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provides all the pedagogical, historical, and technical material necessary for the successful instruction of brass. Chapters discuss the historical development of individual brass instruments and focus on technique, including guidance for teachers and a complete method for brass playing. Individual instrument chapters include lists of recommended study material and reference sources. An audio CD of concert-hall recordings of all the exercises in the book is new to this edition. --from publisher description.
Evolution of trumpets, trombones, bugles, cornets, French horns, tubas, and other brass wind instruments. Indispensable resource for any brass player or music historian. Over 140 illustrations and 48 music examples.
(Brass Ensemble). Contents: Broadway Baby * Comedy Tonight * Get Me to the Church on Time * Ol' Man River * Sunrise, Sunset.
Brass Ensemble
Looking for music to utilize as an alternative to requiring your full band to play for a graduation ceremony? Are you asked to provide music for graduation ceremonies at lower grade levels other than senior graduation? If so, you can easily program this arrangement with other ensemble music. Focus on a small brass ensemble or the brass section of your band. This work will be loved by everyone. This arrangement of The Grand March from Verdi's opera Aida is intended to accompany and complement Sir Edward Elgar's Pomp and Circumstance Marches 1 and 4. They are the popular, recognizable, and traditional prelude and recessional works played at graduation ceremonies. This work could easily be used before or after the graduates' promenade, or during the ceremony as a featured work. The arrangement is scored for brass quintet (2 trumpets, Horn, and 2 trombones). However, it includes parts for Tuba and T.C. Baritone. The Horn in F part doubles the 2nd Trombone and Tuba and T.C. Baritone double the 3rd Trombone providing flexibility of use. The range in the first trumpet part extends once to a high C. This arrangement is in Concert Key of Bb Major with a short contrasting section in Db. It is a relatively easy arrangement, playable by capable middle level and high school players as a quintet or a brass ensemble with varied number of performers. The purchaser of this volume is free to make copies of the parts for rehearsal and performance purposes. So, once you've prepared the parts for the first rehearsal/performance, file this volume away and it will be there, complete, without missing parts, for years to come. Scroll below to videos to see and hear the score as played in Finale.
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
Just how does a brass quintet from Toronto become the most traveled classical act on the scene today? The Canadian Brass, called The Marx Brothers of Brass by the New York Times, has been cheered in concerts around the world for over 20 years. Their nearly 30 albums define them as the most successful crossover group in history. This fascinating look into the makings of a musical institution is a story to be enjoyed by musicians and music lovers. Flavored with the whimsy that has become the trademark of the group, the book is an amusing romp through their career, featuring a revealing look into the recording industry, extensive interviews with each player, dozens of amusing anecdotes, and over a hundred photos.
The Stooges Brass Band always had big dreams. From playing in the streets of New Orleans in the mid-1990s to playing stages the world over, they have held fast to their goal of raising brass band music and musicians to new heights—professionally and musically. In the intervening years, the band’s members have become family, courted controversy, and trained a new generation of musicians, becoming one of the city’s top brass bands along the way. Two decades after their founding, they have decided to tell their story. Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about black men in the United States at the turn of the twenty-first century. DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.
Roll With It is a firsthand account of the precarious lives of musicians in the Rebirth, Soul Rebels, and Hot 8 brass bands of New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.