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From the depths of the deepest jungle on earth, somewhere in a fictional Zulu village in South Africa comes everyone’s favourite Zulu; Mfoafoa Jones. This young traditional Zulu warrior leaves his village to go and fend for himself and somehow ends up in Soweto (So We Went To The Ghetto) where he befriends a fellow Zulu. He cannot spell ‘English’ let alone speak it but he somehow finds employment with a Caucasian family in Cape Town. This family then decides to bring him along for their vacation in the U.K; not just anywhere in the U.K but Essex, the Cockney capital of the world. How would you react in this present day England if you saw someone with tribal marks, wearing a straw skirt and holding a spear walking down your road? Ladies and gentlemen brace yourself for the craziest Zulu on earth, Cockney Zulu.
This standard text, now in paperback for the first time-- the companion volume to Foreign Dialects-- AmericanDialects offers representative dialects of every major section of the United States. In each case, a general description and history of the dialect is given, followed by an analysis of vowel and consonant peculiarities, of its individual lilt and rhythm, and of its grammar variations. There are also lists of the idioms and idiomatic expressions that distinguish each dialect and exercises using them. American Dialects also includes musical inflection charts and diagrams showing the placement of lips, tongue, and breath.
“The great host came steadily on, spreading out spreading out - spreading out till they seemed like a giant pair of nut-crackers opening round the little nut of Rorke’s Drift.” – Surgeon Major James Henry Reynolds V.C., Army Medical Department On 22 January 1879, during the final hour of the Battle of iSandlwana – one of the greatest disasters ever to befall British troops during the Victorian era – a very different story was about to unfold a few miles away at the mission station of Rorke’s Drift. When a Zulu force of more than 3,000 warriors turned their attention to the small outpost, defended by around 150 British and Imperial troops, the odds of the British surviving were staggeringly low. The British victory that ensued, therefore, would go down as one of the most heroic actions of all time, and has enraptured military history enthusiasts for decades. Featuring a wide range of first-hand accounts and testimonies from those present during the Battle of Rorke’s Drift, Rorke’s Drift By Those Who Were There is a remarkable work of Anglo-Zulu military history by those who know the topic best, Lee Stevenson and Ian Knight. This updated edition of the classic work of the same name includes even more first-person accounts from the combatants on both the British and Zulu sides. Providing personal, microscopic accounts of events, while at the same time presenting a clear overview of the battle in its entirety, readers will gain an impressive, unique breadth of knowledge about one of the most awe-inspiring battles in British history.
From beer’s porridge-like beginnings through to the cutting edge craft beers being poured across the country today, African Brew tells the story of South African beer. Join a pint-studded journey through seven provinces to meet the brewers, taste their beers and learn exactly what goes into that beverage you wouldn’t dream of braaiing without. There is also a section that covers up-and-coming breweries. Delve deeper into food and beer pairing with delectable recipes from top South African chefs, each dish paired with a local lager or ale. And for those who don’t know the difference between the two, African Brew hopes to turn the beer novice into a connoisseur with tasting notes and troubleshooting tips showing you what to look for in your preferred pint.
South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This significant and unique contribution establishes interrelationships between South African cinema and key points in South Africa’s history, showing how cinema figures in the making, entrenching and undoing of apartheid. This study spans the twentieth century and beyond through detailed analyses of selected films, beginning with De Voortrekkers (1916) through to Mapantsula (1988) and films produced post apartheid, including Drum (2004), Tsotsi (2005) and Zulu Love Letter (2004). Jacqueline Maingard discusses how cinema reproduced and constructed a white national identity, taking readers through cinema’s role in building white Afrikaner nationalism in the 1930s and 1940s. She then moves to examine film culture and modernity in the development of black audiences from the 1920s to the 1950s, especially in a group of films that includes Jim Comes to Joburg (1949) and Come Back, Africa (1959). Jacqueline Maingard also considers the effects of the apartheid state’s film subsidy system in the 1960s and 1970s and focuses on cinema against apartheid in the 1980s. She reflects upon shifting national cinema policies following the first democratic election in 1994 and how it became possible for the first time to imagine an inclusive national film culture. Illustrated throughout with excellent visual examples, this cinema history will be of value to film scholars and historians, as well as to practitioners in South Africa today.
Cy Endfield (1914-1995) was a filmmaker (Try and Get Me!, Hell Drivers, Zulu) with interests in close-up magic, science, and invention. The director of several distinctive Hollywood movies, he was blacklisted and refused to "name names" before the House Un-American Activities Committee.
Repatriation of Indigenous Cultural Heritage examines how returned materials - objects, photographs, audio and manuscripts - are being received and reintegrated into the ongoing social and cultural lives of Aboriginal Australians. Combining a critical examination of the making of these collections with an assessment of their contemporary significance, the book exposes the opportunities and challenges involved in returning cultural heritage for the purposes of maintaining, preserving or reviving cultural practice. Drawing on ethnographic work undertaken with Aboriginal communities and the institutions that hold significant collections, the author reveals important new insights about the impact of return on communities. Technological advances, combined with the push towards decolonising methodologies in Indigenous research, have resulted in considerable interest in ensuring that collections of cultural value are returned to Indigenous communities. Gibson challenges the rhetoric of museum repatriation, arguing that, while it has been tremendously important to advancing Indigenous interest, it is too often over-simplified. Repatriation of Indigenous Cultural Heritage offers a timely, critical perspective on current museum practice and its place within processes of cultural production and transmission. The book is sure to resonate in other international contexts where questions about Indigenous re-engagement and decolonisation strategies are being debated and will be of interest to students and scholars of Museum Studies, Indigenous Studies and Anthropology.
The Oxford Companion to the English Language provides an authoritative single-volume source of information about the English language. It is intended both for reference and for browsing. The first edition of this landmark Companion, published in 1998, adopted a strong international perspective, covering topics from Cockney to Creole, Aboriginal English to Caribbean English and a historical range from Chaucer to Chomsky, Latin to the World Wide Web. It succinctly described and discussed the English language at the end of the twentieth century, including its distribution and varieties, its cultural, political, and educational impact worldwide, its nature, origins, and prospects, and its pronunciation, grammar, vocabulary, word-formation, and usage. This new edition notably focuses on World Englishes, English language teaching, English as an international language, and the effect of technological advances on the English language. More than 130 new entries include African American English, British Sign Language, China English, digital literacy, multimodality, social networking, superdiversity, and text messaging, among many others. It also includes new biographical entries on key individuals who have had an impact on the English language in recent decades, including Beryl (Sue) Atkins, Adam Kilgariff, and John Sinclair. It is an invaluable reference for English Language students, and fascinating reading for any general reader with an interest in language.
Arguably the most important popular British composer of the 20th century, John Barry (1933-2011) enjoyed a career that spanned over fifty years, in which time he won five Academy Awards for pictures including Born Free, Out of Africa and Dances with Wolves. His reputation was further gilded by his soundtracks for a dozen James Bond films between 1962 and 1987. Barry ́s career reflects the evolution of post-war British music from big band to rock and roll and the birth of pop. In the cultural foment of ́Swinging Sixties ́ London he became an iconic figure and an inspiration to countless musicians. Written with Barry ́s cooperation and including insights from close friends, Eddi Fiegel's John Barry: A Sixties Theme celebrates a life of stunning creativity , recreates an unforgettable era in British culture, and reveals how John Barry came to write his music and why.