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Written and set on the banks of the Neva, St Petersburg Dialogues is a startlingly relevant analysis of the human prospect in the twenty-first century. As the literary critic George Steiner has remarked, "the age of the Gulag and of Auschwitz, of famine and ubiquitous torture ... nuclear threat, the ecological laying waste of our planet, the leap of endemic, possibly pandemic, illness out of the very matrix of libertarian progress" is exactly what Joseph de Maistre foretold. In the Dialogues Maistre addressed a number of topics that are discussed briefly or not at all in his other works already available in English. These include an apologetic for traditional Christian beliefs about providence, reflections on the social role of the public executioner and the "divinity" of war, a critique of John Locke's sensationalist psychology, meditations on prayer and sacrifice, and a mini-course on "illuminism." The literary form is that of the "philosophical conversation" – one that allowed Maistre to be deliberately provocative and to indulge his taste for paradox, a "methodical extravagance" that he judged particularly appropriate for the eighteenth-century salon. Translator and editor Richard Lebrun provides a full scholarly edition of this classic work, complete with an introduction, chronology, critical bibliography, and generous explanatory notes. The Dialogues will be of interest to scholars of literary history as well as the history of ideas.
Long known solely as fascism’s precursor, Joseph de Maistre (1753-1821) re-emerges in this volume as a versatile thinker with a colossally diverse posterity whose continuing relevance in Europe is ensured by his theorization of the encounter between tradition and modernity.
Capital Letters sheds new light on how literature has dealt with society’s most violent legal institution, the death penalty. It investigates this question through the works of three major French authors with markedly distinct political convictions and literary styles: Victor Hugo, Charles Baudelaire, and Albert Camus. Working at the intersection of poetics, ethics, and law, Ève Morisi uncovers an unexpected transhistorical dialogue on both the modern death penalty and the ends and means of literature after the French Revolution. Through close textual analysis, careful contextualization, and the critique of violence forged by Giorgio Agamben, Michel Foucault, and René Girard, Morisi reveals that, despite their differences, Hugo, Baudelaire, and Camus converged in questioning France’s humanitarian redefinition of capital punishment dating from the late eighteenth century. Conversely, capital justice led all three writers to interrogate the functions, tools, and limits of their art. Capital Letters shows that the key modern debate on the political and moral responsibility, or autonomy, of literature crystallizes around the death penalty in works whose form disturbs the commonly accepted divide between aestheticism and engagement.
"The guiding thread of Owen Bradley's analysis is Maistre's theory of sacrifice, a comparativist study of the ritualization of human barbarity in religious practices, punishments, wars, and revolutions."--BOOK JACKET.
Joseph de Maistre's Considerations on France is the best known French equivalent of Edmund Burke's Reflections on the Revolution in France. This new edition of Richard Lebrun's 1974 translation is introduced by Isaiah Berlin, with a bibliography and chronology by the translator. Published in 1797, the work of the self-exiled Maistre presents a providential interpretation of the French Revolution and argues for a new alliance of throne and altar under a restored Bourbon monarchy. Although the Directory and then Napoleon delayed Maistre's influence within France until the Restoration, he is now acknowledged as the most eloquent spokesperson for continental conservatism. Considerations on France was a shrewd piece of propaganda, but, as Isaiah Berlin contends, by arguing his case in broad historical, philosophical and religious terms, Maistre raises issues of enduring importance.
'In Lucretius on Atomic Motion Don Fowler produces a commentary of Lucretius like no other. His commentary achieves the status of a meta-commentary... what makes this commentary claim our attention is the range of texts, both poetic and philosophical, ancient and modern, that Fowler brings to bear in revealing the deep background --and the later fortune - of Lucretius' poem.' -Diskin Clay, Times Literary SupplementThis is the first commentary on Lucretius' theory of atomic motion, one of the most difficult and technical parts of De rerum natura. The late Don Fowler sets new standards for Lucretian studies in his awesome command both of the ancient literary, philological, and philosophical background to this Latin Epicurean poem, and of the relevant modern scholarship.
This insightful book sheds light on three competing ideological windows on the world: conservatism, liberalism and socialism. David Reisman explores the importance of these perspectives not only to generating public policy, but also in our capacity to explain the very nature of reality.
Since their first publication in 1821, de Maistre's dark writings have fascinated and appalled critics, with their relentless hatred of the Enlightenment and view of humans as murderous beasts who can only be controlled by the threat of overwhelming punishment. Terrifying and bizarre, The Executioner is a meditation on human evil like no other. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
In 1790, Xavier de Maistre was 27 years old, and a soldier in the army of the Sardinian Kingdom, which covered swathes of modern-day Northern Italy and Southern France. He was placed under house-arrest in Turin for fighting an illegal duel. It was during the 42 days of his confinement here that he wrote the manuscript that would become Voyage autour de ma chambre. Inspired by the works of Laurence Sterne, with their digressive and colloquial style, de Maistre decided to make the most of his sentence by recording an exploration of the room as a travel journal. de Maistre’s book imbues the tour of his chamber with great mythology and grand scale. As he wanders the few steps that it takes to circumnavigate the space, his mind spins off into the ether. It parodies the travel journals of the eighteenth-century (such as A Voyage Around the World by Louis de Bougainville, 1771), and could be read today as an early take on the modern vogue for “psychogeography” — each tiny thing that he encounters sends de Maistre into rhapsodies, and mundane journeys become magnificent voyages.
Joseph de Maistre had no doubt that the root causes of the French Revolution were intellectual and ideological. The degeneration of its first immense hopes into the Reign of Terror was not the result of a ruthless competition for power or of prospects of war. He echoed Voltaire's boast that "books did it all." The philosophers of the Enlightenment were the architects of the new regimes; and the shadow between revolutionary idea and social reality could be traced directly to a fatal flaw in their thought.De Maistre asserts that society is the product, not of men's conscious decision, but of their instinctive makeup. Both history and primitive societies illustrate men's gravitation toward some form of communal life. Since government is in this sense natural, it can not legitimately be denied, revoked, or even disobeyed by the people. Sovereignty is not the product of the deliberation or the will of the people; it is a divinely bestowed authority fitted not to man's wishes but to his needs.The French Revolution to de Maistre's mind was little more than the expansion, conversion, pride, and consequent moral corruption of the philosophers. It differs in essence from all previous political revolutions, finding a parallel only in the biblical revolt against heaven. These sentiments are the passionate and awe-inspired language of one who sees the political struggles of his time on a huge and cosmic scale, judges events sub specie aeternitatis (under the aspect of eternity), and looks on revolution and counter-revolution as a battle for the soul of humanity. The force of this classic volume still resonates in present-day ideological struggles.