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Maureen C. Miller traces the ways in which clerical garb changed over the Middle Ages. Miller goes into detail about craft, artistry, and textiles and contributes to our understanding of the religious, social, and political meanings of clothing, past and present.
Comprehensive reference traces evolution of clerical attire through the late 1400s. More than 270 black-and-white illustrations and 8-page color insert depict simple alb, pallium, chasuble, cassock, surplice, mitre, and accessories.
A book that explores the history of church vestments plus directions for making them.
Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.
The churches of Britain contain a remarkable heritage of exquisitely embroidered vestments, and cathedrals in particular hold some of the most beautiful textiles ever produced in Europe. The history of these priestly garments and how their use developed in Britain and Europe is fascinating. This book outlines the tradition and mysticism associated with them and the role they still play in the 'theatre' of church, and shows how colour and ornament are used in the symbolism of the Christian faith. It explores the history of vestment production up to the present day, covering the practicalities of design, the sourcing of fabrics and the embroiderers themselves.
English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.
Informed by the paradigmatic shift in ritual and liturgical studies, this volume offers analyses of key ritual traditions in early Christianity. The case studies focus on the dynamic formation and transformation of rituals in the context of Greco-Roman religion, Judaism, and Islam.
Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in Pride and prejudice is often regarded as little more than a figure of fun. Astonishingly, Jane Austen and the Clergy is the first book to demonstrate the importance of Jane Austen's clerical background and to explain the clergy in her novels, whether Mr Tilney in Northanger Abbey, Mr Elton in Emma, or a less prominent character such as Dr Grant in Mansfield Park. In this exceptionally well-written and enjoyable book, Irene Collins draws on a wide knowledge of the literature and history of the period to describe who the clergy were, both in the novels and in life: how they were educated and appointed the houses they lived in and the gardens they designed and cultivated; the women they married; their professional and social context; their income, their duties, their moral outlook and their beliefs. Jane Austen and the Clergy uses the facts of Jane Austen's life and the evidence contained in her letters and novels to give a vivid and convincing portrait of the contemporary clergy.
An astonishing number of medieval garments survive, more-or-less complete. Here the authors present 100 items, ranging from homely to princely. The book’s wide-ranging introduction discusses the circumstances in which garments have survived to the present; sets and collections; constructional and decorative techniques; iconography; inscriptions on garments; style and fashion. Detailed descriptions and discussions explain technique and ornament, investigate alleged associations with famous people (many of them spurious) and demonstrate, even when there are no known associations, how a garment may reveal its own biography: a story that can include repair, remaking, recycling; burial, resurrection and veneration; accidental loss or deliberate deposition. The authors both have many publications in the field of medieval studies, including previous collaborations on medieval textiles such as Medieval Textiles of the British Isles AD 450-1100: an Annotated Bibliography (2007), the Encyclopedia of Medieval Dress and Textiles of the British Isles (2012) and online bibliographies.
Protestantism carries on with the practice of making the "pastor" the focal point in church. Zens demonstrates that putting all the ecclesiastical eggs in the pastor's basket has no precedent in the New Testament.