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This work explores the cultural orientation of the sultanate of Delhi, a subject on which little work has been done so far. The architects of the sultanate introduced a new system of governance with novel social and cultural institutions, and Persian as an official language. These were significant moves as they served as catalysts for social change. Alongside, the emergence of new urban centres as well as setting up of colonies of foreign immigrants from lands of more advanced culture in the old towns led to the transfiguration of culture in the sultanate. Structurally, it is divided into three parts. The first explores the role played by the metropolis of Delhi as an integrating nucleus, and examines the cultural and social relationship between Hindus and Muslims, and the intellectual and diplomatic atmosphere of the times. The second part focuses on the nature of the relationship between the sultans of Delhi and the Mongol rulers of Central Asia. The third part examines the life and position of women and the attitude of different classes of society towards their women folk during the sultanate period. As in his earlier works, the author marshals an impressive array of sources to underline his argument and offers a paradigm shift from conventional historiography, and in doing so opens up vistas for further research in the history and culture of the sultanate period.
This work explores the cultural orientation of the sultanate of Delhi, a subject on which little work has been done so far. The architects of the sultanate introduced a new system of governance with novel social and cultural institutions, and Persian as an official language. These were significant moves as they served as catalysts for social change. Alongside, the emergence of new urban centres as well as setting up of colonies of foreign immigrants from lands of more advanced culture in the old towns led to the transfiguration of culture in the sultanate. Structurally, it is divided into three parts. The first explores the role played by the metropolis of Delhi as an integrating nucleus, and examines the cultural and social relationship between Hindus and Muslims, and the intellectual and diplomatic atmosphere of the times. The second part focuses on the nature of the relationship between the sultans of Delhi and the Mongol rulers of Central Asia. The third part examines the life and position of women and the attitude of different classes of society towards their women folk during the sultanate period. As in his earlier works, the author marshals an impressive array of sources to underline his argument and offers a paradigm shift from conventional historiography, and in doing so opens up vistas for further research in the history and culture of the sultanate period.
In The Foundations of the Composite Culture in India, the focus of the author is the process of establishment of Hindu-Muslim unity as a result of historical, social and cultural factors over a period of ten centuries. Traversing this era, he reveals how the Muslim rulers contributed to such harmony and how the two cultures exchanged and accepted each other's tenets to enrich and formulate a composite Indian culture. To explore the foundations on which the complex culture of India rests, the author examines the contribution of Sufism which inherently connotes syncretism and tolerance, as well as the simultaneous rise of the Bhakti movement in medieval India. This title is co-published with Aakar Books. Print editions not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
Turkish History and Culture in India examines the political, cultural and social role of Turks in medieval and early modern India, and their connections with Central Asia and Anatolia.
Cultural History Of India Has Been Divided Into Three Parts To Discuss Various Aspects Of Development Of Indian Culture. It Talks About How Religions Such As The Vedic Religion, Buddhism, Jainism, Saivism And Vaisnavism Aimed At Securing Social Harmony, Moral Upliftment, And Inculcated A Sense Of Duty In The Individual. The Development Of Indian Art And Architecture Was A Creative Effort To Project Symbols Of Divine Reality As Conceived And Understood By The Collective Consciousness Of The People As A Whole. The Book Also Focuses On Social Intuitions, Educational Systems And Economic Organisation In Ancient India. Finally, The Book Discusses The Dietary System Of Indians From Pre-Historic Times To C. 1200 A.D. The Basis For Inclusion Of Food And Drinks In The Book On Indian Culture Is That Ancient Indians Believed That Food Not Only Kept An Individual Healthy, But Was Also Responsible For His Mental Make Up.According To The Author, It Is Of Utmost Importance That The Present Generation Imbibe Those Elements Of Indian Culture Which Have Kept India Vital And Going Through Its Long And Continuous History .Cultural History Of India Is An Extremely Useful Journal On Indian History And Culture For All Readers, Both In India And Abroad. It Is Therefore A Must-Read For All Interested In Indias Proud Past, Which Forms The Eternal Bed-Rock Of Its Fateful Present And Glorious Future. It Is An Academic Book Very Useful For Student Of History Aspiring For I.A.S.
