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STRONGSTRONGA 60-year old woman's incredible attempt to race to the South Pole, carrying a call for compassion A grandmother of two, Tess Burrows came to climbing late in life when she found her true calling in campaigning for the Tibetan cause. Here, she races to the South Pole to promote world peace. She not only learns to push the limits of the human body, but also to push out the reaches of the human spirit. She and her partner, Pete, join the historic South Pole race to compete with Olympic champion James Cracknell and Ben Fogle. To complete this mission they have to battle severe medical problems, lack of money, hardship, and deprivation. For Tess it is more than combating cold hands with a warm heart, it is also a journey to push past the influences of the human mind.
Follow Gerry Wood on his journey with country music's biggest stars, featuring Dolly Parton, Willie Nelson, Shania Twain and many more familiar names in the industry. Tales from Country Music will take you backstage and behind the scenes with some of your favorite country music singers.
Can they build a future on a shaky foundation? Tyler “Ty” Evans lost everything in a car accident when he was twelve, retreating into his shell so tightly that it took months for him to come out again. Music and the ranch saved him, and he will always be grateful to his foster family for saving his life. Now, with the ranch on financial tenterhooks, he wonders if he can use his music to contribute to the solution. Piper Raines is the daughter of a legendary country music family. While her parents and brother are all famous, her attempt at an independent career went off the rails, and, with exhaustion and stress and bad press dogging her every step, she needs a place to recover. When Piper is invited to vacation at the ranch, Piper and Ty connect through horses and music. After a video duet of Piper and Ty goes viral, they’re invited to sing in Nashville, which also provides added pressure, stressing their new relationship.
Zain Fischer has been trapped in this examining room forever. At least it feels that way. In this strange cancer clinic, the doctor never comes and the nurse won't answer questions. Zain is lost, wandering endless hallways as she tries to find her way back to Reception, but every door she opens leads to another painful memory of loss and regret. As she searches the labyrinth of her life for answers, will she have the strength to face the truth she's been hiding from? In this surreal but poignant story, Vered Ehsani explores the meaning of forgiveness, the value of connection, and the impact our decisions have on the people who love us.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Su Friedrich (b. 1954) has been described as an autobiographical filmmaker, an experimental filmmaker, a documentary filmmaker, an independent filmmaker, a feminist filmmaker, and a lesbian filmmaker—labels that she sprucely dodges, insisting time and again she is, quite simply, a filmmaker. Nevertheless, the influences of the experimental film culture and of the feminist and lesbian political ethos out of which she emerged resonate across her films to the present day. Su Friedrich: Interviews is the first volume dedicated exclusively to Friedrich and her work. The interviews collected here highlight the historical, theoretical, political, and economic dimensions through which Friedrich’s films gain their unique and defiantly ambiguous identity. The collection seeks to give a comprehensive view of Friedrich’s diverse body of work, the conditions in which her films were made, and how they have circulated and become understood within different contexts. The volume contains fifteen interviews—two previously unpublished—along with three autobiographical writings by Friedrich. Included are canonical early interviews, but a special focus is given to interviews that address her less-studied film production in the twenty-first century. Echoing across these various pieces is Friedrich’s charmingly sardonic and defiant personality, familiar from her films. Her occasional resistance to an interviewer’s line of questioning opens up other, unexpected lines of inquiry as it also provides insight into her distinct philosophy. The volume closes with a new interview conducted by the editors, which illuminates areas that remain latent or underdiscussed in other interviews, including Friedrich’s work as a film professor and projects that supplement Friedrich’s filmmaking, such as Edited By, an online historical resource dedicated to collecting information about and honoring the contributions of women film editors.
Auteurism expanded With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara Mennel examines the career of an experimental auteur whose merger of technical innovation and political critique connects with both cinephiles and activists. Friedrich’s integration of cinematic experimentation with lesbian advocacy serves as a beginning rather than an end point of analysis. With that in mind, Mennel provides an essential overview of the filmmaker’s oeuvre while highlighting the defining characteristics of her artistic and political signature. She also situates Friedrich within the cultural, political, and historical contexts that both shape the films and are shaped by them. Finally, Mennel expands our notion of auteurism to include directors who engage in collaborative and creative processes rooted in communities.