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Winner of the Allan Nevins Prize of the Society of American Historians and the New York State Historical Association Manuscript Prize.
Publications of the Bureau of social hygiene.
Heroin was only one drug among many that worried Progressive Era anti-vice reformers, but by the mid-twentieth century, heroin addiction came to symbolize irredeemable deviance. Creating the American Junkie examines how psychiatrists and psychologists produced a construction of opiate addicts as deviants with inherently flawed personalities caught in the grip of a dependency from which few would ever escape. Their portrayal of the tough urban addict helped bolster the federal government's policy of drug prohibition and created a social context that made the life of the American heroin addict, or junkie, more, not less, precarious in the wake of Progressive Era reforms. Weaving together the accounts of addicts and researchers, Acker examines how the construction of addiction in the early twentieth century was strongly influenced by the professional concerns of psychiatrists seeking to increase their medical authority; by the disciplinary ambitions of pharmacologists to build a drug development infrastructure; and by the American Medical Association's campaign to reduce prescriptions of opiates and to absolve physicians in private practice from the necessity of treating difficult addicts as patients. In contrast, early sociological studies of heroin addicts formed a basis for criticizing the criminalization of addiction. By 1940, Acker concludes, a particular configuration of ideas about opiate addiction was firmly in place and remained essentially stable until the enormous demographic changes in drug use of the 1960s and 1970s prompted changes in the understanding of addiction—and in public policy.
Includes chapters on moral reform, the YMCA, Sunday Schools, and parks and playgrounds.
Ragging It takes the reader on a lively, historical journey back to the days of vaudeville, fancy women, amusement parks, lynch mobs, saloons, and cabarets--a time when the upbeat music of ragtime was a craze that permeated our culture. Author H. Loring White, a former history professor, focuses on the vastly contrasting biographies of Theodore Roosevelt and Scott Joplin, while showcasing the uniqueness of ragtime--the first popular syncopated music of the masses. In 1900, times began to move more quickly. With citizens no longer isolated on farms, ragtime was eagerly accepted by the world's first generation of popular culture, which also reveled in cakewalks; coon songs; and animal dances, such as the Grizzly Bear, Turkey Trot, and Bunny Hug. White recounts true stories about show business, political events, the repression of African-Americans, the world's fairs, and the triumphs of technology. Although ragtime disappeared abruptly in just a few years with the emergence of jazz, White never lets you forget the vital role that ragtime played in the Progressive Era of American culture. With its new and vital interpretation of the Roosevelt era, he will take you back to a lively time in history when everyone was Ragging It!
A fascinating overview of prostitution and sex work in the United States, from the Colonial era to today, examines the issue as it affects men, women, and transgender individuals of all races and classes. Prostitution and Sex Work is the first book since 1921 to offer a historic overview of this controversial topic—and what our views on it say about American society. Exploring key people, places, and events, the guide includes descriptions of the myriad variations of the sale of sex and of the venues where prostitution occurs, as well as recurring themes such as panics about sexually transmitted diseases and the ever-present issue of violence in the sex trade. After reviewing the history of prostitution and sex work over the past 400 years, the book offers detailed information about the legal context of prostitution in America during the last century. It focuses particularly on the period since prostitution was criminalized during a panic over "white slavery" in the early 20th century, drawing parallels with current "sex trafficking" topics. An appendix of materials produced by sex workers is especially informative for those wishing to truly understand both sides of the issue.
Crossing over the Line describes the folly of the Mann Act of 1910—a United States law which made travel from one state to another by a man and a woman with the intent of committing an immoral act a major crime. Spawned by a national wave of "white slave trade" hysteria, the Act was created by the Congress of the United States as a weapon against forced prostitution. This book is the first history of the Mann Act's often bizarre career, from its passage to the amendment that finally laid it low. In David J. Langum's hands, the story of the Act becomes an entertaining cautionary tale about the folly of legislating private morality. Langum recounts the colorful details of numerous court cases to show how enforcement of the Act mirrored changes in America's social attitudes. Federal prosecutors became masters in the selective use of the Act: against political opponents of the government, like Charlie Chaplin; against individuals who eluded other criminal charges, like the Capone mobster "Machine Gun" Jack McGurn; and against black men, like singer Chuck Berry and boxer Jack Johnson, who dared to consort with white women. The Act engendered a thriving blackmail industry and was used by women like Frank Lloyd Wright's wife to extort favorable divorce settlements. "Crossing over the Line is a work of scholarship as wrought by a civil libertarian, and the text . . . sizzles with the passion of an ardent believer in real liberty under reasonable laws."—Jonathan Kirsch, Los Angeles Times