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100 stories dating from 1908 to 1945.
A scandalously talented stage performer, a practiced seductress of both men and women, and the flamboyant author of some of the greatest works of twentieth-century literature, Colette was our first true superstar. Now, in Judith Thurman's Secrets of the Flesh, Colette at last has a biography worthy of her dazzling reputation. Having spent her childhood in the shadow of an overpowering mother, Colette escaped at age twenty into a turbulent marriage with the sexy, unscrupulous Willy--a literary charlatan who took credit for her bestselling Claudine novels. Weary of Willy's sexual domination, Colette pursued an extremely public lesbian love affair with a niece of Napoleon's. At forty, she gave birth to a daughter who bored her, at forty-seven she seduced her teenage stepson, and in her seventies she flirted with the Nazi occupiers of Paris, even though her beloved third husband, a Jew, had been arrested by the Gestapo. And all the while, this incomparable woman poured forth a torrent of masterpieces, including Gigi, Sido, Cheri, and Break of Day. Judith Thurman, author of the National Book Award-winning biography of Isak Dinesen, portrays Colette as a thoroughly modern woman: frank in her desires, fierce in her passions, forever reinventing herself. Rich with delicious gossip and intimate revelations, shimmering with grace and intelligence, Secrets of the Flesh is one of the great biographies of our time. NOTE: This edition does not include a photo insert.
The women in the linked short story collection Once Removed carry the burdens imposed in the name of intimacy--the secrets kept, the lies told, the disputes initiated--as well as the joy that can still manage to triumph. A singer with a damaged voice and an assumed identity befriends a silent, troubled child; an infertile law professor covets a tenant's daughterly affection; a new mother tries to shield her infant from her estranged mother's surprise Easter visit; an aging shopkeeper hides her husband's decline and a decades-old lie to keep her best friends from moving away. With depth and an acute sense of the fragility of intimate connection, Colette Sartor creates stories of women that resonate with emotional complexity. Some of these women possess the fierce natures and long, vengeful memories of expert grudge holders. Others avoid conflict at every turn, or so they tell themselves. For all of them, grief lies at the core of love.
Growing up, I had one rule: stay away from my brother’s best friend. It was easy to follow. I spent my years avoiding the boys on the baseball team, studying hard, and saving every dime I could. When I was accepted to transfer into UC Berkeley, I needed a place to live, and my brother had a free room off-campus. Win-win, right? Except that best friend I was determined to stay away from is now my new roommate. My very naughty, very rebellious roommate, Wesley Knight. The boy who was once the bane of my existence with his constant teasing is now a drop-dead gorgeous athlete. He’s the life of the party, but I can’t have fun. According to Wes, no guys are allowed to talk to me. Well, two can play at this game. If I can’t date, then neither can he. It starts off as innocent fun. Some half-naked yoga or a little flirting until an interrupted moment of self-gratification turns things dangerous … for my body and my heart. Living with my brother and his best friend has me breaking all the rules. I just have to decide if the consequences are worth the reward.
One of the best of the celebrated Claudine novels, this installment follows the sexual and emotional machinations of three upper-class youths in a remote farmhouse, where the protagonist of the series awaits her husband Renaud's return from a Swiss sanatorium. She distracts herself by encouraging her young friend Annie to recount salacious episodes from her love life. When Renaud's homosexual son Marcel arrives, Claudine sets about matchmaking, a fiasco she bitterly regrets. With Renaud's death, Claudine's ennui is transmuted into resigned suffering, but she gradually allows the rhythm and beauty of the natural world to reawaken her desire to live.
"Gigi" is the story of a young girl being raised in a household more concerned with success and money than with the desires of the heart. But Gigi is uninterested in the dishonest society life she observes all around her and remains exasperatingly Gigi ... "Julie de Carneilhan," focuses on a contest of wills between Julie, an elegant woman of forty, and her ex-husband. "Chance Acquaintances," a novella, involves an invalid wife, her philandering husband, and a music-hall dancer whose odd meeting at a French spa affects and indelibly marks each one of their lives.-Back cover.
In these two stories, Colette reveals her grasp of the politics of love. Gigi is being educated in the skills of the courtesan. However, when it comes to the question of Gaston Lachaille, she does not want to obey the rules. This translation originally published: London: Secker & Warburg, 1953.
Colette's celebrated novels about an older courtesan and her young lover, now in a new translation and published in one volume. Colette’s Chéri (1920) and its sequel, The End of Chéri (1926), are widely considered her masterpieces. In sensuous, elegant prose, the two novels explore the evolving inner lives and the intimate relationship of an unlikely couple: Léa de Lonval, a middle-aged former courtesan, and Fred Peloux, twenty-five years her junior, known as Chéri. The two have been involved for years, and it is time for Chéri to get on with life, to make something of himself, but he, the personification of male beauty and vanity, doesn’t know how to go about it. It is time, too, for Léa to let go ofChéri and the sensual life that has been hers, and yet this is more easily resolved than done. Chéri marries, but once married he is restless and is inevitably drawn back to his mistress, as she is to him. And yet to reprise their relationship is only to realize even more the inevitability of its end. That end will come when Chéri, back from World War I, encounters a world that the war has changed through and through. Lost in his memories of time past, he is irremediably lost to the busy present. Paul Eprile’s new translation of these two celebrated novels brings out a vivid sensuality and acute intelligence that past translations have failed to capture.
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