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“Anarchy, in common with socialism, has as its basis, its point of departure, its essential environment, equality of conditions; its beacon is solidarity and freedom is its method.”—Errico Malatesta The most distinctive and universal anarchist principle is the principle of coherence between ends and means: human emancipation cannot be achieved by authoritarian means. However, the same principle could also be read in the opposite direction: our ends should not be disconnected from our action; our ideals should not be so lofty as to make no difference to what we do here and now. The anarchist whose deeds and words have best illustrated both sides of that principle—the “idealist” and the “pragmatist”—is Errico Malatesta. Never one to divorce thought from action, or retreat into dogmatism, his life and ideals remain an inspiration the world over. The Method of Freedom is the first collection to capture the full range of Malatesta’s thought over sixty years as an anarchist propagandist. The Method of Freedom collects Malatesta's most enduring long-form essays--including "Anarchy" and "Our Program"--together with previously untranslated articles from the numerous journals he edited over his long newspaper career. In fact, nearly two-thirds of the collected texts have been newly translated into English. Written in Malatesta's clear, accessible style, these essays are sure to excite a new generation of radicals.
The original Anarchy in the U.K. This volume focuses on the crucial years in Errico Malatesta’s life when he was exiled in London. Responding to what he saw as the unrealistic insurrectionism and isolation into which anarchism had fallen, Malatesta advocated “a long and patient work to prepare and organize the people,” through which anarchism would operate in broad daylight to entrench itself in the workers’ movement. Among the concerns Malatesta addresses in this volume are the assassinations of King Humbert of Italy and President McKinley in the US. The emerging radical labor movement that was taking off in England, France, and Spain at the time, and his own imprisonment in England.
While Malatesta was hiding from the police he regularly went to a cafe in Ancona, Italy. He had shaved off his usual beard but he was still taking a risk. Especially as this wasn't an anarchist cafe, but had a variety of customers including the local policeman. The conversations he had in this cafi became the basis for the dialogues that make up this book. For the first time in English, Malatesta, in his usual commonsense and matter-of-fact style, sets out and critically analyses the arguments for and against anarchism. Translated by Paul Nursey-Bray, this is a classic defence of anarchism that anticipates the rise of nationalism, fascism and communism.
Can we make sense of anarchism or is that an oxymoron? Guided by the principle that someone else's rationality is not an empirical finding but a methodological presumption, this book addresses that question as it investigates the ideas and action of one of the most prominent and underrated anarchists of all times: the Italian, Errico Malatesta.
After escaping from forced residency on an island off the coast of Italy, Malatesta made his way to London and eventually Paterson, New Jersey, in 1899. Here, among thousands of weavers in the burgeoning silk industry, Malatesta contributed to the anarchist press and was caught up in intrigue with fellow Italian anarchists—resulting in a bullet to the leg on September 3, 1899. From the columns of Questione Sociale, he addressed the themes of organization, the anarchist program, freedom as a method, the problem of love, bourgeois influences of anarchism, and much more. Incorporating Malatesta’s articles on the American situation, unpublished interviews, and reports on French and Spanish conferences—such as those held in Cuba in March 1900—this volume demonstrates the transnational dimension of Malatesta's activity, the breadth of his views and experiences, and his prominent role in labor and anarchist movements on both sides of the Atlantic. Includes an introduction by the late historian Nunzio Pernicone.
The first in AK Press's ten-volume Complete Works of Malatesta. This one (volume three chronologically) focuses on two very important years in Errico Malatesta's life, when he returned to Italy to edit L'Agitazione. This volume begins the series with a bang.
Cazzarola! is a gripping political, historical and romantic novel spanning 130 years in the life of the Discordias, a fictional family of Italian anarchists. It details the family's ongoing resistance to fascism in Italy. Against this historical backdrop and entering the modern era, Antonio Discordias falls in love with Cinka, a proud but poverty-stricken Romani refugee from the unwanted people.' Theirs is a forbidden life-changing relationship. Both are forced to contend with cultural taboos, xenophobia and the violent persecution of the Romani in Italy today.'
A thrilling history of the rise of anarchism, told through the stories of a number of prominent revolutionaries and the agents of the secret police who pursued them. In the late nineteenth century, nations the world over were mired in economic recession and beset by social unrest, their leaders increasingly threatened by acts of terrorism and assassination from anarchist extremists. In this riveting history of that tumultuous period, Alex Butterworth follows the rise of these revolutionaries from the failed Paris Commune of 1871 to the 1905 Russian Revolution and beyond. Through the interwoven stories of several key anarchists and the secret police who tracked and manipulated them, Butterworth explores how the anarchists were led to increasingly desperate acts of terrorism and murder. Rich in anecdote and with a fascinating array of supporting characters, The World That Never Was is a masterly exploration of the strange twists and turns of history, taking readers on a journey that spans five continents, from the capitals of Europe to a South Pacific penal colony to the heartland of America. It tells the story of a generation that saw its utopian dreams crumble into dangerous desperation and offers a revelatory portrait of an era with uncanny echoes of our own.