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Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”
Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”
“Go Fish is that rarest of creatures: an essential collection of political cartoons.” —David Rees, author of Get Your War On This volume of cartoons from the revered Mr. Fish (aka Dwayne Booth) spans politics, popular culture, economic disaster, and much more, and nobody—right, left, or middle—is safe from his razor-edged satire. Included are cartoons never previously published as well as original essays by Mr. Fish, whose work has appeared in such venues as Harper’s Magazine, Truthdig, the Los Angeles Times, TheAtlantic, and Vanity Fair. “Fish’s work makes you want to do something—even if you’re not entirely sure what that something is—to change things for the better, and the feeling stays with you long after the book is closed.” —Verbicide Magazine “A vibrant example of political cartooning as it is practiced at its heights. . . . Anyone who thinks political cartooning is stale need only take a closer look at this body of work. . . . Certifiably brilliant.” —Los Angeles Review of Books
Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.
Profiles the most notorious mischief makers in Western culture from 1600 to the present day and explores how pranks are part of a long tradition of speaking truth to power and social critique.
A frustrated geologist studying global warming becomes obsessed with eating rocks after embarking on his first same-sex relationship in Europe. Back home, his young sister is a high-school girl who suddenly starts to ooze honey through her pores, an affliction that attracts hordes of bees as well as her male classmates but ultimately turns her into a social pariah. Meanwhile, their obsessive Pentecostal mother repeatedly calls on the Holy Spirit to rid her family of demons. The siblings are reunited on a ship bound for Europe where they hope to start a new life, but are unaware that their disguised mother is also on board and plotting to win back their souls, with the help of the Virgin Mary. Told in a lush baroque prose, this intense, extravagant magic-realist novel combines elements of fairy tales, horror movies, and romances to create a comic, hallucinatory celebration of excess and sensuality. Barry Webster's first book, The Sound of All Flesh, won the ReLit Award for story collections.
When People magazine called Paul Krassner the father of the underground press, he immediately demanded a blood test. In this sequel to the Firecracker Award -- winning Pot Stories for the Soul, he proves People right. Psychedelic Trips for the Soul includes funny, wild, and illuminating tales by and about such mind-altered luminaries as Timothy Leary, John Lennon, Abbie Hoffman, Groucho Marx, Jerry Garcia, Eldridge Cleaver, Squeaky Fromme, Wavy Gravy, Ken Kesey, Ram Dass, and even Hollywood's million-dollar mermaid Esther Williams, among many others.
"Mae's work may be more relevant now than in her heyday. Like those of many other freedom fighters throughout history, the ghost of Mae Brussell will never rest till justice is served."—Tim Cahill "The main Brussell thesis, if I dare risk commit the sin of summary on her complex work, was that an ex-Nazi scientist-Old Boy OSS clique in the CIA using Mafia hit men changed the course of American history by bumping off one and all, high and low, who became an irritant to them."—Warren Hinkle, San Francisco Examiner columnist The Essential Mae Brussell is a compilation of chilling essays and radio transcripts by the seminal American anti-fascist researcher, famously supported by John Lennon and Yoko Ono. Mae Brussell was a married housewife with five children living in southern California before she took up the study of fascism in America. After the Kennedy assassination, she purchased the twenty-six-volume Warren Commission Report, and compiled, for herself, evidence that Lee Harvey Oswald was, as he maintained after his arrest, a "patsy." She had a regular radio broadcast on KLRB, an independent FM radio station in Carmel, California. She also published articles in Paul Krassner's the Realist, Hustler, People's Almanac, and the Berkeley Barb. In 1983, Mae's hour-long program shifted to KAZU-FM in Pacific Grove, California, and she remained on the air weekly until her final broadcast in June 1988. On October 3, 1988, at sixty-six, Brussell died of cancer.