Ronald Vivian Smith is an author of personal experiences – a rare breed to find in a time when even journalists hesitate to put pen to paper without scanning through the internet. A definitive voice when it comes to some known and unknown tales and an inspiration to a new generation of city-scribes, Smith is a master-chronicler of Delhi’s myriad realities. Among the capital’s most ardent lovers, Smith believes in the power of observation and interaction. His travels across Delhi, most often in a DTC bus, examine the big and small curiosities – seamlessly juxtaposing the past with the present. Be it the pride he encounters in the hutments of one of Chandni Chowk’s age-old beggar families, or his ambling walks around Delhi’s now-dilapidated cemeteries, Smith paints with his words a city full of magic and history. This anthology features short essays on the Indian sultanate, its fall after the British Raj, and its resurrection to become what it is today – the National Capital Territory of Delhi. ‘No amount of bookish knowledge can compete with the sort of insights and real, lived memories he [Smith] has.’ —Rakshanda Jalil, LiveMint ‘… When it comes to writing on monuments of Delhi – known, little known or unknown – no one does a better job than R.V. Smith.’ —Khushwant Singh, Hindustan Times
This book presents a comprehensive overview of the historical and cultural linkages between India and Iran in terms of art and architectural traditions and their commonality and diversity. It addresses themes such as early connections between Iran, India and Central Asia; study of the Qutb Complex in Delhi; the great immigration of Turks from Asia to Anatolia; the collaboration of Indian and Persian painters; design, ornamentation techniques and regional dynamics; women and public spaces in Shahjahanabad and Isfahan; the noble-architects of emperor Shah Jahan's reign; development of Kashmir’s Islamic religious architecture in the medieval period; role of Nur Jahan and her Persian roots in the evolution of the Mughal Garden; synthesis of Indo-Iranian architecture; and confluence of Indo-Persian food culture to showcase the richness of art, architecture, and sociocultural and political exchanges between the two countries. Bringing together a wide array of perspectives, it delves into the roots of connection between India and Iran over centuries to understand its influence and impact on the artistic and cultural genealogy and the shared past of two of the oldest civilizations and regional powers of the world. With its archival sources, this book will be useful to scholars and researchers of medieval history, Indian history, international relations, Central Asian history, Islamic studies, Iranian history, art and architecture, heritage studies, cultural studies, regional studies, and South Asian studies as well as those interested in the study of sociocultural and religious exchanges.
The evolution of Hinduism has been a saga of continuous progression from the unreal to the real, from the profane to the profound, in successive stages of human development. Hinduism has withstood challenges of all hues, both within and without. It has had its periods of light and shade, occurring concurrently, through the course of history. Sometimes shady aspects assumed vast proportions and enveloped the lofty ideals of the Vedas, but prophetic souls appeared to redeem the society of evil, from Adi Shankaracarya to Bhakti reformers of medieval India, and from Raja Ram Mohan Roy, Swami Dayananda and Swami Vivekananda to Mahatma Gandhi. Like any other human faith, Hinduism has its philosophical and practical sides, called “the kernel and the husk” respectively. The survival of Hinduism has been due to its ability to separate the former from the latter, in an unending process, and to withstand challenges of all types by adhering to the timeless principles of truth (satya) and righteousness (dharma). Hinduism has been open, flexible and adaptable. It has discarded outworn ideas and institutions, absorbed the best elements of fellow cultures, and reinterpreted itself in changing milieus. The present publication by Advaita Ashrama, a branch of Ramakrishna Math, Belur Math, India is an attempt to explain the quintessential of Hinduism within the orbit of time and beyond it, involving an explication of the eternal values and principles which sustain existence. It explores the dynamics of Hinduism in religio-historical framework through the second millennium of the common era. About the Cover:The image of Lord Shiva as Nataraja, the king of dancers. As the Cosmic Dancer, his dance represents the five cosmic activities of creation, preservation, destruction, concealment of Truth behind apparitions, and divine grace. He dances on the prostate body of the demon, Apasmara. Apasmara symbolises man's ignorance or forgetfulness of Truth. Shiva is Time (kala), and he is also the Great Time (maha kala), i.e. Eternity. This is the dance of the Cosmic Being, eternally going on.
The Series Focus On History and Civics for Classes 6 to 8 is a thorough course that covers elements of history and civics in accordance with the latest curriculum designed by the Council for the Indian School Certificate Examination (CISCE) and it also comprises the recommendations of the National Education Policy 2020, which focuses on the development of critical thinking, 21st century skills, collaboration, life skills, problem solving, experiential learning. The history curriculum gives students the knowledge of historical elements they need to deal with the present and make plans for the future. Civics exposes students to sociopolitical life. The engaging content fosters the social, cultural, and analytical abilities necessary to cope in a world that is becoming more interdependent and connected. It sharpens the ability to draw connections between events and processes, as well as between past and present developments. The series follows a structured approach. Activities for cross-curricular connections are provided in the course content to link learning across subject areas. Our attempt is to capture the interest and arouse curiosity to learn how to learn. The series include the interactive pedagogy, learning through experiential tasks and stimulant content. The series gives students plenty of opportunity to contemplate, observe, practise critical thinking, and improve their communication skills. Salient Features of the Series:- The series is learner-centred with a comprehensive approach. Leading the learning from general to specific. Terminology is provided on every chapter. Fascinating Illustrations and Photographs are given. Maps are provided to stay connected to the outside world and find the locations. Varieties of questions are given to assess the learning of the learners. Catering the quest to know more by providing Enrich Your Knowledge. Model test papers are included for the half yearly and yearly exam for practice. Emphasis on education based on art integration and interdisciplinary approach. The content of the Series’ is written in a learner-friendly language. The activities and pedagogy place a strong emphasis on developing 21st century skills. Includes the video lectures topic-wise accessible through QR code Other components of the Series Online Support provides: Chapter-wise Interactive Exercises Chapter-wise Assignments Practice Assignments E-book Video lectures Teacher’s Resource Book includes: Learning objectives of the chapters Solution of Textbook questions Lesson plan We hope this series satisfies the demands and requirements of the curriculum to achieve the learning objectives specified in the curriculum. Although every attempt has been taken to avoid errors, ideas for improvement and constructive criticism will be graciously welcomed and taken into account in a subsequent edition of the book. -Publishers
This book includes the answers to the questions given in the textbook ICSE India History World Developments and Civics Class 9 and is for 2022 Examinations. This book also includes additional questions and answers.