic inequalities. A new section on difference equations and expanded coverage of differential equations is included.
This work develops the trigonometric functions using a unit circle approach and shows how it leads to the right triangle approach. Graphing techniques are emphasized, including a discussion of polar co-ordinates, parametric equations, and conics using polar co-ordinates.
"Readers interested not only in music, but also in ethnic studies and popular culture, will appreciate the broad spectrum covered in Tejano Proud: Tex-Mex Music in the Twentieth Century."--BOOK JACKET.
Nursing Outcomes Classification (NOC) presents standardized terminology and measures for nursing-sensitive patient outcomes that result from nursing interventions. Developed by a research team at the University of Iowa, the classification can be used by clinicians, students, educators, researchers, and administrators in a variety of clinical, educational, and research venues. The comprehensiveness of the outcomes, and the inclusion of specific indicators that can be used to evaluate and rate the patient in relation to outcome achievement, make this book an invaluable resource for both practicing nurses and students. Includes 330 research-based outcome labels to provide standardization of expected patient outcomes. Presents for each outcome: a definition, list of indicators, and measures to facilitate clinical implementation. Provides links between NOC outcomes and NANDA nursing diagnoses to promote clinical decision making. Organizes NOC outcomes into a conceptual framework using a coded taxonomy to facilitate locating an outcome. Includes examples of implementation in practice and educational settings. Provides linkages with Gordon's Functional Health Patterns. 76 newly approved outcomes: 70 for individual patients and family caregivers, 3 family-level outcomes, and 3 community-level outcomes. Research results from 10 clinical sites testing the reliability and validity of the outcomes. Expanded content covering community settings, reflecting the shift in health care delivery. Core Outcomes for Nursing Specialty Areas featuring core interventions for 41 nursing specialties. An additional column in the Outcomes section measurement scale with N/A to help nurses document the specific outcome indicators that do not apply to their patient.
The Panama Canal is a world-famous site central to the global economy, but the social, cultural, and political history of the country along this waterway is little known outside its borders. In Música Típica, author Sean Bellaviti sheds light on a key element of Panamanian culture, namely the story of cumbia or, as Panamanians frequently call it, "música típica," a form of music that enjoys unparalleled popularity throughout Panama. Through extensive archival and ethnographic research, Bellaviti reconstructs a twentieth-century social history that illuminates the crucial role music has played in the formation of national identities in Latin America. Focusing, in particular, on the relationship between cumbia and the rise of populist Panamanian nationalism in the context of U.S. imperialism, Bellaviti argues that this hybrid musical form, which forges links between the urban and rural as well as the modern and traditional, has been essential to the development of a sense of nationhood among Panamanians. With their approaches to musical fusion and their carefully curated performance identities, cumbia musicians have straddled some of the most pronounced schisms in Panamanian society.