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Showing that good sermons are really local theology and folk art, Princeton's Leonora Tubbs Tisdaye tells how to analyze a congregation to fit a sermon to the audience. The book then gives practical help for preparing and delivering sermons that are meaningful and appropriate. Tisdale draws from contextual theology and congregational studies.
The Painted Church at Honaunau is a major tourist attraction on the Island of Hawaii, but, aside from tourists and residents of the Islands, there are all too few who are aware of the fact that such a major monument of folk art exists. Even among the privileged who have seen the Honaunau church, the other structures of similar type on the island are little known. Here for the first time is a complete discussion of the group in its entirety.
A deep strain of tribal politics is dividing societies around the globe. Organized religions are also coping with scandals, disappointments, and polarizing ideologies. The history of Christianity reveals that such frictions deeply wound the church. Fr. Richard S. Vosko recognizes that liturgical buildings are metaphorical expressions of the people of God. He proposes, in a relational way, that when all physical and psychological boundaries in a place of worship are removed people will discover a common ground. Building on theological foundations and design principles, Vosko envisions what an egalitarian “servant church” can look like. In a bold but thoughtful manner, he presents progressive insights into the fields of church art and architecture.
Accompaniment for guitar, piano/organ, flute, and bass.
For many who identify themselves as Christians, Jesus has never become experientially personal or real. Countless others who have faithfully followed Christ confess to a spiritual dryness and lack of joy. These individuals are weary and unmoved by the plethora of information about Jesus. What they long for is an experience with Jesus. Picturing the Face of Jesus is an invitation to experience Christ more deeply. Through a rich palette of experiential media—art contemplation, gospel story-telling, and imaginative prayer—the reader is invited to picture the face of Jesus, his expressive, one-of-a-kind, human face. As a result, Jesus will become a real person with whom they candidly relate, instead of a hero they merely admire. Through this encounter, their own hearts will be transformed as they begin to reflect the face of Christ to others.