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From New York Times bestselling author Catherine Anderson comes the emotionally gripping story of a woman who must overcome her painful past before she can accept a good man’s love.... 1890, Oregon. Recently widowed Kate Blakely is struggling to make ends meet on her small farm while trying to heal from the scars of her late husband’s cruelty. When her handsome, brawny neighbor, Zachariah McGovern, almost dies while saving her four-year-old daughter from a near fatal accident, Kate is deeply wary of the man she brings into her home to nurse back to health. Gradually Kate realizes that underneath Zach’s rough exterior is a gentle, loving soul who is fiercely protective of her and her daughter. But as much as Zach longs for Kate’s love, she knows she can’t open her heart without revealing her darkest secret—a shocking truth that, if discovered, could destroy them both.
Everyone hates parts of their job.Maybe it's the paperwork. Maybe it's the day-to-day grind. Maybe it's that client who never knows what they want, or the guy who always cooks fish in the microwave.But not me. I love every corner of the Longbourne Flower Shop, every flower, every petal, every stem. I love the greenhouse, and I love Mrs. Bennet, my boss. I love creating, and I love being a florist. I don't hate anything at all.Except for Luke Bennet.The Bennet brothers have come home to help their mom save the flower shop, and Luke is at the helm. His smile tells a tale of lust, loose and easy. He moves with the grace of a predator, feral and wild. A thing unbridled, without rules or constraint. When he comes home to save Longbourne, I almost can't be mad at him. Almost.He doesn't remember that night I'll never forget. That kiss, touched with whiskey and fire. It branded me like a red-hot iron. But it meant nothing to him.Everyone hates part of their job, and I hate Luke Bennet.Because if I don't, I'll fall in love with him.
Myla Rose McGraw may be twenty, single, and pregnant, but she's no damsel in distress. She doesn't need a man. After all, her Grams taught her a thing or two about making lemonade out of life's lemons. Then she meets Cash Carson. Reeling from a bad breakup, Cash has sworn off love. It led to nothing but pain and misery, and he's determined to move forward alone. Until a redheaded Southern beauty crashes into him. With her shopping cart. At the local Piggly Wiggly. If love wasn't for him, why did his heart beat a little faster every time Myla Rose sent that sweet smile his way? He was no knight, and she didn't need saving. But damn if he didn't want to try anyway. COMING UP ROSES is a sweet, Southern fairy tale-with a twist.
From New York Times bestselling author Catherine Anderson comes the emotionally gripping story of a woman who must overcome her painful past before she can accept a good man’s love.... 1890, Oregon. Recently widowed Kate Blakely is struggling to make ends meet on her small farm while trying to heal from the scars of her late husband’s cruelty. When her handsome, brawny neighbor, Zachariah McGovern, almost dies while saving her four-year-old daughter from a near fatal accident, Kate is deeply wary of the man she brings into her home to nurse back to health. Gradually Kate realizes that underneath Zach’s rough exterior is a gentle, loving soul who is fiercely protective of her and her daughter. But as much as Zach longs for Kate’s love, she knows she can’t open her heart without revealing her darkest secret—a shocking truth that, if discovered, could destroy them both.
Prize-winning writer Sarah Laing has written a superb collection of stories that are beautifully written, vividly rendered and which stimulate and surprise. 'Imagine that you're a statistic,' says one of the characters in these quirky, haunting stories of people whose inner lives let them escape the boxes that others put them into. The single mum, the student working in the pie factory, the newborn baby, the dying woman, the Kiwi alone in New York and many others pass through these stories and in doing so let us enter their lives.
Pushing petals is their business. But it's up to one girl to keep things from wilting!Del Bloom and her family are busy preparing flowers for the town's Homecoming festivities. And Del is also preparing to ask her crush, Hamilton, to the big bonfire! But then the Blooms discover that their rival florist, Fleur, has been hired instead of them to make the rose bouquets for the Homecoming parade. Worst of all, the owner of Fleur is Hamilton's mom, so Del can't even confide in him. It's up to Del to come up with a brilliant flower fix, and fast. Will the Blooms be on the winning team?
