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Brings to life the challenges and developments of Technicolor, Kodachrome, Agfacolor, Kodacolor, Cibachrome, Polaroid and electronic photography.
Veteran photographer and instructor Bryan Peterson is best known for his arresting imagery using bold, graphic color and composition. Here he explores his signature use of color in photography for the first time, showing readers his process for creating striking images that pop off the page. He addresses how to shoot in any type of light, and looks at color families and how they can work together to make compelling images in commercial and art photography. He also helps readers understand exposure, flash, and other stumbling blocks that beginning and experienced photographers encounter when capturing images, showing how to get the most out of any composition. With its down-to-earth voice and casual teaching style, Understanding Color in Photography is a workshop in a book, helping any photographer take their images to the next level.
Basics Photography- Post-Production Colour is richly illustrated with informative diagrams and inspirational images, making this book an invaluable guidebook for any photographer or aspiring photographic student.
This striking volume celebrates colour in photography. Hundreds of images by some of the biggest names in photography are organised into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau. Among the featured photographers are Steve McCurry, Martin Parr, Susan Meiselas, Bruno Barbey, and Raghu Rai.
Understand the role colour plays in your images, learn to appreciate its dynamic effects and find out how to capture and reproduce it as precisely as possible in your own images. The Colour Photography Field Guide provides a unique look at analysing and combining three important ways of dealing with colour. The first is the subjective and cultural response to individual colour: the perception. The second is how colours are found and appear in photography: the science. The third is the means by which they can be viewed and altered digitally: the expression. - A clear and technically precise look at how colour affects your digital images - Portable and lightweight, for on-the-spot information and inspiration - With a host of case studies examining difficult colour situations such as capturing flesh tones and unreal colours
Understand the role colour plays in your images, learn to appreciate its dynamic effects and find out how to capture and reproduce it as precisely as possible in your own images. The Colour Photography Field Guide provides a unique look at analysing and combining three important ways of dealing with colour. The first is the subjective and cultural response to individual colour: the perception. The second is how colours are found and appear in photography: the science. The third is the means by which they can be viewed and altered digitally: the expression. - A clear and technically precise look at how colour affects your digital images - Portable and lightweight, for on-the-spot information and inspiration - With a host of case studies examining difficult colour situations such as capturing flesh tones and unreal colours
Since the Lumière brothers made the autochrome process commercially available in June 1907, colour photography has proliferated in so many directions that we are saturated with it. In this stunning collection, Pam Roberts has gathered together the finest examples of the art of colour photography, covering every major technical and artistic development in colour photography in over 100 years.
Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Daughter of the Regius Professor of Medicine at Oxford, she was photographed by Lewis Carroll as a child, along with her close friend Ina Liddell, sister of Alice of Wonderland fame. The critic John Ruskin taught her art and she also knew many of the Pre-Raphaelites, holding Rossetti's palette for him as he painted the Oxford Union murals. At the age of nineteen she met the photographer Julia Margaret Cameron, whose influence is evident in her early work.Following in the footsteps of Cameron and Carroll Miss Acland first came to attention as a portraitist, photographing the illustrious visitors to her Oxford home. In 1899 she then turned to the challenge of colour photography, becoming, through work with the 'Sanger Shepherd process', the leading colour photographer of the day. Her colour photographs were regarded as the finest that had ever been seen by her contemporaries, several years before the release of the Lumière Autochrome system, which she also practised.This volume provides an introduction to Miss Acland's photography, illustrating more than 200 examples of her work, from portraits to picturesque views of the landscape and gardens of Madeira. Some fifty specimens of the photographic art and science of her peers from Bodleian collections are also reproduced for the first time, including four unrecorded child portraits by Carroll. Detailed descriptions accompany the images, explaining their interest and significance. The photographs not only shed important light on the history of photography in the period, but also offer a fascinating insight into the lives of a pre-eminent English family and their circle of friends.