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(Berklee Guide). Learn to engage, excite, captivate and expand your audience! These practical techniques will help you to communicate with your listeners on a deeper, more interactive level. As you do, the concert experience will become more meaningful, and the bond between you and your audience will grow. Whether you are performing music for an audience, teaching a group of students, leading an ensemble, or just speaking publicly, your success as a performing musician directly depends on your ability to connect. Featuring real-life examples and eight actual concert transcripts from several different genres and performance settings, this text gives you the tools you need to deepend your impact, build an enduring relationship with your fans, and sustain a long-term musical career. You will learn to: design concerts that capture and maintain your audience's atention * develop an engaging stage presence * create meaningful activities for your audience that increase their enjoyment and understanding of your material * communicate as an amabassador across cultures and languages * become more engaging, interactive, educational and memorable.
Step behind the scenes and follow the entire planning and execution of a major benefit concert. Every aspect is discussed in-depth, from working with major talent to developing promotional packages that sponsors will adore. This working manual is hands-on, using examples from real contracts, promotions, brochures, seating charts, and solicitation letters that you can quickly modify for your own event.
The only book that looks at the business of concert promotion. Concerts are part art, part party—and a big part business. This Business of Concert Promotion and Touring is the first to focus on that all-important business aspect, from creating a show, to selling a show, to organizing the show, to staging the show. Working with venues, personnel, booking, promoting, marketing, publicity, public relations, financial management, and much more are covered in this indispensable one-volume resource. And the ideas and techniques explained here can be used for every type of concert promotion, including college shows, artist showcases, club gigs, as well as major events handled by local promoters, nationwide promoters, and worldwide promoters. Concert promoters and tour managers at every level need to know This Business of Concert Promotion and Touring
(Meredith Music Resource). The second edition of Music for Concert Band is a new and comprehensive anthology of meticulously selected and graded literature for wind band. It contains hundreds of outstanding works appropriate for elementary through professional-level ensembles and will acquaint directors with a wide spectrum of quality literature both standard and new. Each recommended work contains pedagogical, stylistic and form indicators. In addition, the text contains a section on recommended marches and optional concert material.
Program notes on 471 works by 78 European composers.
(Meredith Music Resource). This book examines every aspect of the snare drum roll and provides resources and valuable knowledge for beginners, experienced musicians, and professionals regardless of their skill level. Through written explanations, diagrams, photographs, exercises and more, the snare drum roll will no longer be a mystery but a technique anyone can understand and master. The Modern Concert Snare Drum Roll is designed to provide teachers with an instructional resource and students a method for home practice. In addition to numerous roll exercises, the following topics are covered: basic set up of the drum * release of the roll * transition back and forth from single strokes to the roll * metered versus unmetered rolls * dynamics * an entire section devoted to advanced exercises. Once these skills are mastered, performers will be able to execute the roll in virtually any musical setting.
Are you ready to rock? The Overstreet Guide to Collecting Concert Posters is the latest "how to" book in Gemstone Publishing's series for new and experienced collectors alike. This volume melds the awesome artwork of talented concert poster artists with the melodies of great musicians as we investigate the influences of artists such as Wes Wilson, Bonnie MacLean, Rick Griffin and Frank Kozik with bands like Jefferson Airplane and The Grateful Dead. It includes artist biographies, tips on poster care, framing and storage, a concert poster market overview, a look at CGC's concert poster grading, the Top 10 sales from concert poster auctions, and interviews with poster artists, industry pros and collectors.
If you've ever wanted to take dynamic and vibrant digital photos of your favorite band in concert, but aren't sure how to tackle such obstacles as approaching the stage, tricky lighting situations, or even what equipment to use, then look no further! Concert and Live Music Photography is a comprehensive guide to shooting live music performances, providing you with the right information on equipment, camera settings, composition, and post-processing to get the best out of each performance shot. J. Dennis Thomas, whose work has appeared in such magazines as Rolling Stone, SPIN, and Country Weekly, shares tips on lighting, common problems, etiquette, and recommended camera settings for shooting in a variety of different venues, including clubs, bars, outdoor concerts, theatres, stadiums, and arenas. He also explains how to get the right credentials to get you closer to each performance. Jam packed with over 160 photos from today's top concerts, this book will not only give you the information you need to start taking rockin' photos of your favorite musicians, but will spark your creativity when you're anticipating the next shot. For the on-the-go photographer, a cool companion website features additional tips, venue troubleshooting, and an equipment checklist when you need to think on your feet while running to another gig.
A moving holiday story from New York Times bestselling author Andrew Clements. For Hart Evans, being the most popular kid in sixth grade has its advantages. Kids look up to him, and all the teachers let him get away with anything -- all the teachers except the chorus director, Mr. Meinert. When Hart's errant rubber band hits Mr. Meinert on the neck during chorus practice, it's the last straw for the chorus director, who's just learned he's about to lose his job due to budget cuts. So he tells the class they can produce the big holiday concert on their own. Or not. It's all up to them. And who gets elected to run the show? The popular Mr. Hart Evans. Hart soon discovers there's a big difference between popularity and leadership, and to his surprise, discovers something else as well -- it's really important to him that this be the best holiday concert ever, and even more important, that it not be the last.