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Far from being a unique, defining property of the confessional poets, confessionalism is a central trope of American literature. This book examines confessional writing not as a private, apolitical art, but rather one that demonstrates an engagement with the politics of literary influence, of gender relations, and of American culture more broadly.
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."
This book explores how confessional poets in the 1950s and 1960s US responded to a Cold War political climate that used the threat of nuclear disaster and communist infiltration as affective tools for the management of public life. In an era that witnessed the state-sanctioned repression of civil liberties, poets such as Robert Lowell, John Berryman, Sylvia Plath, Anne Sexton, and Randall Jarrell adopted what has often been considered a politically benign confessional style. Although confessional writers have been criticized for emphasizing private turmoil in an era of public crisis, examining their work in relation to the political and affective environment of the Cold War US demonstrates their unique ability to express dissent while averting surveillance. For these poets, writing the fear and anxiety of life in the bomb’s shadow was a form of poetic doublespeak that critiqued the impact of an affective Cold War politics without naming names.
Live performance has changed poetry more than anything else in the last hundred years: it has given poets new audiences and a new economy, and it has generated new styles, from Imagism, to confessional, to contemporary Spoken Word. But the creative impact that public reading had right through the twentieth century has not been well understood. Mixing close listening to archive performances with intimate histories of modernist venues and promotors, The Poetry Circuit tells the story of how poets met their audience again, and how the feedback loops between their voices, the venues, and the occasions turned poems into running dramas between poet and listener. A nervous T. S. Eliot reveals himself to be anything but impersonal, while Marianne Moore's accident-prone readings become subtle ways of keeping her poems in constant re-draft. Robert Frost used his poems to spar with his fans and rivals, while Langston Hughes wrote Ask Your Mama to expose the prejudice circulating in the room as he spoke it. The Poetry Circuit also shows how the post-war reading boom made new kinds of poetry involving their audience and setting in the performance, such as John Ashbery's anti-charismatic Poets' Theatre, Amiri Baraka's documentary soundtracks of the streets, or the confessional readings of Allen Ginsberg, which shame the listeners more than the poet. Covering the first seventy years of the poetry reading, The Poetry Circuit demonstrates that there never were 'page' and 'stage' poets: the reading simply changed what every modern poet could do.
The Cambridge Companion to Modern American Poetry offers a critical overview of major and emerging American poets of the twentieth century.
Confessional Crises and Cultural Politics in Twentieth-Century America revolutionizes how we think about confession and its ubiquitous place in American culture. It argues that the sheer act of labeling a text a confession has become one of the most powerful, and most overlooked, forms of intervening in American cultural politics. In the twentieth century alone, the genre of confession has profoundly shaped (and been shaped by) six of America’s most intractable cultural issues: sexuality, class, race, violence, religion, and democracy.
International Journal on Multicultural Literature (IJML) Volume 7 Number 2 (July 2017)ÿISSN 2231-6248. Highlights include Solutions to Religious Communalism as Projected in Mahesh Dattani's Final Solutions: An Analysis by S. ChelliahK.V. Dominic's Winged Reason: A Portrait of Social Realism by D.C. ChambialTracing Political Bricoleurs in Winston Churchill'sÿThoughts and Adventuresÿand Khushwant Singh'sÿThe End of Indiaÿby Sreedevi R. & Raichel M. SylusPlay/Games as Sublimation of Juvenile Delinquency: An Exploration into the World of Children's Literature by Sijo VargheseIntrinsic Journey into the Epic, Savitri: A Symbolic Exploration by Santanu BasakFeminine or Feminist: Ambiguous Women in The Moor's Last Sigh by Sharmila BhattacharjeeElement of Grotesque in Carson McCullers' The Ballad of the Sad Cafe by Sarika TiwariAlec Derwent Hope on Poet and Art of Poetry by Amodini SreedharanWomen as Victims: A Study of Nalini Sharma'sÿStrange Equationsÿby S. BarathiMahesh Dattani's Final Solutions: Deconstruction of Communalism - Nidhish Kumar SinghAuthenticity of Rural Life in the Novels of Chinua Achebe, Kamala Markandaya and Ramesh K. Srivastava by Smita DasLives on Pyre: A Socio-realistic Portrayal in D.C. Chambial'sÿThe Cargoes of the Bleeding Heartsÿby Parthajit Ghosh & Madhu KamraAn Evolution of His Demography: A Socio-cultural Flow in the Fictional World of Manoj Das by Suresh Bera & Somali GuptaMaya Angelou'sÿShaker, Why Don't You Sing?: a Paroxysm of Confession by Ishita Pramanik & Shukla BanerjeeFruits of Delight in the Fields of Despair in Manas Bakshi's Dance of Satan and Other Poems by T.V. Reddy IJML is a peer-reviewed research journal in English literature published from Thodupuzha, Kerala, India. The publisher and editor is Prof. Dr. K. V. Dominic, renowned English language poet, critic, short story writer and editor who has to his credit 27 books. He is also the secretary of Guild of Indian English Writers, Editors and Critics (GIEWEC). Since 2010, IJML is a biannual journal published in January and July. The articles are sent first to the referees by the editor and only if they accept, the papers will be published. Although based in India, each issue includes worldwide contributors. Although IJML concentrates on multiculturalism, it also encompasses other literature. Each issue also includes poems, short stories, review articles, book reviews, interviews, general essays etc. under separate sections. IJML is available in paperback, Kindle, ePub, and PDF editions. Distributed by Modern History Press LCO004020 LITERARY COLLECTIONS / Asian / Indic LIT008020 Literary Criticism : Asian - Indic POL035010 Political Science : Political Freedom & Security - Human Rights Learn more at www.profKVDominc.com