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DigiCat Publishing presents to you this special edition of "A Color Notation" (A measured color system, based on the three qualities Hue, Value and Chroma) by A. H. Munsell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Reproduction of the original: A Color Notation by Albert H. Munsell
The 'Color Correction Handbook' covers a wide variety of techniques that can be used by colourists, no matter what system they're using. From the most basic methods for evaluating and correcting an overall image, to the most advanced targeted corrections and creative stylizations typically employed, this book covers it all.
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
This comprehensive guide to colour science presents A. H. Munsell’s foundational texts on colour theory and practice in a true celebration of both art and science. Albert Henry Munsell was a pioneer of colour theory. His Colour Notation established theories for categorising colour around three dimensions: hue, value (lightness), and chroma (purity). These elements were proposed to produce any particular colour or differentiate between those of the same character. First published in 1905, Munsell’s innovative theory offered insights into colour harmony, relationships, and the psychological impact of colours. It spurred significant advancements in colour science, art, and design, standing as a cornerstone text alongside those published by Michel Chevreul and Ogden Rood. This new edition from Art Meets Science combines Munsell’s seminal A Colour Notation with all fifteen full-colour plates from Atlas of the Munsell Color System, an introduction by Munsell, and an essay on colour by Bonnie E. Snow. An essential colour manual for those studying colour theory or with an interest in colour application, colour behaviours, and the history of colour theory.
This is a new release of the original 1937 edition.