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In 1979, the Marxist-Leninist New Jewel Movement under Maurice Bishop overthrew the government of the Caribbean island country of Grenada, establishing the People’s Revolutionary Government. The United States under President Reagan infamously invaded Grenada in 1983, staying until the New National Party won election, effectively dealing a death blow to socialism in Grenada. With Comrade Sister, Laurie Lambert offers the first comprehensive study of how gender and sexuality produced different narratives of the Grenada Revolution. Reimagining this period with women at its center, Laurie Lambert shows how the revolution must be recognized for its both productive and corrosive tendencies. Lambert argues that the literature of the Grenada Revolution exposes how the more harmful aspects of revolution are visited on, and are therefore more apparent to, women. Calling attention to the mark of black feminism on the literary output of Caribbean writers of this period, Lambert addresses the gap between women’s active participation in Caribbean revolution versus the lack of recognition they continue to receive.
Exploring the profound impact of the Black Power movement on African Americans. Outstanding Academic Title, Choice In the 1960s and 70s, the two most important black nationalist organizations, the Nation of Islam and the Black Panther Party, gave voice and agency to the most economically and politically isolated members of black communities outside the South. Though vilified as fringe and extremist, these movements proved to be formidable agents of influence during the civil rights era, ultimately giving birth to the Black Power movement. Drawing on deep archival research and interviews with key participants, Jeffrey O. G. Ogbar reconsiders the commingled stories of—and popular reactions to—the Nation of Islam, Black Panthers, and mainstream civil rights leaders. Ogbar finds that many African Americans embraced the seemingly contradictory political agenda of desegregation and nationalism. Indeed, black nationalism, he demonstrates, was far more favorably received among African Americans than historians have previously acknowledged. It engendered minority pride and influenced the political, cultural, and religious spheres of mainstream African American life for the decades to come. This updated edition of Ogbar's classic work contains a new preface that describes the book's genesis and links the Black Power movement to the Black Lives Matter movement. A thoroughly updated essay on sources contains a comprehensive review of Black Power–related scholarship. Ultimately, Black Power reveals a black freedom movement in which the ideals of desegregation through nonviolence and black nationalism marched side by side.
When people say “comrade,” they change the world In the twentieth century, millions of people across the globe addressed each other as “comrade.” Now, among the left, it’s more common to hear talk of “allies.” In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterized by discipline, joy, courage, and enthusiasm. Considering the egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R. James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.
It was clear from a very early age that Arry Trumper was not happy being Arry Trumper: he preferred to be somebody else, anybody else, other than Arry Trumper. Compelled to participate in a world of unpleasant parents, lunatic teachers and brutal Ofsted inspections, he judges the lot to be inadequate and in need of improvement. Improvement for Arry means the reinvention of the world in his own image: a world in which nothing is regular; a world in which inanity, cruelty and pretentiousness find the oblivion which has for far too long eluded it. The Boy Who Preferred to be Somebody Else is a book to amuse all wannabe subversives aged 13-16, as Arry becomes who he wants to become in his surreal fight against the authority of those who wish he had never existed... Southport has never looked so strange! What the characters said about the book: “That boy is poison!” – Arry’s mother “The child is clearly in urgent need of psychiatric help.” – Arry’s Headmaster “I quite like him.” ­– Jeffrey “My blue trousers have never looked smarter.” – Biffa the Bear “Mine too.” – Ofsted Inspector
The founder of the Black Panther Party’s Seattle chapter recounts his life on the frontlines of the Black Power Revolution. Growing up in Seattle in the 1960s, Aaron Dixon dedicated himself to the Civil Rights movement at an early age. As a teenager, he joined Martin Luther King on marches to end housing discrimination and volunteered to help integrate schools. After King’s assassination in 1968, Dixon continued his activism by starting the Seattle chapter of the Black Panther Party at the age of nineteen. In My People Are Rising, Dixon offers a candid account of life in the Black Panther Party. Through his eyes, we see the courage of a generation that stood up to injustice, their political triumphs and tragedies, and the unforgettable legacy of Black Power. “This book is a moving memoir experience: a must read. The dramatic life cycle rise of a youthful sixties political revolutionary, my friend Aaron Dixon.” —Bobby Seale, founding chairman and national organizer of the Black Panther Party, 1966 to 1974
Ye Liuyun, he was China's strongest blade, and also the nightmare of all the major underground powers! To protect his comrade and sister, he resolutely chose to return to the city! Because of a marriage contract, she became the fiancee's "contract boyfriend"! One after another, peerless beauties began to appear. Would the Three Thousand Waters only give them a ladle, or would they not reject any one of them? The various powers were all secretly plotting and scheming, how should he deal with them? Look at him swimming in the flowers!
Whom do we choose when we fall in love? How do we make the love-object into what we want? These are questions which only became important at the end of the nineteenth century, as Freud began to formulate a new discipline which would be called psycholanalysis. Freud argues Klaus Theweleit, was the first theoretician of the new situation: boy versus girl in the world series of love. Theweleit looks at a number of relationships: Alfred Hitchcock and Alma Reville; the triangle of Hannah Arendt, Martin Heidegger and Elfriede Heidegger; Jung and Sabina Spierlrein. But the key figure is Freud himself. Who would, who could Freud choose? As it happened, Freud proposed to Martha Bernays. The 1,500 letters of Freud’s courtship became something like the first psychoanalysis; without knowing it, Martha Bernays became an analytic-instance. But Object-Choice is not only a study of the founder of psychoanalysis, it is also an illuminating lexicon of love in the twentieth century. Freud is accompanied here by Jimi Hendrix, the Kinks and the Velvet Underground. Like Theweleits’s Male Fantasies, this is a collage book, mixing auto-biography, theory and pop culture, and always haunted by history, above all the history of Nazism. As an epilogue, Theweleit brings Freud back to the scene of his courtship, and the Beatles back to Hamburg, in an exploration of that city’s Wandsbek district, once home to an important Jewish community. His comments on the transformations and destruction that Wandsbek has endured form an elegiac tribute to German Jewry, and a powerful conclusion to this remarkable book.
Elzbieta Cherezinska's The Widow Queen is the epic story of a Polish queen whose life and name were all but forgotten until now. The bold one, they call her—too bold for most. To her father, the great duke of Poland, Swietoslawa and her two sisters represent three chances for an alliance. Three marriages on which to build his empire. But Swietoslawa refuses to be simply a pawn in her father's schemes; she seeks a throne of her own, with no husband by her side. The gods may grant her wish, but crowns sit heavy, and power is a sword that cuts both ways. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.