Download Free Coleridge Early Visions Book in PDF and EPUB Free Download. You can read online Coleridge Early Visions and write the review.

Winner of the 1989 Whitbread Prize for Book of the Year, this is the first volume of Holmes's seminal two-part examination of Samuel Taylor Coleridge, one of Britain's greatest poets. Coleridge: Early Visions is the first part of Holmes's classic biography of Coleridge that forever transformed our view of the poet of 'Kubla Khan' and his place in the Romantic Movement. Dismissed by much recent scholarship as an opium addict, plagiarist, political apostate and mystic charlatan, Richard Holmes's Coleridge leaps out of the page as a brilliant, animated and endlessly provoking figure who invades the imagination. This is an act of biographical recreation which brings back to life Coleridge's poetry and encyclopaedic thought, his creative energy and physical presence. He is vivid and unexpected. Holmes draws the reader into the labyrinthine complications of his subject's personality and literary power, and faces us with profound questions about the nature of creativity, the relations between sexuality and friendship, the shifting grounds of political and religious belief. BONUS MATERIAL: This ebook edition includes an excerpt from Richard Holmes's Falling Upwards.
The first volume of Richard Holmes's two-volume biography of Coleridge, which won the 1989 Whitbread Prize for book of the year and which transforms our view of this greatest of Romantic poets. Coleridge: Early Visions is the first part of a major new biography of Samuel Taylor Coleridge which will transform our view of the poet of 'Kubla Khan' and his place in the Romantic Movement. Dismissed by much recent scholarship as an opium addict, plagiarist, political apostate and mystic charlatan, Richard Holmes's Coleridge leaps out of the page as a brilliant, animated and endlessly provoking figure who invades the imagination. This is an act of biographical recreation which brings back to life the poetry, Coleridge's encyclopaedic thought, his creative energy and physical presence. He is vivid and unexpected. Holmes draws the reader into the labyrinthine complications of his subject's personality and literary power, and faces us with profound questions about the nature of creativity, the relations between sexuality and friendship, the shifting grounds of political and religious belief.
Winner of the 1989 Whitbread Prize for Book of the Year, this is the first volume of Holmes’s seminal two-part examination of Samuel Taylor Coleridge, one of Britain’s greatest poets.
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Timely reissue of the second volume of Holmes's classic biographies of one of the greatest Romantic poets.
**Kirkus Best Books of the Year (2013)** **Time Magazine 10 Top Nonfiction Books of 2013** **The New Republic Best Books of 2013** In this heart-lifting chronicle, Richard Holmes, author of the best-selling The Age of Wonder, follows the pioneer generation of balloon aeronauts, the daring and enigmatic men and women who risked their lives to take to the air (or fall into the sky). Why they did it, what their contemporaries thought of them, and how their flights revealed the secrets of our planet is a compelling adventure that only Holmes could tell. His accounts of the early Anglo-French balloon rivalries, the crazy firework flights of the beautiful Sophie Blanchard, the long-distance voyages of the American entrepreneur John Wise and French photographer Felix Nadar are dramatic and exhilarating. Holmes documents as well the balloons used to observe the horrors of modern battle during the Civil War (including a flight taken by George Armstrong Custer); the legendary tale of at least sixty-seven manned balloons that escaped from Paris (the first successful civilian airlift in history) during the Prussian siege of 1870-71; the high-altitude exploits of James Glaisher (who rose) seven miles above the earth without oxygen, helping to establish the new science of meteorology); and how Mary Shelley, Edgar Allan Poe, and Jules Verne felt the imaginative impact of flight and allowed it to soar in their work. A seamless fusion of history, art, science, biography, and the metaphysics of flights, Falling Upwards explores the interplay between technology and imagination. And through the strange allure of these great balloonists, it offers a masterly portrait of human endeavor, recklessness, and vision. (With 24 pages of color illustrations, and black-and-white illustrations throughout.)
The Age of Wonder is a colorful and utterly absorbing history of the men and women whose discoveries and inventions at the end of the eighteenth century gave birth to the Romantic Age of Science. When young Joseph Banks stepped onto a Tahitian beach in 1769, he hoped to discover Paradise. Inspired by the scientific ferment sweeping through Britain, the botanist had sailed with Captain Cook in search of new worlds. Other voyages of discovery—astronomical, chemical, poetical, philosophical—swiftly follow in Richard Holmes's thrilling evocation of the second scientific revolution. Through the lives of William Herschel and his sister Caroline, who forever changed the public conception of the solar system; of Humphry Davy, whose near-suicidal gas experiments revolutionized chemistry; and of the great Romantic writers, from Mary Shelley to Coleridge and Keats, who were inspired by the scientific breakthroughs of their day, Holmes brings to life the era in which we first realized both the awe-inspiring and the frightening possibilities of science—an era whose consequences are with us still. BONUS MATERIAL: This ebook edition includes an excerpt from Richard Holmes's Falling Upwards.
Richard Holmes knew he had become a true biographer the day his bank bounced a check that he had inadvertently dated 1772. Because for the acclaimed chronicler of Shelley and Coleridge, biography is a physical pursuit, an ardent and arduous retracing of footsteps that may have vanished centuries before. In this gripping book, Holmes takes us from France’s Massif Central, where he followed the route taken by Robert Louis Stevenson and a sweet-natured donkey, to Mary Wollstonecraft’s Revolutionary Paris, to the Italian villages where Percy Shelley tried to cast off the strictures of English morality and marriage. Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelations. “Deeply impressive . . . Footsteps is a singular event in the modern history of biography, and in itself a delightful reading experience.”—Alfred Kazin “This exhilarating book, part biography, part autobiography, shows the biographer as sleuth and huntsman, tracking his subjects through space and time.”—The Observer “A modern masterpiece . . . [Holmes is] the most romantic of contemporary biographers and probably the most revolutionary in spirit and form.”—Michael Holroyd, author of Bernard Shaw
Richard Holmes’s luminous meditation on the art of biography explores the fascinating relationship between fact and fiction through his own personal experience as a biographer. Ranging widely over art, science, and poetry, Holmes describes a pilgrimage of the heart that has taken him across three centuries. He powerfully evokes the lives of women both scientific and literary: Margaret Cavendish, Mary Somerville, Germaine de Staël, Mary Wollstonecraft, and the Dutch intellectual Zélide. Holmes investigates the reductive myths that have overshadowed some favorite Romantic figures: the love-stunned John Keats, the waterlogged Percy Bysshe Shelley, the opium-soaked Samuel Taylor Coleridge, and the mad visionary William Blake. This great chronicler of the Romantics has produced a chronicle of himself and his intellectual passions; it contains his most personal and most seductive writing.
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.