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This provocative study proves the existence of a de facto Confederate policy of giving no quarter to captured black combatants during the Civil War—killing them instead of treating them as prisoners of war. Rather than looking at the massacres as a series of discrete and random events, this work examines each as part of a ruthless but standard practice. Author George S. Burkhardt details a fascinating case that the Confederates followed a consistent pattern of murder against the black soldiers who served in Northern armies after Lincoln’s 1863 Emancipation Proclamation. He shows subsequent retaliation by black soldiers and further escalation by the Confederates, including the execution of some captured white Federal soldiers, those proscribed as cavalry raiders, foragers, or house-burners, and even some captured in traditional battles. Further disproving the notion of Confederates as victims who were merely trying to defend their homes, Burkhardt explores the motivations behind the soldiers’ actions and shows the Confederates’ rage at the sight of former slaves—still considered property, not men—fighting them as equals on the battlefield. Burkhardt’s narrative approach recovers important dimensions of the war that until now have not been fully explored by historians, effectively describing the systemic pattern that pushed the conflict toward a black flag, take-no-prisoners struggle.
"Readers of this book who thought they knew a lot about the U.S. Civil War will discover that much of what they 'knew' is wrong. For readers whose previous knowledge is sketchy but whose desire to learn is strong, the separation of myth from reality is an important step toward mastering the subject. The essays will generate lively discussion and new insights." —James M. McPherson, Professor Emeritus, Princeton University
The Civil War era marked the dawn of American wars of military occupation, inaugurating a tradition that persisted through the late nineteenth and early twentieth centuries and that continues to the present. In the Wake of War traces how volunteer and even professional soldiers found themselves tasked with the unprecedented project of wartime and peacetime military occupation, initiating a national debate about the changing nature of American military practice that continued into Reconstruction. In the Mexican-American War and the Civil War, citizen-soldiers confronted the complicated challenges of invading, occupying, and subduing hostile peoples and nations. Drawing on firsthand accounts from soldiers in United States occupation forces, Andrew F. Lang shows that many white volunteers equated their martial responsibilities with those of standing armies, which were viewed as corrupting institutions hostile to the republican military ethos. With the advent of emancipation came the enlistment of African American troops into Union armies, facilitating an extraordinary change in how provisional soldiers interpreted military occupation. Black soldiers, many of whom had been formerly enslaved, garrisoned regions defeated by Union armies and embraced occupation as a tool for destabilizing the South’s long-standing racial hierarchy. Ultimately, Lang argues, traditional fears about the army’s role in peacetime society, grounded in suspicions of standing military forces and heated by a growing ambivalence about racial equality, governed the trials of Reconstruction. Focusing on how U.S. soldiers—white and black, volunteer and regular—enacted and critiqued their unprecedented duties behind the lines during the Civil War era, In the Wake of War reveals the dynamic, often problematic conditions of military occupation.
The fifteenth and sixteenth states to join the United States of America, Kentucky and Tennessee were cut from a common cloth -- the rich region of the Ohio River Valley. Abounding with mountainous regions and fertile farmlands, these two slaveholding states were as closely tied to one another, both culturally and economically, as they were to the rest of the South. Yet when the Civil War erupted, Tennessee chose to secede while Kentucky remained part of the Union. The residents of Kentucky and Tennessee felt the full impact of the fighting as warring armies crossed back and forth across their borders. Due to Kentucky's strategic location, both the Union and the Confederacy sought to control it throughout the war, while Tennessee was second only to Virginia in the number of battles fought on its soil. Additionally, loyalties in each state were closely divided between the Union and the Confederacy, making wartime governance -- and personal relationships -- complex. In Sister States, Enemy States: The Civil War in Kentucky and Tennessee, editors Kent T. Dollar, Larry H. Whiteaker, and W. Calvin Dickinson explore how the war affected these two crucial states, and how they helped change the course of the war. Essays by prominent Civil War historians, including Benjamin Franklin Cooling, Marion Lucas, Tracy McKenzie, and Kenneth Noe, add new depth to aspects of the war not addressed elsewhere. The collection opens by recounting each state's debate over secession, detailing the divided loyalties in each as well as the overt conflict that simmered in East Tennessee. The editors also spotlight the war's overlooked participants, including common soldiers, women, refugees, African American soldiers, and guerrilla combatants. The book concludes by analyzing the difficulties these states experienced in putting the war behind them. The stories of Kentucky and Tennessee are a vital part of the larger narrative of the Civil War. Sister States, Enemy States offers fresh insights into the struggle that left a lasting mark on Kentuckians and Tennesseans, just as it left its mark on the nation.
