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The J. Paul Getty Museum Journal 17 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 17 includes articles written by Elisabeth Doumeyrou, Gerhard Gruitrooy, Lee Hendrix, Clark Hulse, David Jaffé, Jean-Nérée Ronfort, and Belinda Rathbone.
At head of title: The Metropolitan Museum of Art. Bibliography: p. 309-318.
Emily Riddle has lived her entire life inside a patriarchal commune led by her father. There are many rules, but the most important one, 'keep it in the commune', is the most difficult for her to follow... especially since the only people willing to champion her cause live on the outside. When Emily learns her father has promised her to Lorenzo, a perverted man who has plans for her that extend well beyond marriage and kids, she rebels. Regardless of the consequences, she refuses to marry someone who'd rather beat her than caress her. A day of hooky that starts out as a tiny act of defiance - sneaking out of the commune for a swim - turns into a day filled with hope. After spending time with Levi, a man camping near the lake, she finds what true romance looks like and catches a glimpse into a future that's filled with love and admiration rather than hate and submission. That tiny peek is enough to change the course of Emily's existence and makes it nearly impossible for her to go back to the commune and pretend she'll ever be able to tolerate the life chosen for her instead of the life she longs for. One that includes Levi. Fighting to escape the commune, its leaders, and her fiancé proves to be more dangerous than Emily expected. The secrets she knows, as the leader's daughter, will either follow her to the grave or send her - and Levi - there.
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 21 of the J. Paul Getty Museum Journal includes articles by John Walsh, Barbara C. Anderson, Ariel Herrmann, Jill Finsten, Lynn F. Jacobs, And Peter J. Holliday.