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Inspired by Dante and William Blake, Secular Revelations is the third and final book of the long poem Comedy. Still in the form of a waking dream, this volume is a meditation on paradise, not as a transcendent place but as an expression of human experience and desire. It consists of poetic dialogues, some with the spirits of well-known artists and philosophers (Richard Wright, John Lennon, Norman O. Brown, Michael Cimino, Michel Foucault, Jacques Derrida, and Marlon Brando), others with more personal contacts. In an autobiographical mode, this book is a journey through the places, mostly real, in which the author underwent intellectual transformations. Critical motifs in this book are references and allusions to cinema (as in Book 2) and to popular music from the blues to rock-and-roll. There are some satirical and dystopian visions of the future, but the goal of the poem is the affirmation of the power of the human multitude to continue a permanent struggle against that which subverts infinite truth procedures, such as freedom, justice, and democracy. It presupposes that every human mind incorporates the living and the dead in one immeasurable mental process.
For fans of Tina Fey, Amy Poehler, Amy Schumer—and every other “funny woman”—comes a candid feminist comedy manifesto exploring the sisterhood between women’s comedy and women’s liberation. “I’m not funny at all. What I am is brave.” —Lucille Ball From female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential. Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web-series stars, Anna Fields’ entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement. With interview subjects like Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead among others—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and under-represented) artists. At its heart, The Girl in the Show captures the urgency of our continued struggle towards equality, allowing the reader to both revel in—and rebel against—our collective ideas of “women’s comedy.”
THE STORY: Gillian Holroyd is one of the few modern people who can actually cast spells and perform feats of supernaturalism. She casts a spell over an unattached publisher, Shepherd Henderson, partly to keep him away from a rival and partly becaus
Judy Carter, guru to aspiring comedy writers and stand-up comics, tells all about the biz of being funny and writing funny in this bright, entertaining, and totally practical guide on how to draw humor from your life and turn it into a career. Do you think you’re funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter’s The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being—and writing—funny for money. If you’ve got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it’s creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today’s top comedy professionals—from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields—stand-up, script, speech and joke writing, one-person shows, humor essays—and shows how to tailor your material for each. She teaches how to find your “authentic” voice—the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level—making money—by pitching it to a buyer and negotiating a contract. Written in Carter’s unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.
I’m a cat person. He has two BIG dogs. There is no chance this will work. There are three things I said I’d never do— Never move back in with my parents. Thanks to a summer storm, not only am I residing with my parents—temporarily—but a tree falls on their house and traps me in the bathtub. Enter the hottie firefighter who rescues me, bubbles and all. Then my parents have to move in with me. Oh joy. Never let my mom set me up on a blind date. She asks so many times, I finally agree. And the hot firefighter—Adam—is the one who shows up. Because I’ve always wanted to go on a first date with a guy who has seen me in nothing but bubbles. Not. Never date a guy with a dog. Adam is nearly perfect . . . except he has dogs. The furry beasts frighten me, and no way would Pookie tolerate them. But for a chance at love and to get over my fear, I volunteer to dog sit for the weekend. It doesn’t go well. Someone is going to end up in the doghouse. It might be me. ------------------------------------------------------------------------------------------------- Three Things I'd Never Do is a sweet romantic comedy with heartwarming characters and a touch of sizzle that will have you laughing your way to the happily ever after.
Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).
If your teacher has to die, August isn't a bad time of year for it," begins Richard Peck's latest novel, a book full of his signature wit and sass. Russell Culver is fifteen in 1904, and he's raring to leave his tiny Indiana farm town for the endless sky of the Dakotas. To him, school has been nothing but a chain holding him back from his dreams. Maybe now that his teacher has passed on, they'll shut the school down entirely and leave him free to roam. No such luck. Russell has a particularly eventful season of schooling ahead of him, led by a teacher he never could have predicted-perhaps the only teacher equipped to control the likes of him: his sister Tansy. Despite stolen supplies, a privy fire, and more than any classroom's share of snakes, Tansy will manage to keep that school alive and maybe, just maybe, set her brother on a new, wiser course.
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.
Funny, feisty and all-too-true, A Not Quite Perfect Family by Claire Sandy is for anyone who loves their family so much they’d just like a weekend away from them. Fern Carlile has a lot on her plate. It’s a good thing she loves her big, imperfectly perfect family, because she’s the one who washes their pants, de-fleas the dog and runs her own business. A hearty meal is the one thing that brings the Carliles together – but over the course of a year, the various courses also pull them apart. Around the table sits an eight-year-old militant feminist, a pair of teenage accidental parents, and a cantankerous OAP. Fern’s husband needs an extra seat for his spectacular midlife crisis. Will Fern’s marriage be over by the time coffee is served? Perhaps she’ll give in and have the hot new dish that looks so tempting. Decisions, decisions . . .
A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham. In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing . . . in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.