A senior military historian presents an unflinching account of the human costs of the Civil War. Many Americans, argues Michael C. C. Adams, tend to think of the Civil War as more glorious, less awful, than the reality. Millions of tourists flock to battlefields each year as vacation destinations, their perceptions of the war often shaped by reenactors who work hard for verisimilitude but who cannot ultimately simulate mutilation, madness, chronic disease, advanced physical decay. In Living Hell, Adams tries a different tack, clustering the voices of myriad actual participants on the firing line or in the hospital ward to create a virtual historical reenactment. Perhaps because the United States has not seen conventional war on its own soil since 1865, the collective memory of its horror has faded, so that we have sanitized and romanticized even the experience of the Civil War. Neither film nor reenactment can fully capture the hard truth of the four-year conflict. Living Hell presents a stark portrait of the human costs of the Civil War and gives readers a more accurate appreciation of its profound and lasting consequences. Adams examines the sharp contrast between the expectations of recruits versus the realities of communal living, the enormous problems of dirt and exposure, poor diet, malnutrition, and disease. He describes the slaughter produced by close-order combat, the difficulties of cleaning up the battlefields—where tens of thousands of dead and wounded often lay in an area of only a few square miles—and the resulting psychological damage survivors experienced. Drawing extensively on letters and memoirs of individual soldiers, Adams assembles vivid accounts of the distress Confederate and Union soldiers faced daily: sickness, exhaustion, hunger, devastating injuries, and makeshift hospitals where saws were often the medical instrument of choice. Inverting Robert E. Lee’s famous line about war, Adams suggests that too many Americans become fond of war out of ignorance of its terrors. Providing a powerful counterpoint to Civil War glorification, Living Hell echoes William Tecumseh Sherman’s comment that war is cruelty and cannot be refined. Praise for Our Masters the Rebels: A Speculation on Union Military Failure in the East, 1861–1865 "This excellent and provocative work concludes with a chapter suggesting how the image of Southern military superiority endured in spite of defeat."—Civil War History "Adams's imaginative connections between culture and combat provide a forceful reminder that Civil War military history belongs not in an encapsulated realm, with its own categories and arcane language, but at the center of the study of the intellectual, social, and psychological currents that prevailed in the mid-nineteenth century."—Journal of American History Praise for The Best War Ever: America and World War II "Adams has a real gift for efficiently explaining complex historical problems."—Reviews in American History "Not only is this mythologizing bad history, says Adams, it is dangerous as well. Surrounding the war with an aura of nostalgia both fosters the delusion that war can cure our social ills and makes us strong again, and weakens confidence in our ability to act effectively in our own time."—Journal of Military History
At Milliken's Bend, Louisiana, a Union force composed predominantly of former slaves met their Confederate adversaries in one of the bloodiest small engagements of the war. This important fight received some attention in the North and South but soon drifted into obscurity. In Milliken's Bend, Linda Barnickel uncovers the story of this long-forgotten and highly controversial battle. The fighting at Milliken's Bend occurred in June 1863, about fifteen miles north of Vicksburg on the west bank of the Mississippi River, where a brigade of Texas Confederates attacked a Federal outpost. Most of the Union defenders had been slaves less than two months before. The new African American recruits fought well, despite their minimal training, and Milliken's Bend helped prove to a skeptical northern public that black men were indeed fit for combat duty. Soon after the battle, accusations swirled that Confederates had executed some prisoners taken from the "Colored Troops." The charges eventually led to a congressional investigation and contributed to the suspension of prisoner exchanges between the North and South. Barnickel's compelling and comprehensive account of the battle illuminates not only the immense complexity of the events that transpired in northeastern Louisiana during the Vicksburg Campaign but also the implications of Milliken's Bend upon the war as a whole. The battle contributed to southerner's increasing fears of slave insurrection and heightened their anxieties about emancipation. In the North, it helped foster a commitment to allow free blacks and former slaves to take part in the war to end slavery. And for African Americans, both free and enslaved, Milliken's Bend symbolized their never-ending struggle for freedom.
The battlefield reputation of Confederate general Nathan Bedford Forrest, long recognized as a formidable warrior, has been shaped by one infamous wartime incident. At Fort Pillow in 1864, the attack by Confederate forces under Forrest’s command left many of the Tennessee Unionists and black soldiers garrisoned there dead in a confrontation widely labeled as a “massacre.” In The River Was Dyed with Blood, best-selling Forrest biographer Brian Steel Wills argues that although atrocities did occur after the fall of the fort, Forrest did not order or intend a systematic execution of its defenders. Rather, the general’s great failing was losing control of his troops. A prewar slave trader and owner, Forrest was a controversial figure throughout his lifetime. Because the attack on Fort Pillow—which, as Forrest wrote, left the nearby waters “dyed with blood”—occurred in an election year, Republicans used him as a convenient Confederate scapegoat to marshal support for the war. After the war he also became closely associated with the spread of the Ku Klux Klan. Consequently, the man himself, and the truth about Fort Pillow, has remained buried beneath myths, legends, popular depictions, and disputes about the events themselves. Wills sets what took place at Fort Pillow in the context of other wartime excesses from the American Revolution to World War II and Vietnam, as well as the cultural transformations brought on by the Civil War. Confederates viewed black Union soldiers as the embodiment of slave rebellion and reacted accordingly. Nevertheless, Wills concludes that the engagement was neither a massacre carried out deliberately by Forrest, as charged by a congressional committee, nor solely a northern fabrication meant to discredit him and the Confederate States of America, as pro-Southern apologists have suggested. The battle-scarred fighter with his homespun aphorisms was neither an infallible warrior nor a heartless butcher, but a product of his time and his heritage.
