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At a time when filmmakers turned actresses into the idols of modern times, a brilliant woman from Mexico emerged by the name of María Félix. She had a sober and proud beauty that exempted celluloid heroines from the burdens of ambitious scenarios. She satisfied masses of fans, who transformed her into a goddess rivaling Garbo and Dietrich. But it was her life - both private and public - that comprised the best melodrama. Destiny is a fine screenwriter. Félix excelled in creating an image of the doña, both forceful and rebellious, and as indestructible as the jewels she displayed on her feminine body, where a man's heart would beat. AUTHOR Filmmaker, novelist, songwriter, and movie and theater lover, Pierre Philippe has written lyrics for the Argentinean composer Astor Piazzolla, directed major television shows, and is the author of L'Aire et la chanson, a novel about music-hall life, published by Grasset in 2003. His love for the seventh art inevitably led him to a love for actresses. ILLUSTRATIONS 60 colour & b/w photographs
María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse. Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.enefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.enefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.enefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.
Many books have been written to talk about Maria Felix's beauty, her strong personality, her colorful phrases and to analyze her 47 films, and many more have been written by those that like to brag about being her friend and confident, and it is certain that many more will be written in the years to come, but they will not be more than a copy of the previous ones.This book is not another one of those previous ones, this book is different as it is presenting photographs never published before in any other book. This book is like a mirror that once again is reflecting on its clear surface the perfect face of Maria that has been preserved in thousands of photographic and filmic materials. Many of the photographs in this book; were intended to be part of the book that was published in 1992 to celebrate Maria's 50th Anniversary as an actress and years later in 1996, Maria intended to use some of them in her book "Una Raya En El Agua"Now, here it is this book, an eternal gift of love and gratitude for that wonderful and unique woman that shared so much with the author during those many years that they were together...
A biography of popular Mexican actress, Maria Felix, that chronicles her personal life and professional career.
In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.
Explores issues of representation and rebellion in Mexican and Mexican American cinema.
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
"This book is an exciting, well-organized overview of the evolution of a cultural icon: the nun-ensign Catalina de Erauso. . . . It will be of interest not only to Hispanists, but also to students of gender, theater, and film." -Anne J. Cruz, Professor of Spanish, University of Illinois, Chicago Catalina de Erauso (1592-1650) was a Basque noblewoman who, just before taking final vows to become a nun, escaped from the convent at San Sebastián, dressed as a man, and, in her own words, "went hither and thither, embarked, went into port, took to roving, slew, wounded, embezzled, and roamed about." Her long service fighting for the Spanish empire in Peru and Chile won her a soldier's pension and a papal dispensation to continue dressing in men's clothing. This theoretically informed study analyzes the many ways in which the "Lieutenant Nun" has been constructed, interpreted, marketed, and consumed by both the dominant and divergent cultures in Europe, Latin America, and the United States from the seventeenth century to the present. Sherry Velasco argues that the ways in which literary, theatrical, iconographic, and cinematic productions have transformed Erauso's life experience into a public spectacle show how transgender narratives expose and manipulate spectators' fears and desires. Her book thus reveals what happens when the private experience of a transgenderist is shifted to the public sphere and thereby marketed as a hybrid spectacle for the curious gaze of the general audience.