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"Scandalous but True! From the harsh streets of 18th century London, Lizzie Cane rose to become the most successful and sought-after courtesan in England! Mistress of earls, dukes and even the young Prince of Wales, she lived an exciting luxurious life that was not without its perils. A single misstep could spell disaster! Then, at the height of her career, she risked everything she had struggled to gain by breaking the courtesan's cardinal rule ... Never fall in love!"--Publisher.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid. With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her. Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan’s court. But Fiammetta and Bucino’s greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all. A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world’s greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.
"The Memoirs of Harriette Wilson", Harriette Wilson. Harriette Wilson was a celebrated British Regency courtesan (1786-1845).
Originally published: London: Doubleday, 2002.
"First published in the United Kingdom by Icon Books Ltd"--Title page verso.
London, 1817. When a beautiful stranger ducks into his bookshop during a rainstorm, Cale Cameron, well-known rake, is instantly attracted to her. Elizabeth, Lady Thornhill, is restless and hungers for something she cannot name. Society would never accept a countess and a mere bookseller, so they agree to a one-week affair to indulge their desire. As their passion ignites and their connection grows, Elizabeth threatens the one thing Cale has protected above all else—his heart. Letting her go is the only solution, and the one thing he is not prepared to do. The Sisters of Scandal series is best enjoyed in order. Reading Order: Book #1 The Affair Book #2 The Wager Book #3 The Love Match Book #4 The Mistake Book #5 The Improper Bride
The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today. Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions. "A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)
A story of food, fat and addiction that is both funny and heart-wrenching: it will change the way you look at food forever