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Leading politicians, diplomats, clerics, planters, farmers, manufacturers, and merchants preached a transformative, world-historical role for the Confederacy, persuading many of their compatriots to fight not merely to retain what they had but to gain their future empire. Impervious to reality, their vision of future world leadership—territorial, economic, political, and cultural—provided a vitally important, underappreciated motivation to form an independent Confederate republic. In Colossal Ambitions, Adrian Brettle explores how leading Confederate thinkers envisioned their postwar nation—its relationship with the United States, its place in the Americas, and its role in the global order. Brettle draws on rich caches of published and unpublished letters and diaries, Confederate national and state government documents, newspapers published in North America and England, conference proceedings, pamphlets, contemporary and scholarly articles, and more to engage the perspectives of not only modern historians but some of the most salient theorists of the Western World in the eighteenth and nineteenth centuries. An impressive and complex undertaking, Colossal Ambitions concludes that while some Confederate commentators saw wartime industrialization as pointing toward a different economic future, most Confederates saw their society as revolving once more around coercive labor, staple crop production, and exports in the war’s wake.
Greed is a legendary film begun in 1923. It was to have been Erich von Stroheim's masterwork, but his colossal ambitions were to be his undoing. His obsession with realistic detail and determination to extract every ounce of drama from his source, Frank Norris's novel McTeague, stretched the shooting schedule to inordinate lengths, resulting in a film which ran for over seven hours. Jonathan Rosenbaum has made a meticulous study of all the sources. In a fascinating piece of detective work, he reconstructs the history of one of cinema's greatest ruins.
In characteristically daring style, Anthony Burgess combines two responses to Orwell's 1984 in one book. The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right.Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived.Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.
Since the early twentieth century, historians have traditionally defined manifest destiny as the belief that the United States was destined to expand from coast to coast. This generation of historians has posed manifest destiny as a unifying ideology of the nineteenth century, one that was popular and pervasive and ultimately fulfilled in the late 1840s when the United States acquired the Pacific Coast. However, the story of manifest destiny was never quite that simple. In A Failed Vision of Empire Daniel J. Burge examines the belief in manifest destiny over the nineteenth century by analyzing contested moments in the continental expansion of the United States, arguing that the ideology was ultimately unsuccessful. By examining speeches, plays, letters, diaries, newspapers, and other sources, Burge reveals how Americans debated the wisdom of expansion, challenged expansionists, and disagreed over what the boundaries of the United States should look like. A Failed Vision of Empire is the first work to capture the messy, complicated, and yet far more compelling story of manifest destiny’s failure, debunking in the process one of the most pervasive myths of modern American history.
From the New York Times bestselling author of The Romanovs—and one of our pre-eminent historians and a prizewinning writer—comes an inspiring, horrifying, and accessible collection of short, entertaining, and vivid life stories about the giant characters who have changed the course of world history. These titans of history—encompassing queens, empresses, and actresses, kings, sultans, and conquerors, as well as prophets, artists, courtesans, psychopaths, and explorers—lived lives of astonishing drama, courage and adventure, debauchery and slaughter, virtue and crime. The subjects range widely throughout time and geography from Buddha and Genghis Khan to Nero and Churchill; from Catherine the Great and Anne Frank to Toussaint l’Ouverture and Martin Luther King; from Mozart to Mao; from Jesus Christ and Shakespeare to Einstein and Elvis. Through these lives, Montefiore recounts the most momentous world events—from ancient times to the Crusades, the Holocaust, and the Gulf Wars. These are the historical figures that everyone should know and the stories we should never forget.
