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Some Americans pretend that a watertight line separates the "races." But most know that millions of mixed-heritage families crossed from one "race" to another over the past four centuries. Every essay in this collection tells such a tale. Each speaks with a different style and to different interests. But taken together, the seven articles paint a portrait, unsurpassed in the literature, of migrations, challenges, and triumphs over "racial" obstacles. Stacy Webb tells of families of mixed ancestry who pioneered westward paths from the Carolinas into the colonial wilderness, paths now known as Cumberland Road, Natchez Trace, Three-Chopped Way, and others. They migrated, not in search of wealth or exploration, but to escape the injustice of America's hardening "racial" barrier. Govinda Sanyal's astonishing research uses mtDNA markers to trace a single female lineage that winds its way through prehistoric Yemen, North Africa, Moorish Spain, the Sephardic diaspora, colonial Mexico, and finally escapes the Inquisition by assimilating into a Native American tribe, ending up in South Carolina. He fleshes out the DNA thread with documented genealogy, so we get to know their names, their lives, their struggles. Cyndie Goins Hoelscher focuses on a specific family that scattered from the Carolinas. One branch fled to Texas, becoming friends with Sam Houston and participating in the founding of that state. Other bands fought in the war of 1812, or migrated to Florida or the Gulf coast. Nowadays, Goins descendants can be found in nearly every state and are of nearly every "race." Scott Withrow (the collection's editor) concentrates on the saga of one individual of mixed ancestry. Joseph Willis was born into a community of color in South Carolina. He migrated to Louisiana, was accepted as a White man, founded one of the first churches in the area, and became one of the region's best-loved and most fondly remembered Christian ministers. S. Pony Hill recounts the historic struggles of South Carolina's Cheraw tribe, in a reprint of Chapter 5 of his book, "Strangers in Their Own Land." Marvin Jones tells the history of the "Winton Triangle," a section of North Carolina populated by successful families of mixed ancestry from colonial times until the mid-20th century. They fought for the Union, founded schools, built businesses, and thrived through adversity until the civil rights movement of 1955-65 ended legal segregation. K. Paul Johnson traces the history of North Carolina's antebellum Quakers. The once-strong community dissolved as it grew morally opposed to slavery. Those who stayed true to their faith migrated north. Those who remained slaveowners left the church. The worst stress was the Nat Turner event. Its aftermath helped turn the previously permeable color line into the harsh endogamous barrier that exists today.
Book features an A to Z encyclopedia, cross-referenced for easy access to all information; sections on painting and harmony, illustrating fundamental color techniques of artists; a section of color systems, explaining their development and use; sections on color communication and symbolism; analysis and discussion of color trends and cycles; biographies of leading historical and contemporary color theorists, and commentaries on their ideas; a fully illustrated section of historic and twentieth-century palettes and their source artifacts.
“Reminiscent of Toni Morrison’s The Bluest Eye.” —The New York Times “One of the best books I have ever read…will live in the hearts of readers for the rest of their lives.” —Colby Sharp, founder of Nerdy Book Club “An emotional, painful, yet still hopeful adolescent journey…one that needed telling.” —Kirkus Reviews (starred review) “I really loved this.” —Sharon M. Draper, author of the New York Times bestseller Out of My Mind This deeply sensitive and “compelling” (BCCB) debut novel tells the story of a thirteen-year-old who must overcome internalized racism and a verbally abusive family to finally learn to love herself. There are ninety-six reasons why thirteen-year-old Genesis dislikes herself. She knows the exact number because she keeps a list: -Because her family is always being put out of their house. -Because her dad has a gambling problem. And maybe a drinking problem too. -Because Genesis knows this is all her fault. -Because she wasn’t born looking like Mama. -Because she is too black. Genesis is determined to fix her family, and she’s willing to try anything to do so…even if it means harming herself in the process. But when Genesis starts to find a thing or two she actually likes about herself, she discovers that changing her own attitude is the first step in helping change others.
Those individuals who believe God created only two people in the garden of Eden may be surprised by the authors viewpoints expressed in this book. The author uses the Bible as the foundation to explain what could be possiblethat God did create more worlds, more planets, and more people in His likeness, allowing them to migrate through space travel to different worlds. Some of these other-world individuals may be present among us today.
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With 119 coloring pictures, My Bible Coloring Book takes the coloring book to a new level. It teaches children essential Bible stories as they color! This coloring book covers all the main stories of the Bible, and each picture has a scripture reference. My Bible Coloring Book also contains a letter from Shirley Dobson describing the joy of taking children through the Bible, helping them to discover God’s Word. Shirley Dobson’s previous coloring books have sold over 1,000,000 copies!
Bible number coloring book. Genesis chapter 1 full 31 verses, KJV translation. Color numbers 1 to 31 with coloring picture. Page deminsion 8.5" x 11" Sentry Publishing
Offers a rare inside view of the Beatles and the cultural revolution of which they were a part, with a personal recollection of Harrison's evolution as a musician and composer.
In a Different Light reproduces in full colour Samuel Bak's remarkable new series of 55 drawings and painting in which he examines concepts such as creation, cruelty, mortality, morality, and accusation. These paintings are a struggle to understand, explain, and rebuild. Subjects include scriptural stories of Abraham, Isaac, and Jacob, and their various encounters with their Creator; humankind's passage through Time and its changing role in existence; tikkun hao'lam-the enormous task of repairing the world; and Michelangelo's Creation of Adam, at whose centre God's and Adam's pointing fingers almost touch. Lawrence Langer develops our understanding of these rich and complicated stories and of the extraordinary artist and his personal vision.Imbued with the same rich colour palette and use of metaphors for which Bak is renowned, this body of work adds new symbols and characters to the artist's repertoire. Moreover, it asks difficult questions concerning divine compassion, human defiance, moral responsibility, and the role of the artist in society. These emotive images impel us to rethink our notions of history, and our way of seeing the past and present.