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Like so many midwesterners since, Julia Daniels and Charles Scott Moseley moved to Florida in the 1880s seeking a warmer climate. This collection of Julia’s letters--mainly to her husband, who made frequent business trips north, and to her close friend Eliza Slade--reveals the struggle of a cultured, urban woman adjusting to the hardship and isolation of life in pioneer Florida. And then coming to love it. Tramping through the unsullied land surrounding the Limona community near Tampa, where they settled, she gloried in her "neglected corner in the Garden of Eden," where she "could look up fifty feet and see air plants growing on the branches of great oaks and hundreds of ferns nodding . . . in the sunlight and gray moss moving through the trees like mist." "Think of me gazing up among crane’s nests with redbirds in my own oaks," she wrote. "Even in the nighttime, a mocking bird often sings to me of all the beautiful things I love." Julia (herself a published writer) selected these unedited letters and copied them for her family into a thick leather book. Like characters in a novel, the friends and relatives she describes crackle with personality: a flamboyant Russian proclaims his version of communism, a New England spinster counters with Utopian visions, and a university professor retreats from the ivory tower to agricultural experimentation. Readers observe Julia’s flair for making daily life cheerful and they meet the couple’s two adored sons and Scott’s children by an earlier marriage, as well as Cracker settlers, cattle runners, and assorted seekers of health or wealth. An artist, Julia created a distinctive home designed and decorated in the manner of the pre-Raphaelites. Her palmetto fiber wall covering was exhibited at the Chicago World’s Fair in 1893 and survives today. The Florida house, named The Nest, is on the National Register of Historic Places. Accompanied by 71 photographs of Julia’s home and family, these letters transcend the life of one woman to capture the experience and spirit of 19th-century Florida.
Like so many midwesterners since, Julia Daniels and Charles Scott Moseley moved to Florida in the 1880s seeking a warmer climate. This collection of Julia's letters--mainly to her husband, who made frequent business trips north, and to her close friend Eliza Slade--reveals the struggle of a cultured, urban woman adjusting to the hardship and isolation of life in pioneer Florida. And then coming to love it. Tramping through the unsullied land surrounding the Limona community near Tampa, where they settled, she gloried in her "neglected corner in the Garden of Eden," where she "could look up fifty feet and see air plants growing on the branches of great oaks and hundreds of ferns nodding . . . in the sunlight and gray moss moving through the trees like mist." "Think of me gazing up among crane's nests with redbirds in my own oaks," she wrote. "Even in the nighttime, a mocking bird often sings to me of all the beautiful things I love." Julia (herself a published writer) selected these unedited letters and copied them for her family into a thick leather book. Like characters in a novel, the friends and relatives she describes crackle with personality: a flamboyant Russian proclaims his version of communism, a New England spinster counters with Utopian visions, and a university professor retreats from the ivory tower to agricultural experimentation. Readers observe Julia's flair for making daily life cheerful and they meet the couple's two adored sons and Scott's children by an earlier marriage, as well as Cracker settlers, cattle runners, and assorted seekers of health or wealth. An artist, Julia created a distinctive home designed and decorated in the manner of the pre-Raphaelites. Her palmetto fiber wall covering was exhibited at the Chicago World's Fair in 1893 and survives today. The Florida house, named The Nest, is on the National Register of Historic Places. Accompanied by 71 photographs of Julia's home and family, these letters transcend the life of one woman to capture the experience and spirit of 19th-century Florida.
This collection of letters - mainly to her husband, who made frequent business trips north, and her friend Eliza Slade - reveal the struggle of a cultured, urban woman adjusting to the hardships and isolation of life in pioneer Florida.
Madness, murder and obsession: a stylishly original and fantastical collection of stories from an iconic Japanese writer A collection of the 7 essential Akutagawa short stories, in a vivid and elegant translation – the perfect introduction to this master of prose “A born short-story writer. . . one never tires of reading and re-reading his best works” – Haruki Murukami From a nobleman's court, to the garden of paradise, to a lantern festival in Tokyo, these 7 shrot stories offer dazzling glimpses into moments of madness, murder and obsession. A talented yet spiteful painter is given over to depravity in pursuit of artistic brilliance. In the depth of hell, a robber spies a single spider's thread being lowered towards him. When a body is found in an isolated bamboo grove, a kaleidoscopic account of violence and desire begins to unfold. These are short stories from an unparalleled master of the form. Sublimely crafted and stylishly original, Akutagawa's writing is shot through with a fantastical sensibility. This collection, in a vivid translation by Bryan Karetnyk, brings together the most essential works from this iconic Japanese writer. Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world’s greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov.
The beautiful village of Sunland began as a quiet agricultural center, while Tujunga, at first a utopian colony, chiefly embraced commercial, social, and cultural endeavors. The two once exquisite spots have prospered and united, evolving into a hub of small business trade, close community, and diversified living. The Tujunga Native Americans originally settled this piece of secluded wilderness alongside Southern California's Angeles National Forest. However, it was not until Spanish settlement and missionization in 1769, and the Mexican occupation soon after, that the Sunland and Tujunga area was transformed from a primitive village to a Mexican cattle frontier, facilitated by the Rancho Tujunga land grant of 1840. As the region grew and changed, the soul of Sunland and Tujunga became personified in the hardiness, innovation, success, and failure of each generation of pioneers. Chronicling the region's history from the year 500 to modern times, Sunland and Tujunga: From Village to City tells the singular story of the development of these California towns from quiet native home to inconspicuous village to thriving city. Exploring the growth of industry, agriculture, and recreation in Sunland and Tujunga, this volume also depicts the daily life of early inhabitants who built homes, erected churches, set up schools, opened businesses, and worked hard to establish a strong, healthy community for the generations that would follow. Over 100 compelling photographs highlight the awesome beauty of the area, as well as the unyielding spirit of the men and women who shaped Sunland and Tujunga into the communities they are today.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." —Publishers Weekly (starred review) Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison. England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never—ever—return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton—England’s first female serial killer—accused of poisoning nearly twenty people, including her husbands and children. Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry’s intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor—and perhaps accomplice—in Clara’s struggle to protect her money, her freedom, and her life.
From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas. The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.
A town crier walked through the village streets ringing his bell and shouting headlines to the residents - the early kind of journalists, the chief method in isolated American town and villages of delivering the news. His cries were fundamental to good journalism in those times -just delivery of the facts. On any scale in growing cities came larger and filtered down into villages in the form of one-page, hand-operated press, the type set by hand into a chase and the crude paper impressed with the news. Meantime, the town crier continued well into the nineteenth century, replicated by the newsboy who drags his wagon filled with paper and broadcasts the headlines, "ROCK HOUSES PRICE UP...ROCK HOUSES SPRING UP, read all about it!" The Crier rings his bell to alert attention.