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Documents the history of the musical box and its antecedents on side one, followed by music played on various musical boxes in the Victoria and Albert Museum on side two.
Contains diagrams of the various types of mechanical movements used over the centuries, indices of manufacturers, box styles, and tune sheets, complete American and British patent lists, and tips on maintaining, repairing, and purchasing boxes. Many of the loveliest musical boxes ever crafted are illustrated in color, with hundreds more b/w photos showing their mechanical workings. 80 diagrams explaining their functions help collectors use, maintain and repair boxes in their collections.
Covers the history, construction, manufacturing, tuning, restoration, and music of these classic American and European parlor instruments.
The Encyclopedia of the Piano was selected in its first edition as a Choice Outstanding Book and remains a fascinating and unparalleled reference work. The instrument has been at the center of music history with even composers of large symphonic work asserting that they do not write anything without sketching it out first on a piano; its limitations and expressive capacity have done much to shape the contours of the western musical idiom. Within the scope of this user-friendly guide is everything from the acoustics and construction of the piano to the history of the companies that have built them. The piano-lover might also be surprised to find an entry for Thomas Jefferson, and will no doubt read intently the passages about the changing history of the piano's place in the home. Uniformly well-written and authoritative, this guide will channel anyone's love for the instrument, through social, intellectual, art history and beyond into the electronic age.
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This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.