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This outstanding children's method for mountain dulcimer is the result of the author's many years of sharing the dulcimer with children and has been successful with children as young as 5 years old. In it you will find many traditional songs and folk tunes arranged for the mountain dulcimer. Each song has a simple strum pattern indicated above it with fret numbers for the melody notes and lyrics included where appropriate. There are instructions for strumming, chording, fingerpicking and for three modal tunings (Ionian, Aeolian and Mixolydian). Harmony is included for many of the songs so two or more dulcimers can play together.
This book was written as a basic guide and source book for all dulcimer players, from the absolute novice to the most advanced picker. With its 53 songs in various modes and tunings, The Complete Dulcimer Handbook is meant to be used as a songbook, a lesson plan book, and a step-by-step guide from beginner to intermediate or advanced level. The author's basic premise is that, given this instrument's relatively brief pedagogical history, There are no right or wrong ways to play the mountain dulcimer, only harder or easier means of reaching the same ends. The stereo CD features the authors outstanding performance of 17 tunes from the book.
Madeline MacNeil's performances are characterized by her effortless vocals and impeccable mountain and hammered dulcimer playing. In this book she reveals some of the secrets of her success with the mountain dulcimer. Early on, she reminds the reader that the dulcimer is not a toy or a stringed kazoo but a serious, expressive musical instrument capable of stretching as far as the imagination. She endorses both playing by ear and learning to read standard notation. In easily-understood language she manages to explore some very complex, even esoteric concepts, making this a particularly valuable book for the beginning instrumentalists. You Can Teach Yourself Dulcimer is simply a great fundamental book. Twelve intensive lessons in 95 pages with arrangements in both DAA and DAD tuning. Standard notation and tablature. Illustrated with photographs and drawings. Includes access to online audio and video.
Does music make kids smarter? At what age should a child begin music lessons? Where should you purchase an instrument? What should parents expect from a child's teachers and lessons? How can you get kids to practice? Raising Musical Kids answers these and many other questions as it guides parents through everything from assembling a listening library for kids, to matching a child's personality with an instrument's personality, to finding musical resources in your community. Knowing that children can—and often do—get most of their music education from their school, parent and educator Robert Cutietta explores the features and benefits of elementary and secondary school programs, and shows how parents can work with the schools to provide the best possible music program. Throughout the book, Cutietta emphasizes the joy of participating in music for its own sake. The first edition of Raising Musical Kids delighted and informed parents to equal degrees, and this fully-revised second edition is a book that parents everywhere will treasure as a complete road map for developing their child's musical abilities.
Over 500 mountain dulcimer chords for the five widely used modes- Mixolydian, Ionian, Lydian, Dorian, and Aeolian-plus jazz and four-string chromatic tunings. Includes an explanation and history of modes, transpositions, using a capo, playing dulcimer in jam sessions, and more. Special case size.
Hawaiian slack key guitar (Ki Ho'alu) is one of the world's great acoustic guitar traditions. This tradition includes virtuoso guitar pieces, but the majority of songs played slack key are classic Hawaiian melodies either played as instrumentals or as accompaniment to vocals with instrumental breaks between the verses. the term slack key does not refer to a type of guitar, but rather to any guitar played in the slack key style, that is, in alternate tunings with slacked strings and fingerstyle technique. Acknowledged slack key master Keola Beamer is a member of a family known for its musical artistry for generations. We are fortunate to have him writing in conjunction with veteran Mel Bay author, educator and multi-instrumentalist Mark Nelson, who simply followed his love of the music to the Islands. Written in standard notation and tablature to accommodate numerous alternate tunings, this book is presented in four sections: 1) the most common tuning introduced by fairly easy songs; 2) Illustrations of how to build your own arrangements; 3) A presentation of various slack key tunings; and 4) A selection of duets in the slack key style. Historical and cultural insights are offered throughout in the spirit of aloha, producing an informative, musically enlightening book with soul and humor. the companion CD features tuning tracks and informal introductions of the audio content by the authors, plus some beautiful slack key music.
The balalaika is most often associated with Russian folklore. In this comprehensive method book, concert and recording artist Bibs Ekkel shares his extensive knowledge of the balalaika as taught in Russia today. This 160-page book is divided into four sections: an extensive Foreword, the Tutor, A Brief History of the Balalaika, and a Repertoire Section. Unlike many Mel Bay books, the Complete Balalaika Book does not begin with the rudiments of music notation. Rather, the 20-page Foreword offer insights on the tunings of all the instruments in the balalaika family, hand positions, string sources and height adjustment, and chord shapes. the author even describes how to make a bass balalaika pick from shoe leather. the Tutor or instruction segment is written for the 'prima balalaika' which is correctly played with the fingers only rather than with a pick. the Tutor jumps right in with exercises and tunes in quarter, eighth, and sixteenth-note values with occasional dotted notes and syncopation. Perhaps half of the music in this section is shown in both standard notation and tablature. A glossary of musical signs and Russian musical terns is included. A Brief History of the Balalaika is well written and nicely illustrated. Very few Mel Bay books contain such a comprehensive historical overview of the subject instrument. the Repertoire Section offers a valuable resource of Eastern European folk tunes. All but two selections in this section are written in both notation and tab with suggested guitar chords, the exceptions being an arrangement for balalaika and piano, and a balalaika orchestra score. More than simple melody chord leadsheets, these are the author's own arrangements of tunes for solo balalaika and balalaika orchestra. A companion CD with selections performed by the author completes this highly effective instructional package.