A devil-may-care big-city newspaperman meets his match in the delightfully heart-warming Americana Romance, Coming Up Roses, by Rachel Wilson —1893 Chicago World’s Fair— Rose Ellen Gilhooley would do just about anything for Buffalo Bill Cody, the showman who plucked her out of poverty in Deadwood, KS, then turned her into one of the stars of his Wild West Show. So, Rose agrees when journalist H.L. May proposes writing a series of articles about her at the Chicago World's Fair. However, the brash and wildly-enthusiastic newspaperman, who wants more than a business relationship, quickly discovers that his smooth words will never win the feisty trick-rider’s affections. So, he turns to Annie Oakley and a few of Rose’s Souix friends for help, but it’s an unseen enemy’s sudden and dangerous kidnapping that creates the common ground for this unlikely love. Publisher's Note: Set in a real time and place, this light and humorous romance captures the nostalgia of the American Gay 90s in Chicago and is sure to be enjoyed by readers of historical American romance. The Meet Me at the Fair Series Coming Up Roses Just North of Bliss A Bicycle Built for Two
Discover UK Shoegaze and Dream Pop is an excellent comprehensive guide to the development of both genres in the UK. It includes detailed discographies, personnel details, biographies, analysis of their music and, where applicable, rarity ratings for all the 80s and 90s acts featured. You’ll recognise some names but several less well known acts are included too. There’s also a detailed postscript section on the re-emergence of Shoegaze and Dream Pop in the UK in the 21st century and the bands involved in it. This book is the latest in a quartet of books Vernon has written about UK music commencing with the Two Volume Tapestry of Delights (2014), A Sharp Shock To The System (2019) and The Britpop Bible (2022). These three previous titles appeared in print but in view of the cost of living crisis Discover UK Shoegaze and Dream Pop has been published digitally to reduce the retail price and make it affordable for more of you. You will discover a lot about UK Shoegaze and Dream Pop from this book, which is profusely illustrated throughout. There is nothing similar out there!
The New York Times called Stephen Sondheim "the greatest and perhaps best known artist in the American musical theater," while two months earlier, the same paper referred to his contemporary, Andrew Lloyd-Webber as "the most commercially successful composer in history." Whatever their individual achievements might be, it is agreed by most critics that these two colossi have dominated world musical theater for the last quarter century and hold the key to the direction the musical stage will take in the future. Here in the third volume of Stephen Citron's distinguished series The Great Songwriters--in depth studies that illuminated the musical contributions, careers, and lives of Noel Coward and Cole Porter (Noel & Cole: The Sophisticates), and Oscar Hammerstein 2nd and Alan Jay Lerner, (The Wordsmiths)--this eminent musicologist has taken on our two leading contemporary contributors to the lyric stage. His aim has not been to compare or judge one's merits over the other, but to make the reader discover through their works and those of their contemporaries, the changes and path of that glorious artform we call Musical Theater. In his quest, Citron offers unique insight into each artist's working methods, analyzing their scores--including their early works and works-in-progress. As in Citron's previously critically acclaimed books in this series, great significance is given to the impact their youthful training and private lives have had upon their amazing creative output. Beginning with Sondheim's lyrics-only works, West Side Story, Gypsy, Do I Hear A Waltz? through his scores for Saturday Night, Company, Anyone Can Whistle, Follies, Pacific Overtures, A Little Night Music, Sweeney Todd, Merrily We Roll Along, Sunday In the Park, Into the Woods, Assassins, and Passion, all these milestones of musical theater have been explored. Lloyd-Webber's musical contribution from his early works, The Likes of Us and Joseph to Jesus Christ Superstar, Evita, Cats, Starlight Express, Aspects of Love, By Jeeves, The Phantom of the Opera, Song & Dance, Mass, Sunset Boulevard to Whistle Down the Wind are also thoroughly analyzed. The works of these two splendid artists are clarified for the casual or professional reader in context with their contemporaries. Complete with a quadruple chronology (Sondheim, Lloyd-Webber, US Theater, British Theater), copious quotations from their works, and many never before published illustrations, the future of the artform that is the crowning achievement of the 20th century is made eminently clear in this book. Sondheim & Lloyd-Webber is a must-read for anyone interested in the contemporary theater.
Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.