When Jack London died in 1916 at age forty, he was one of the most famous writers of his time. Eighty years later he remains one of the most widely read American authors in the world. The first major critical study of London to appear in a decade, Male Call analyzes the nature of his appeal by closely examining how the struggling young writer sought to promote himself in his early work as a sympathetic, romantic man of letters whose charismatic masculinity could carry more significance than his words themselves. Jonathan Auerbach shows that London's personal identity was not a basis of his literary success, but rather a consequence of it. Unlike previous studies of London that are driven by the author's biography, Male Call examines how London carefully invented a trademark "self" in order to gain access to a rapidly expanding popular magazine and book market that craved authenticity, celebrity, power, and personality. Auerbach demonstrates that only one fact of London's life truly shaped his art: his passionate desire to become a successful author. Whether imagining himself in stories and novels as a white man on trail in the Yukon, a sled dog, a tramp, or a professor; or engaging questions of manhood and mastery in terms of work, race, politics, class, or sexuality, London created a public persona for the purpose of exploiting the conventions of the publishing world and marketplace. Revising critical commonplaces about both Jack London's work and the meaning of "nature" within literary naturalism and turn-of-the-century ideologies of masculinity, Auerbach's analysis intriguingly complicates our view of London and sheds light on our own postmodern preoccupation with celebrity. Male Call will attract readers with an interest in American studies, American literature, gender studies, and cultural studies.
Not so long ago, in certain cities on the shores of the eastern Mediterranean, Muslims, Christians, and Jews lived and flourished side by side. What can the histories of these cities tell us? Levant is a book of cities. It describes three former centers of great wealth, pleasure, and freedom—Smyrna, Alexandria, and Beirut—cities of the Levant region along the eastern coast of the Mediterranean. In these key ports at the crossroads of East and West, against all expectations, cosmopolitanism and nationalism flourished simultaneously. People freely switched identities and languages, released from the prisons of religion and nationality. Muslims, Christians, and Jews lived and worshipped as neighbors.Distinguished historian Philip Mansel is the first to recount the colorful, contradictory histories of Smyrna, Alexandria, and Beirut in the modern age. He begins in the early days of the French alliance with the Ottoman Empire in the sixteenth century and continues through the cities' mid-twentieth-century fates: Smyrna burned; Alexandria Egyptianized; Beirut lacerated by civil war.Mansel looks back to discern what these remarkable Levantine cities were like, how they differed from other cities, why they shone forth as cultural beacons. He also embarks on a quest: to discover whether, as often claimed, these cities were truly cosmopolitan, possessing the elixir of coexistence between Muslims, Christians, and Jews for which the world yearns. Or, below the glittering surface, were they volcanoes waiting to erupt, as the catastrophes of the twentieth century suggest? In the pages of the past, Mansel finds important messages for the fractured world of today.
"Harrigan, surveying thousands of years of history that lead to the banh mi restaurants of Houston and the juke joints of Austin, remembering the forgotten as well as the famous, delivers an exhilarating blend of the base and the ignoble, a very human story indeed. [ Big Wonderful Thing is] as good a state history as has ever been written and a must-read for Texas aficionados.”—Kirkus, Starred Review The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world. “I couldn’t believe Texas was real,” the painter Georgia O’Keeffe remembered of her first encounter with the Lone Star State. It was, for her, “the same big wonderful thing that oceans and the highest mountains are.” Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas’s evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes, it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas.
"Fifth Business and Alligator Pie. Stephen Leacock, Grey Owl, and Morley Callaghan: these treasured Canadian books and authors were all nurtured by the Macmillan Company of Canada, one of the country's foremost twentieth-century publishing houses. The Literary Legacy of the Macmillan Company of Canada is a unique look at the contribution of publishers and editors to the formation of the Canadian literary canon. Ruth Panofsky's study begins in 1905 with the establishment of Macmillan Canada as a branch plant to the company's London office. While concentrating on the firm's original trade publishing, which had considerable cultural influence, Panofsky underscores the fundamental importance of educational titles to Macmillan's financial profile. The Literary Legacy of the Macmillan Company of Canada also illuminates the key individuals -- including Hugh Eayrs, John Gray, and Hugh Kane -- whose personalities were as fascinating as those of the authors they published, and whose achievements helped to advance modern literature in Canada."--Publisher's website.
Cecily N. Zander’s The Army under Fire is a pathbreaking study focusing on the fierce political debates over the size and use of military forces in the United States during the Civil War era. It examines how prominent political figures interacted with the professional army and how those same leaders misunderstood the value of regular soldiers fighting to reunify the fractured nation.