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For deft plotting, riotous inventiveness, unforgettable characters, and language that brilliantly captures the lively rhythms of American speech, no American writer comes close to Mark Twain. This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years. Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”
"For those unaware—as I was until I read this book—that Mark Twain was one of America's early animal advocates, Shelley Fisher Fishkin's collection of his writings on animals will come as a revelation. Many of these pieces are as fresh and lively as when they were first written, and it's wonderful to have them gathered in one place." —Peter Singer, author of Animal Liberation and The Life You Can Save “A truly exhilarating work. Mark Twain's animal-friendly views would not be out of place today, and indeed, in certain respects, Twain is still ahead of us: claiming, correctly, that there are certain degraded practices that only humans inflict on one another and upon other animals. Fishkin has done a splendid job: I cannot remember reading something so consistently excellent."—Jeffrey Moussaieff Masson, author of When Elephants Weep and The Face on Your Plate "Shelley Fisher Fishkin has given us the lifelong arc of the great man's antic, hilarious, and subtly profound explorations of the animal world, and she's guided us through it with her own trademark wit and acumen. Dogged if she hasn't." —Ron Powers, author of Dangerous Water: A Biography of the Boy Who Became Mark Twain and Mark Twain: A Life
The first of two hardcover volumes collecting the major nonfiction by the "father of American literature": more than 150 letters, essays, and speeches selected to showcase the dazzling range of his interests and passions. An Everyman's Library Original. Whether crossing the Atlantic and Pacific Oceans or blazing through Europe and the Americas, Twain turned his trademark wit, candor, and acerbic sarcasm on all his experiences. We can trace his personal evolution through his ambition-filled missives home to Missouri after moving out West to be a fledgling reporter, his raucous stories of navigating a steamboat down the Mississippi, his romantic-turned-elegiac sentiments for his wife, Livy, and, later in life, his darker reflections on the ills of society. Often too outrageous not to be true, Twain’s real-life adventures added to his enduring legend, while his clear-eyed view of humanity has provided an unmatched blend of entertainment and moral integrity for generations of readers.
Of all the contenders for the title of The Great American Novel, none has a better claim than The Adventures of Huckleberry Finn. Intended at first as a simple story of a boy's adventures in the Mississippi Valley ”a sequel to Tom Sawyer” the book grew and matured under Twain's hand into a work of immeasurable richness and complexity. More than a century after its publication, the critical debate over the symbolic significance of Huck's and Jim's voyage is still fresh, and it remains a major work that can be enjoyed at many levels: as an incomparable adventure story and as a classic of American humor. Enriched eBook Features Editor R. Kent Rasmussen provides the following specially commissioned features for this Enriched eBook Classic: * Chronology * Filmography and Stills from the 1920 Silent Film Huckleberry Film * Contemporary Reviews of Huckleberry Finn * Further Reading * Online Mark Twain Resources and Places to Visit * Photos of Mark Twain Sites and First Edition Frontispiece * Selection of E.W. Kemble’s Illustrations for the First Edition of The Adventures of Huckleberry Finn and John Harley’s Illustrations for the First Edition of Life on the Mississippi * Enriched eBook Notes The enriched eBook format invites readers to go beyond the pages of these beloved works and gain more insight into the life and times of an author and the period in which the book was originally written for a rich reading experience.
The Portable Nineteenth-Century Russian Reader magnificently represents the great voices of this era. It includes such masterworks of world literature as Pushkin's poem "The Bronze Horseman"; Gogol's "The Overcoat"; Turgenev's novel First Love; Chekhov's Uncle Vanya; Tolstoy's The Death of Ivan Ilych; and "The Grand Inquisitor" episode from Dostoyevsky's The Brothers Karamazov; plus poetry, plays, short stories, novel excerpts, and essays by such writers as Griboyedov, Pavlova, Herzen, Goncharov, Saltykov-Shchedrin, and Maksim Gorky. Distinguished scholar George Gibian provides an introduction, chronology, biographical essays, and a bibliography.
These Mark Twain speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. In the words of author William Dean Howells: These speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at second hand. I never heard Clemens speak when I thought he quite failed; some burst or spurt redeemed him when he seemed flagging short of the goal, and, whoever else was in the running, he came in ahead. His near-failures were the error of a rare trust to the spontaneity in which other speakers confide, or are believed to confide, when they are on their feet. He knew that from the beginning of oratory the orator's spontaneity was for the silence and solitude of the closet where he mused his words to an imagined audience; that this was the use of orators from Demosthenes and Cicero up and down. He studied every word and syllable, and memorized them by a system of mnemonics peculiar to himself, consisting of an arbitrary arrangement of things on a table--knives, forks, salt-cellars; inkstands, pens, boxes, or whatever was at hand--which stood for points and clauses and climaxes, and were at once indelible diction and constant suggestion. He studied every tone and every gesture, and he forecast the result with the real audience from its result with that imagined audience. Therefore, it was beautiful to see him and to hear him; he rejoiced in the pleasure he gave and the blows of surprise which he dea I have been talking of his method and manner; the matter the reader has here before him; and it is good matter, glad, honest, kind, just. W. D. HOWELLS.