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Osvaldo is a genius even if his wife Sariyah likes to make fun of him for his lousy job as a dish washer in a restaurant. Osvaldo does not care about his boring job since it is just a cover for his real job. Smuggling people in his Chevrolet Suburban’s secret compartment is his real job. His challenge is in beating the government and making money. He is a capitalist who is only interested in making money and getting paid. It does not matter who wants to get across if they pay him. This side hussle is the only thing that is paying his bills in southern California since his regular job is only a minimum wage job. A friend from Seattle, Washington arrives to ask Osvaldo to pay him a favor that he owes. Osvaldo is not sure that he is up to the task but he must pay his favor to get his annoying friend to stop bothering him. A new challenge arrives which puts him in the dangerous job of rescuing people from the Devilcare Death Panels & Camps. Now his life is in real danger once President Führer Devil-Eggs signs an executive order that will punish anyone who rescues people from inside of there with a firing squad. Osvaldo must deal with the stress and the danger while he makes sure that his wife will not tell the government about his new side hussle. He does not want to end up dead since his wife has panic attacks when they are doing illegal activities. (Word Count 66,749)
In a parallel universe the Government of the Racist (G. O. P.) Party wins the 2016 Presidential Election by forming the Fascist Coalition with other right-wing parties. President Führer Devil-Eggs fulfils his promise to the United States of America once elected as his “Made America 4 the Fascist Again,” arrives. President Führer Devil-Eggs thanks President Vladimir Putin for his help in winning the election by forming the Best Friends Forever Alliance. Officially known as the Molotov-Ribbentrop Pact sequel this new alliance will fight the North Atlantic Treaty Organization (N. A. T. O.) and its newest member China. Alternative facts are now scientific proofs by executive orders. Social Security pensions and Medicare health benefits for senior citizens disappear after an executive order arrives which eliminates the taxes that are collected to fund these programs. The A. C. A. (Affordable Care Act) or Obamacare is eliminated while President Führer Devil-Eggs replaces it with Devilcare Death Panels & Camps. The Devilcare Death Panels & Camps feature free healthcare, free death panels where accountants ration off healthcare to save money, and free concentration camps that use government mandated flu vaccines to eliminate citizens, political enemies, and criminals in the country. A cast of characters must now deal with their new reality. Irene has always been the supporting character in the school play and she wants to be the star for once. Osvaldo is trying to fool the government to make money for his retirement. Shmuel is a government worker who is trying to serve his country and fulfil the mission of his department. Anthony knows everything even if his family think that he is just going crazy. Riya is stuck in a dead-end job and finds an opportunity to escape her boring life. Courtney welcomes the challenge of a new job opportunity in the Devilcare Death Panels & Camps. Aryanna knows that she must lead the fight against the fascist in her city. Jurnee is a pastor in the End Racism Church who leads her flock in the fight against evil. Naya is a French spy trying to pass information to her country before they catch her. (Word Count 59,116)
The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
The Exorcist Effect examines the relationship between horror films and religious culture, focusing on the period from 1968 to the present. Films like Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) claimed to be based on actual events, religious traditions, and Biblical texts. These films inspired subsequent beliefs and experiences, which became the basis for yet more horror films. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators.
Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on the determination of their status as "evil" or "insane." This book examines the many manifestations of "evil" in modern media, making it clear how this idea pervades nearly all aspects of life and helping us to reconsider some of the notions about evil that pop culture perpetuates and promotes. Covering screen media such as film, television, and video games; print media that include novels and poetry; visual media like art and comics; music; and political polemics, the essays in this book address an eclectic range of topics. The diverse authors include Americans who left the United States during the Vietnam War era, conservative Christian political pundits, rock musicians, classical linguists, Disney fans, scholars of American slavery, and experts on Holocaust literature and films. From portrayals of evil in the television shows The Wire and 24 to the violent lyrics of the rap duo Insane Clown Posse to the storylines of the Lord of the Rings and Harry Potter books, readers will find themselves rethinking what evil is—and how they came to hold their beliefs.
Chronicles of the Strange and Uncanny in Florida explores the unknown for those who wish to look beyond the confines of everyday life to discover the truly unusual. It explores Florida's darker avenues for evidence of the extraordinary and the fantastic. Investigate sightings of flying saucers, extraterrestrials, and strange aerial phenomena. Meet skunk apes, chupacabras, and other creatures of the night. And in Florida's lakes and seas, meet aquatic abnormalities like sea monsters, the Everglades water serpent, and the three-toed beast of Clearwater Beach.
In October 1957, Screen Gems made numerous horror movies available to local television stations around the country as part of a package of films called Shock Theater. These movies became a huge sensation with TV viewers, as did the horror hosts who introduced the films and offered insight--often humorous--into the plots, the actors, and the directors. This history of hosted horror walks readers through the best TV horror films, beginning with the 1930s black-and-white classics from Universal Studios and ending with the grislier color films of the early 1970s. It also covers and explores the horror hosts who presented them, some of whom faded into obscurity while others became iconic within the genre.
One stormy night, a prisoner is on the loose. When Hamid starts seeting and hearing terrifying things, is it just a nightmare?
Looming onto the television landscape in 2011, American Horror Story gave viewers a weekly dose of psychological unease and gruesome violence. Embracing the familiar horror conventions of spooky settings, unnerving manifestations and terrifying monsters, series co-creators Ryan Murphy and Brad Falchuk combine shocking visual effects with an engaging anthology format to provide a modern take on the horror genre. This collection of new essays examines the series' contribution to television horror, focusing on how the show speaks to social concerns, its use of classic horror tropes and its reinvention of the tale of terror for the 21st century.