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A cultural and anthropological interpretation of Mark and Matthew which examines their contribution to the formation of early Christian identity, world-view and ethos. John Riches studies the notions of sacred space and ethnicity in the Gospel narratives. He shows how early Christian group identity emerged through a dynamic process of reshaping traditional Jewish symbols and motifs associated with descent, kinship and territory. Ideas about descent from Abraham and the return from exile to Mount Zion are interwoven into early Christian traditions about Jesus and in the process substantially reshaped to produce different senses of identity. At the same time, he argues, the Evangelists were attempting to set forth a view of the world in a dialogue with the two opposing cosmologies current in Jewish culture of the time: one, cosmic dualist, the other, forensic. Riches shows how these two very different accounts of the irigin and final overcoming of evil both inform Mark and Latthew's narratives and contribute to the richness and ambiguity of the texts and of the communities which sprang up around them.
In Mythologies Without End, Jerome Slater takes stock of the conflict over time and argues that US policies in the region are largely a product of mythologies that are often flatly wrong. Because of their widespread acceptance, there have been devastating consequences to the true interests of both countries. He argues that a critical examination and refutation of the many mythologies is a necessary first step toward solving the Arab-Israeliconflict.
A culmination of contemporary scholarship on the Gospel of Mark. A preeminent scholar of the Gospel of Mark, C. Clifton Black has been studying and publishing on the Gospel for over thirty years. This new collection brings together his most pivotal work and fresh investigations to constitute an all-in-one compendium of contemporary Markan scholarship and exegesis. The essays included cover scriptural commentary, historical studies, literary analysis, theological argument, and pastoral considerations. Among other topics Black explores: • the Gospel’s provenance, authorship, and attribution • the significance of redaction criticism in Markan studies • recent approaches to the Gospel’s interpretation • literary and rhetorical analyses of the Gospel’s narrative • the kingdom of God and its revelation in Jesus • Mark’s theology of creation, suffering, and discipleship • the Gospel of Mark’s relationship to the Gospel of John and Paul’s letters • the passion in Mark as the Gospel’s recapitulation Scholars, advanced students, and clergy alike will consider this book an indispensable resource for understanding the foundational Gospel.
Offers a new conceptual framework rooted in mythological analysis to ground the field of Africana cultural memory studies. Black Cultural Mythology retrieves the concept of “mythology” from its Black Arts Movement origins and broadens its scope to illuminate the relationship between legacies of heroic survival, cultural memory, and creative production in the African diaspora. Christel N. Temple comprehensively surveys more than two hundred years of figures, moments, ideas, and canonical works by such visionaries as Maria Stewart, Richard Wright, Colson Whitehead, and Edwidge Danticat to map an expansive yet broadly overlooked intellectual tradition of Black cultural mythology and to provide a new conceptual framework for analyzing this tradition. In so doing, she at once reorients and stabilizes the emergent field of Africana cultural memory studies, while also staging a much broader intervention by challenging scholars across disciplines—from literary and cultural studies, history, sociology, and beyond—to embrace a more organic vocabulary to articulate the vitality of the inheritance of survival. “This book not only offers a new and exciting theoretical concept, it also applies that concept to texts in unique and different ways. With this theoretical lens, we can ‘read’ and ‘see’ texts, memories, and ideas in new ways. The author examines an almost dizzying array of cultural and historical moments, scholars, artists, and activists and provides new lenses through which to read them as well. This is a brilliant and much-needed addition to the academic and cultural conversation.” — Georgene Bess Montgomery, author of The Spirit and the Word: A Theory of Spirituality in Africana Literary Criticism
"James Joyce and the Mythology of Modernism" examines anew how myth exists in Joyce's fiction. Using Joyce's idiosyncratic appropriation of the myths of Catholicism, this study explores how the rejected religion still acts as a foundational aesthetic for a new mythology of the Modern age starting with "A Portrait of the Artist as a Young Man" and maturing within "Ulysses". Like the mythopoets before him—Homer, Dante, Milton, Blake—Joyce consciously sets out to encapsulate his vision of a splintered and rapidly changing reality into a new aesthetic which alone is capable of successfully rendering the fullness of life in a meaningful way. Already reeling from the humanistic implications of an impersonal Newtonian universe, the Modern world now faced an Einsteinian one, a re-evaluation which includes Stephen's awakening from the "nightmare" of history, a re-definition of deity, and Bloom's urban identity. Written with both the experienced Joycean and the beginner in mind, this book tells how the Joycean myth is our own conception of the human being, and our place in the universe becomes (re)defined as definitively Modernist, yet still, through Molly Bloom's final affirmation, profoundly human.
