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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1885 edition. Excerpt: ... NOTE. The Earl of Devonshire died on 3rd April, 1606, and this 'Fvneral! Poeme, ' which appeared originally as a thin quarto, having a title-page printed in white letters on a black ground, may be dated in the same year, though without date anywhere. The title-page thus runs: -- A Fvnerall Poeme Vpon the Death of the late noble Earle of Deuonshire. (11 leaves?) An exemplar is in the British Museum. It is found in all the collective editions after 1606. A collation of the quarto of 1623 with this original edition--never before done--abundantly rewards us. At the bottom of the pages lines and whole passages left out by the Author on revision are recorded, and some re-introduced into the text. Passages in the quarto of 1623 not in the original edition are also noted. The 1607 edition supplies in margin an important name. See Memorial-Introduction on this nobleman, and for an original and unpublished letter from Daniel to him. A. B. G. A FVNERALL P O E M E . Vpon the Death os the late noble Ear/e of Deuonjhire. OW that the hand of death hath layd thee there, Where neither greatnesse, pompe, nor grace, we see, Nor any differences of earth; and where No vaile is drawne betwixt thy felfe and thee: Now Deuonjhire that thou art but a name, 10 And all the rest of thee besides is gone, When men conceiue thee not, but by the fame Of what thy vertue, and thy worth haue done: 11. 7-13 in the original edition are as follows: -- Where all must be, and leuel'd thee with th' Earth-- Where men are all 6f them alike, and where There are no seu'rall roomes for state or birth: Now thou hast nothing left thee but a name (O noble Deuonshire) and all is gone With thee, except the memorie, and fame Of what thy vertue . . . hath . . . Now shal my verse which thou..
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Starting from the early modern presumption of the incorporation of role with authority, Jean Lambert explores male teachers as representing and engaging with types of authority in English plays and dramatic entertainments by Shakespeare and his contemporaries from the late sixteenth to the early seventeenth century. This book examines these theatricalized portraits in terms of how they inflect aspects of humanist educational culture and analyzes those ideas and practices of humanist pedagogy that carry implications for the traditional foundations of authority. Teachers in Early Modern English Drama is a fascinating study through two centuries of teaching Shakespeare and his contemporaries and will be a valuable resource for undergraduates, postgraduates, and scholars interested in sixteenth- and seventeenth-century drama, writing, and culture.