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Gathers previously published and new poems from the noted poet.
Over a quarter-century's work from the 2003 winner of the Arrell Gibson Award for Lifetime Achievement. This collection gathers poems from throughout Joy Harjo's twenty-eight-year career, beginning in 1973 in the age marked by the takeover at Wounded Knee and the rejuvenation of indigenous cultures in the world through poetry and music. How We Became Human explores its title question in poems of sustaining grace. To view text with line endings as poet intended, please set font size to the smallest size on your device.
One of the New York Public Library's 25 "Books to Remember" in 1997 Lux comments on the absurd, the pathetic, and the commonplace in our culture, writing with compassion as well as satire. He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."
"The subtlest feeling for the measure that I encounter anywhere except in the verses of Ezra Pound."—William Carlos Williams "It is a study, how Creeley lands syntax down the alley, and his vocabulary-pure English-to hit meters and rhymes all of which are spares and strikes."—Charles Olson "Robert Creeley has created a noble body of poetry that extends the work of his predecessors Pound, Williams, Zukofsky, and Olson, and provides like them a method for his successors in exploring our new American poetic consciousness."—Allen Ginsberg "His succinctness is like the unfettered flashing of a diamond." —John Ashbery "Robert Creeley was one of the great giants of 20th Century American poetry. This collection is his monument." —Paul Auster "American poetry is unimaginable and, happily, unknowable without Creeley."—Andrei Codrescu, author of it was today: new poems "Creeley is a touchstone for me-a measure of what poetry is. He is a genius of the sensorium as Kerouac was and a master of the ear as is Miles Davis. He is a carver in space like Van Gogh."—Michael McClure "There is no poetry more vivid, immediate, or telling than Robert Creeley's. His Collected Poems extends the achievement of Dickinson, Whitman, and Williams into postwar America. Creeley's excavation of particular words, images, and sentiments resonate beyond the pages of this book into the fabric of everyday life. This is American invention at its best, as necessary as the air we breathe and the ground we walk on."—Charles Bernstein "'It isn't what a poet says that counts as a work of art,' William Carlos Williams once wrote, 'it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.' I can't think of another contemporary poet whose acute sensitivity to the particular event of making (and in poetry making includes breaking) each written line is as consummately fine-tuned as Robert Creeley's."—Susan Howe "He was the main support in the old house of poetry—the main beam."—C.D. Wright, Brown University alumni newsletter "There is no poet like Creeley. His multiple subjectivities and magic syllables have kept us curious and honest. Never a false step, never a less than tender heart for the sound, and the brilliant cognitive, often fierce power therein. What a glorious long life in writing. These late poems keep the brilliant tempo. We are very lucky he is still so much among us."—Anne Waldman "Robert Creeley transformed the momentary, spontaneous music of being alive into a profoundly enduring American art: brilliant, necessary, impeccably scored. He made it new for always."—Peter Gizzi
Poems with drawings spanning the artists lifetime.
Poems, 1965-1975 gathers nearly all of the poems from Seamus Heaney's first four collections: Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), and North (1975).
John Burt’s Selected Poems of Robert Penn Warren is more broadly representative of Warren’s poetry than any previous selected gathering. More than two hundred poems from every phase grace the volume, a vehicle ideal for sampling—or soaking in—the finest of Warren’s rich output. With each poem, Burt has carefully located the version that constitutes Warren’s final revision. His introduction gives an eloquent overview of the poet’s career, touching on every published book of verse and highlighting significant lines. A “selected” collection in the truest sense, featuring several previously unpublished pieces, this treasure is at once new and familiar. At the heart of Warren’s poetry is a celebration of man’s intellect and imagination, his integral place within nature, and his relationship to time and the past; ultimately, joy coexists with the knowledge of life’s many mysteries, including its tragedies. Selected Poems, a generous survey and a convenient compendium, is the shining portal to this greatly gifted poet.
"Myles speaks with one of the essential voices in American poetry." —New York Times A collection of new and selected past work from one of America’s most celebrated poets Eileen Myles's poetry and prose are known for their blend of reality and fiction, the sublime and the ephemeral, in which readers can peer into existent places, like the East Village of Myles's iconic Chelsea Girls. But they are also lifted into dreams, through writing that has the vividness and energy of fantasy. I Must Be Living Twice brings selections from the poet’s previous work together with a set of bold new poems, through which Myles continues to refine their sardonic, unapologetic, and fiercely intellectual literary voice. Steeped in the culture of New York City, Myles's stomping grounds and the home of their most well-known work, they provide a wide-open lens into radical life.
A collection of Creeley's work gathered from obsolesced collections, small press booklets and little mags. Here one can trace the development of his poetry from its early break with the Eliot/Auden tradition to the development of his own distinct voice in the middle poems, such as Words and Pieces, known for their precise, terse and almost minimalist language, as well as his return to the more direct concern for love and humanity. Restores to print--For Love, The Charm, In London, His Idea, Thirty Things, Backwards, Away and previously uncollected poems.