Crafting Infinity is a multi-disciplinary collection of essays that investigates how aspects of traditional Irish culture have been revised, retooled, and repackaged in the interest of maintaining the integrity of Irish myth tales, artistic values, spiritual foundations, and historic icons. From perspectives on early Irish Christianity to national mythology, traditional Irish music, Irish history represented in film, literary inventiveness, and evidence of the Irish diaspora, this study examines how artists, writers, theorists, and emigrants from Ireland re-interpreted, and reshaped Irish traditions, often invoking Ireland’s relationship with other nations before it acquired independence. Because with each retelling of legend, reworking of musical styles, and recreating of historic events, there has been inventiveness and alterations, inconsistencies affirm that the continuators of Irish tradition both preserve and alter their source materials and reshape iconic figures. The end product of these endeavors is tantamount to infinity, for just as Standish O’Grady, William Butler Yeats, James Joyce, Elizabeth Bowen, Jennifer Johnston, and Edna O’Brien craft fiction or rewrite folklore, with Irish characters and themes, while borrowing from other cultural wellsprings (such as Orientalism or French design), so exporters of Irish art forms and dispositions towards musical style, nationalism, and spirituality necessarily reconfigure the original, as no tradition can remain pure indefinitely. Each facet of Irish culture takes on the quality of a Celtic knot, artistically infinite in its circular design, and indestructible in its universal presence and recognition. In Crafting Infinity, each contributor dismantles a quality of Irish history, culture, or the arts, revealing how a multiplicity of interpretations can be applied to Irish traditions.
Winner of the Jefferson Davis Award Winner of the Johns Family Book Award Winner of the Army Historical Foundation Distinguished Writing Award “A work of deep intellectual seriousness, sweeping and yet also delicately measured, this book promises to resolve longstanding debates about the nature of the Civil War.” —Gregory P. Downs, author of After Appomattox Shiloh, Chancellorsville, Gettysburg—tens of thousands of soldiers died on these iconic Civil War battlefields, and throughout the South civilians suffered terrible cruelty. At least three-quarters of a million lives were lost during the American Civil War. Given its seemingly indiscriminate mass destruction, this conflict is often thought of as the first “total war.” But Aaron Sheehan-Dean argues for another interpretation. The Calculus of Violence demonstrates that this notoriously bloody war could have been much worse. Military forces on both sides sought to contain casualties inflicted on soldiers and civilians. In Congress, in church pews, and in letters home, Americans debated the conditions under which lethal violence was legitimate, and their arguments differentiated carefully among victims—women and men, black and white, enslaved and free. Sometimes, as Sheehan-Dean shows, these well-meaning restraints led to more carnage by implicitly justifying the killing of people who were not protected by the laws of war. As the Civil War raged on, the Union’s confrontations with guerrillas and the Confederacy’s confrontations with black soldiers forced a new reckoning with traditional categories of lawful combatants and raised legal disputes that still hang over military operations around the world today. In examining the agonizing debates about the meaning of a just war in the Civil War era, Sheehan-Dean discards conventional abstractions—total, soft, limited—as too tidy to contain what actually happened on the ground.
Of the hundreds of thousands of soldiers who died in the Civil War, two-thirds, by some estimates, were felled by disease; untold others were lost to accidents, murder, suicide, sunstroke, and drowning. Meanwhile thousands of civilians in both the north and south perished—in factories, while caught up in battles near their homes, and in other circumstances associated with wartime production and supply. These “inglorious passages,” no less than the deaths of soldiers in combat, devastated the armies in the field and families and communities at home. Inglorious Passages for the first time gives these noncombat deaths due consideration. In letters, diaries, obituaries, and other accounts, eminent Civil War historian Brian Steel Wills finds the powerful and poignant stories of fatal accidents and encounters and collateral civilian deaths that occurred in the factories and fields of the Union and the Confederacy from 1861 to 1865. Wills retrieves these stories from obscurity and the cold calculations of statistics to reveal the grave toll these losses exacted on soldiers and civilians, families and society. In its intimate details and its broad scope, his book demonstrates that for those who served and those who supported them, noncombat fatalities were as significant as battle deaths in impressing the full force of the American Civil War on the people called upon to live through it. With the publication of Inglorious Passages, those who paid the supreme sacrifice, regardless of situation or circumstance, will at last be included in the final tabulation of the nation’s bloodiest conflict.