This book liberates evolution from misrepresentative scientific myths to find a more nuanced vision of life that shows how advantages persist, trust is beneficial, and the diversity of species emerges.
The moment of contact between two peoples, two alien societies, marks the opening of an epoch and the joining of histories. What if it had happened differently? The stories that indigenous peoples and Europeans tell about their first encounters with one another are enormously valuable historical records, but their relevance extends beyond the past. Settler populations and indigenous peoples the world over are engaged in negotiations over legitimacy, power, and rights. These struggles cannot be dissociated from written and oral accounts of "contact" moments, which not only shape our collective sense of history but also guide our understanding of current events. For all their importance, contact stories have not been systematically or critically evaluated as a genre. Myth and Memory explores the narratives of indigenous and newcomer populations from New Zealand and across North America, from the Lost Colony of Roanoke on the Atlantic seaboard of the United States to the Pacific Northwest and as far as Sitka, Alaska. It illustrates how indigenous and explorer accounts of the same meetings reflect fundamentally different systems of thought, and focuses on the cultural misunderstandings embedded in these stories. The contributors discuss the contemporary relevance, production, and performance of Aboriginal and European contact narratives, and introduce new tools for interpreting the genre. They argue that we are still in the contact zone, striving to understand the meaning of contact and the relationship between indigenous and settler populations.
What place do the four Gospels give Satan, demons, and Jesus’ human opponents (including Jewish leaders but also Jesus’ disciples) in their accounts of Jesus’ life? This study takes a literary-historical approach to the Gospels, examining them as narratives. It shows how the authors were in the process of developing the devil as a character and determining which roles he filled. New interpretations of individual passages in the Gospels are given as well as new understandings of the theological emphases of each author. This study is also a contribution to redaction criticism and the relative chronology of the Gospels. It employs the theory of Matthean posteriority which revolutionizes our understanding of the literary relations between the Gospels and allows for a new understanding of theological development in early Christianity.
Past scholarship on the prison-escapes in the Acts of the Apostles has tended to focus on lexical similarities to Euripides' Bacchae, going so far as to argue for direct literary dependence. Moving beyond such explanations, the present study argues that miraculous prison-escape was a central event in a traditional and culturally significant story about the introduction and foundation of cults - a story discernable in the Bacchae and other ancient texts. When the mythic quality and cultural diffusion of the prison-escape narratives are taken into account, the resemblance of Lukan and Dionysian narrative episodes is seen to depend less on specific literary borrowing, and more on shared familiarity with cultural discourses involving the legitimating portrayal of new cults in the ancient world.
Signs of Life in the USA teaches students to read and write critically about popular culture by giving them a conceptual framework to do it: semiotics, a field of critical theory developed specifically for the interpretation of culture and its signs. Written by a prominent semiotician and an experienced writing instructor, the text’s high-interest themes feature provocative and current reading selections that ask students to think analytically about America’s impressive popular culture: How is TV’s Mad Men a lightning rod for America’s polarized political climate? Has the nature of personal identity changed in an era when we spend so much of our lives online? Signs of Life bridges the transition to college writing by providing students with academic language to talk about our common, everyday cultural experience. Read the preface. Order Multimodal Readings for Signs of Life in the USA packaged with Signs of Life in the USA, Seventh Edition using ISBN-13: 978-1-4576-1989-2.