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While in captivity by Palestinian terrorists, Antoine began hearing what he described as a loving, caring voice that showed him to rise above his terrible pain and misery by connecting to his creator’s spirit. The voice also told him, among other things, that he would meet an unusual woman who would share in his spiritual journey. He did not know that the woman would also experience the very same kind of intuitive lessons from the voice as he did. Inspired by the loving spirit of the voice that speaks through both of them, Antoine and Liliana now share that message with the world. Their journey takes them from the horrible imprisonment by cruel terrorists, through the anxieties we all face in everyday life, into an ongoing journey toward spiritual liberation.
At last the full sequence of Herbert's brilliant Cogito poems are translated from the 1974 Polish edition, Pan Cogito. Herbert, who fought in the underground resistance against the Nazis and in the spiritual resistance to communism, speaks with a combination of innocence and irony to the condition of humankind at the end of the 20th century. Annotation copyright by Book News, Inc., Portland, OR
DIVEdited volume that discusses the relationship of philosophy and psychoanalysis./div
Perhaps the most famous proposition in the history of philosophy is Descartes' cogito 'I think, therefore I am'. Husain Sarkar claims in this provocative interpretation of Descartes that the ancient tradition of reading the cogito as an argument is mistaken. It should, he says, be read as an intuition. Through this interpretative lens, the author reconsiders key Cartesian topics: the ideal inquirer, the role of clear and distinct ideas, the relation of these to the will, memory, the nature of intuition and deduction, the nature, content and elusiveness of 'I', and the tenability of the doctrine of the creation of eternal truths. Finally, the book demonstrates how Descartes' attempt to prove the existence of God is foiled by a new Cartesian Circle.
Decartes' maxim Cogito, Ergo Sum (from his Meditations) is perhaps the most famous philosophical expression ever coined. Joseph Almog is a Descartes analyst whose last book WHAT AM I? focused on the second half of this expression, Sum--who is the "I" who is existing-and-thinking and how does this entity somehow incorporate both body and mind? This volume looks at the first half of the proposition--cogito. Almog calls this the "thinking man's paradox": how can there be, in the the natural world and as part and parcel of it, a creature that... thinks? Descartes' proposition declares that such a fact obtains and he maintains that it is self-evident; but as Almog points out, from the point of view of Descartes' own skepticism, it is far from obvious that there could be a thinking-man. How can it be that a thinking human be both part of the natural world and yet somehow distinct and separate from it? How did "thinking" arise in an otherwise "thoughtless" universe and what does it mean for beings like us to be thinkers? Almog goes back to the Meditations, and using Descartes' own aposteriori cognitive methodology--his naturalistic, scientific, approach to the study of man--tries to answer the question.
As readers open the pages of Cogito: Part 2, The Dream it will not take them long to realize that they are entering a different world, the world of Cogito. The Dream is the second book in a series of offerings by Antoine Bacha and Lil
Descartes' maxim Cogito, Ergo Sum (from his Meditations) is perhaps the most famous philosophical expression ever coined. But how it can be that a thinking human can be both part of the natural world and yet somehow distinct and separate from it? Joseph Almog goes back to the Meditations, and using Descartes' own methodology--and his naturalistic, scientific worldview--tries to answer the question.
Combining literary theory and history with detailed textual analysis, Melehy examines a series of events at the outset of modernity involving both literature and philosophy. Through the work of Michel de Montaigne and Rene Descartes, Melehy considers the question of the foundation of the human subject, in the context of contemporary debates in literature and philosophy. Montaigne, through writing, examines the many possibilities of subjective experience, and finds that the subject takes shape in writing. Descartes comes to the subject in search of a principle to circumvent the uncertainty of language--"I think, therefore I am," the cogito. But Descartes, Melehy shows, must continually depend on literary devices, on the properties of language whose effects he is so eager to escape--also deploying the devices to disguise the fact that they permeate his work.
Gale Researcher Guide for: Descartes on the Cogito is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
by Paul Ricoeur It is already a piece of good fortune to find oneself understood by a reader who is at once demanding and benevolent. It is an even greater fortune to be better understood by another than by one's own self. In effect, when I look back, I am rather struck by the discontinuity among my works, each of which takes on a specific problem and apparently has little more in common with its predecessor than the fact of having left an overflow of unanswered questions behind it as a residue. On the contrary, Domenico Jervolino's interpretation of my works, which extend over more than forty years, stresses their coherence, in spite of the gap in time between my present, soon to be issued work--Temps et Recit--and my first, Philosophie de la Volonte: Ie Volontaire et l'lnvolontaire. Our friend finds the principle of coherence first of all in the recurrence of a problem: the destiny of the idea of subjectivity, caught in the cross-fire between Nietzsche and Heidegger on one side and semiology, psychoanalysis and the critique of ideology on the other. He finds it likewise in the insistence on a method: the mediating role played by interpretation, mainly of texts, with regard to reflexion on self.