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Interweaving past and present texts, The Challenge of Coleridge engages the British Romantic poet, critic, and philosopher Samuel Taylor Coleridge in a &"conversation&" (in Hans-Georg Gadamer&’s sense) with philosophical thinkers today who share his interest in the relationship of interpretation to ethics and whose ideas can be both illuminated and challenged by Coleridge&’s insights into and struggles with this relationship. In his philosophy, poetry, theology, and personal life, Coleridge revealed his concern with this issue, as it manifests itself in the relation between technical and ethical discourse, between fact and value, between self and other, and in the ethical function of aesthetic experience and the role of love in interpretation and ethical action. Relying on Gadamer&’s hermeneutics to supply a framework for his approach, Haney connects Coleridge&’s ideas with, among others, Emmanuel Levinas&’s other-oriented notion of ethical subjectivity, Paul Ricoeur&’s view about the other&’s implication in the self, reinterpretations of Greek drama by Bernard Williams and Martha Nussbaum, and Gianni Vattimo's post-Nietzschean hermeneutics. Coleridge is treated not as a product of Romantic ideology to be deconstructed from a modern perspective, but as a writer who offers a &"challenge&" to our modern tendency to compartmentalize interpretive issues as a concern for literary theorists and ethical issues as a concern for philosophers. Looking at the two together, Haney shows through his reading of Coleridge, can enrich our understanding of both.
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Revision of author's thesis (doctoral)--University of Chicago, 2008 under title: The word made flesh and the mazy page: symbol and allegory in Coleridge's philosophy of faith.
Beginning with the publication of their joint collection of poems Lyrical Ballads in 1798, William Wordsworth and Samuel Taylor Coleridge were instrumental in helping to establish the Romantic Movement as a major force in nineteenth century British literature. Two of the movement’s greatest figures, they were responsible for composing some of the most well-known poems in the British literary canon and influenced generations of acolytes. They were also the foremost literary critics of the period, contributing influential writings on literary theory and philosophy — exemplified by Coleridge’s Biographia Literaria. ‘Routledge Library Editions: Wordsworth and Coleridge’ assembles a wide range of scholarship and criticism that covers all aspects of their diverse output and charts the vicissitudes of their lives — examining their poetry, criticism, philosophy and sources of inspiration. It will also help introduce them to newer readers and explain notoriously difficult to understand works like Wordsworth’s The Prelude. This set reissues 14 books originally published between 1960 and 1991 and will be of interest to students of literature and literary history.
This book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly
Samuel Taylor Coleridge is one of the most influential, as well as one of the most enigmatic, of all Romantic figures. The possessor of a precocious talent, he dazzled contemporaries with his poetry, journalism, philosophy and oratory without ever quite living up to his early promise, or overcoming problems of dependence and drug addiction. The Cambridge Companion to Coleridge does full justice to the many facets of Coleridge's life and work. Specially commissioned essays focus on his major poems, including The Rime of the Ancient Mariner and Christabel, his notebooks, and his major work of non-fiction the Biographia Literaria. Attention is given to his role as talker, journalist, critic, and philosopher, his politics, his religion, and his reputation in his own times and afterwards. A chronology and guides to further reading complete the volume, making this an indispensable guide to Coleridge and his work.
Volume 1 of 2. Coleridge's Shorter Works and Fragments brings together a number of substantial essays that were not long enough to require volumes to themselves, among them his "Theory of Life," "Essays on the Principles of Genial Criticism," "Treatise on Method," "Confessions of an Inquiring Spirit," "On the Passions," and "On the Prometheus of Aeschylus." To these are added more than four hundred other pieces, some of them fragementary, many of them previously unpublished, ranging in date from school essays of the early 1790s to a discussion of the bullion controversy in 1834. As might be expected, the subject matter includes literature and language, theology, philosophy, politics, and science, but in many less predictable topics (such as child labor laws, marriage, suicide, church history, the abolition of slavery, the state of the colonies) also appear. By gathering this material and presenting it in chronological order, Shorter Works and Fragments reveals the development and major characteristics of Coleridge's seemingly inexhaustible variety. H.J. Jackson and J.R. de J. Jackson, Professors of English at the University of Toronto, are the editors of Coleridge's Marginalia and Logic, respectively, in the Collected Works of Samuel Taylor Coleridge. Bollingen Series LXXV Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.