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In Collective Rage, the lives of five very different New York women named Betty collide at the intersection of anger, sex and “theat-ah.” As they meet, fall in love, rehearse, revel and rage, they realise that they've been stuck reading the same scripts for far too long. They all come from different backgrounds, and are bored or angry about different things, but the Betty's - each one numbered 1-5 - come together to rehearse a new version of Pyramus and Thisbe, the play within a play in A Midsummer Night's Dream. What follows are discoveries, transformations and raucous comedy. Hitting the ring with an electrifying soundtrack, looks to kill and spectacular routines, this outrageous comedy packs the punch to shatter lacquered femininity into a thousand glittering pieces. Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing. Collective Rage had its UK premiere at the Southwark Playhouse.
"Betty is rich; Betty is lonely; Betty's busy working on her truck; Betty wants to talk about love, but Betty needs to hit something. Meanwhile, Betty decides to stage a production of that play-within-a-play from...what's it called again? Summer's Midnight Dream? In Collective Rage, the lives of five very different New York women named Betty collide at the intersection of anger, sex and 'theat-ah.' As they meet, fall in love, rehearse, revel and rage, they realise that they've been stuck reading the same scripts for far too long" --
After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects. FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic. As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
Three plays about transformation, intimacy and power from award-winning American Playwright Jen Silverman. Contains the plays The Roommate; The Moors and Collective Rage: A Play in 5 Betties. Collective Rage: A Play in 5 Betties - Five different women named Betty collide at the intersection of anger, sex, and the “thea-tah”, falling in love in unexpected ways. The Moors - Two sisters and a dog living on the bleak English moors, and dreaming of love and power, are surprised by a sudden arrival. The Moors is a dark comedy about love, desperation, and visibility. In The Roommate a middle-aged housewife makes a new friend with a big secret. A dark comedy about what it takes to re-route your life - and what happens when the wheels come off.
Okot wants nothing more than to get to the UK. Beth wants nothing more than to help him. Join the hopeful, resilient residents of 'The Jungle', the refugees and volunteers from around the globe who gather at the Afghan Café. They're just across the Channel, right on our doorstep. Joe Murphy and Joe Robertson's The Jungle premiered as a coproduction between Young Vic and the National Theatre with Good Chance Theatre, commissioned by the National Theatre, opening at the Young Vic, London, in December 2017. The play transferred to the Playhouse Theatre, London, in June 2018.
For readers of Miranda July, Rebecca Lee, and Mary Gaitskill, a debut short-story collection that is a mesmerizing blend of wit, transgression, and heart. LONGLISTED FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT FICTION A passive-aggressive couple in the midst of a divorce compete over whose new fling is more exotic. A Russian migrant in Tokyo agonizes over the money her lover accepts from a yakuza. A dead body on a drug dealer’s floor leads to the strangest first date ever. In this razor-sharp debut collection, Jen Silverman delivers eleven interconnected stories that take place in expat bars, artist colonies, train stations, and matchbox apartments in the United States and Japan. Unforgettable characters crisscross through these transient spaces, loving, hurting, and leaving each other as they experience the loneliness and dangerous freedom that comes with being an outsider. In “Maria of the Grapes,” a pair of damaged runaways get lost in the seductive underworld beneath Tokyo’s clean streets; in “Pretoria,” a South African expatriate longs for the chaos of her homeland as she contemplates a marriage proposal; in “Girl Canadian Shipwreck,” a young woman in Brooklyn seeks permission to flee from her boyfriend and his terrible performance art; in “Maureen,” an aspiring writer realizes that her beautiful, neurotic boss is lonelier than she lets on. The Island Dwellers ranges near and far in its exploration of solitude and reinvention, identity and sexuality, family and home. Jen Silverman is the rare talent who can evoke the landscape of a whole life in a single subtle phrase—vital, human truths that you may find yourself using as a map to your own heart. Praise for The Island Dwellers “These stories, in any case, are irresistible, delivering a portrait of contemporary relationships that . . . is shot through with veins of real connection.”—The New York Times Book Review “The eleven stories that make up this collection are raw, intense in their longing, and tender in the most unexpected ways.”—Lambda Literary “Silverman’s disarming and unconventional characters are all searching for a connection with others. Some are battling loneliness or the fear of being alone but they’re all blessed with quick wits and warmth. This is an outstanding short story debut.”—Shelf Awareness
In a crumbling Calcutta home, two sisters are forced to come to terms with their mother's secret history. In this funny and moving play, award-winning writer Shelley Silas examines how family and culture, time and distance, influence our sense of who we are. Set in the Indian Jewish community, it explores conflicts between old and new, east and west, tradition and truth.If the past is another country, where is home? Calcutta Kosher was produced by the Kali Theatre Company and toured the UK in February and March 2004.
When Ed and his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can’t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man?
In this darkly comic exploration of loss, intimacy, and motherhood, three women are joined by a baby who never lived. Morgan, in her middle years, is the grieving mother of a stillborn child. Elena, the failed midwife, burdened by guilt, is considering a career change. Dolores, eighteen, is pregnant with a baby she does not want. Meanwhile, Constantinople, the child who wasn’t meant to be, wanders lost in search of his mother, trying to make sense of the world while making an unlikely appearance in each woman’s personal drama. Poignant, lyrical, ingeniously absurd, and outrageously funny, Jen Silverman’s Still is a brave and remarkable exploration of grief and family. It is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected this year by Marsha Norman, the Pulitzer Prize–winning author of Getting Out; ’night, Mother; and other acclaimed theatrical works.