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Collotype and Photo-lithography by Julius Schnauss is about the process in photography by which one prints images in a wide variety of tones without the need for halftone screens. Contents: "Introductory 9 II. Bichromates in Conjunction with Organic Substances 12 III. Summary of the more important Printing Processes with Chromated Gelatine 18 IV. Collotype Apparatus 25 V. Chemicals and Materials for Collotype 46 VI. Preparation of the Collotype Plate 59 VII. Negatives suitable for Collotype 72 VIII. Printing in the Press 88 IX. Finishing and Varnishing Collotype Prints 96 X. Other Collotype Processes."
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
The first book on the man who made it possible to print photographs in books. Louis Alphonse Poitevin (1819-1882) was an outstanding inventor, chemist, engineer, scientist, artist, and photographer. This book looks into the life of this famous pioneer of photography for the first time. For more than thirty-five years Poitevin experimented with chemical and mechanical processes in order to make photographs printable and more durable. At an early stage of the medium's development, Poitevin recognized how important photography would become for illustrating printed books. Among other achievements, he developed the first successful processes for illustrating books with photographs. This book brings together Poitevin's photographs and research on his scientific experiments to put his accomplishments in the context of art history and the history of science.
Captivated in his youth by the new technology of photography. Kazumasa Ogawa (1860-1929) became one of the most enterprising and important early photographers, technicians, and printers in Japan. This book presents a majestic collection of images from one of Japan's most important early photographers.
"Photo-Lithography" by Georg Fritz (translated by E. J. Wall). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.