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Using textiles to understand gender and economy in Norse societies In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic.  This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years. Through these garments and fragments, Hayeur Smith provides new insights into how the women of these island nations influenced international trade by producing cloth (vaðmál); how they shaped the development of national identities by creating clothing; and how they helped their communities survive climate change by reengineering clothes during the Little Ice Age. She supplements her analysis by revealing societal attitudes about weaving through the poem “Darraðarljoð” from Njál’s Saga, in which the Valkyries—Óðin’s female warrior spirits—produce the cloth of history and decide the fates of men and nations.  Bringing Norse women and their labor to the forefront of research, Hayeur Smith establishes the foundation for a gendered archaeology of the North Atlantic that has never been attempted before. This monumental and innovative work contributes to global discussions about the hidden roles of women in past societies in preserving tradition and guiding change.
Handmade textiles are personal, no matter where in the world they're created, and these photos and explanations of 25 diverse world cultures' techniques vividly share the details. Take a voyage through these pages and see how today's artisans continue to create traditional fiber arts with age-old methods. Blending well-researched information, engaging style, and inspiration, the pages explore espadrilles, flatwoven rugs, mittens, voudou flags, mirror embroidery, and the histories they hold. This open-eyed approach will appeal to textile devotees, from the casually curious to professional artists, and to people who are interested in heritage crafts and diverse cultures. Brandon has written for more than a decade for WARP (Weave A Real Peace), anonprofit networking organization whose members are dedicated toimproving the quality of life of textile artisans in communities inneed.
With more than 120 beautiful color photos, this guide introduces how the simple art of weaving can help each of us--whether we are weavers or not--to build our inner life. The goal is to recognize, receive, and live in harmony with your own deepest truths. Using a system of seven "keyforms" that span cultures, ranging from an amulet to a mask to a belt of power, the growth process is explored in depth. Instructions for seven symbolic keyform projects help beginners to use tapestry weaving techniques, and help seasoned weavers to find new dimensions in their work. To put it in weaving terms, the inner life is like the vertical warp on a loom. The weft of our daily activities weaves through our inner values and beliefs with each moment. The Weaving a Life process has been used successfully by weavers and spinners, psychotherapists, nurses, hospice workers, educators, artists, and youth leaders, as well as by countless individuals who seek a deeper vision for their lives.
The universe is over 13 billion years old. The sun is one million times larger than the earth. The earth is inhabited by trillions and trillions of life-forms, and we are one of the billions of people who inhabit our world, yet from our point of view, we are the most important thing to have ever existed. You will find more amazing facts inside the book, which will relate more directly to your life and will help you determine how happy your life will be. I’m not saying every day will be sunshine and roses. We all know bad things will come our way through no fault of our own, and we will have to deal with events in our lives that will cause us anguish and sorrow, but armed with the ideas in this book, we should be able to rise above the negative events that happen in all people’s lives and live the kind of happy life we all deserve. Positive psychologists say we are born with 40 percent of our potential for happiness which is genetic, another 10 percent of how good we feel is caused by our environment, and the media which leaves 50 percent of our potential to be happy for us to work with. That’s a potential for 100 percent more happiness in our lives if we know how to get it. That’s why I’ve written this book and am giving this gift to you. Read it, study what you find in it, and put as many of these ideas into your life as you possibly can. See if you don’t feel happier. If you also feel happier, it will make me happier too. Best of luck, Bayne Wetmore (I choose to be happy). This book is full of amazing facts you need to know. —Sharon Kay Summerford, energy practitioner This is his best book by far. —Ken Persky
Author Harriet Robinson (1825-1911), born Harriet Jane Hanson in Boston, offers a first person account of her life as a factory girl in Lowell, Massachusetts in this 1898 work. Robinson moved with her widowed mother and three siblings to Lowell as the cotton industry was booming, and began working as a bobbin duffer at the age of ten for $2 a week. Her reflections of the life, some 60 years later, are unfailingly upbeat. She was educated, in public school, by private lesson, and in church. The community was tightly knit. She also had the opportunity to write poetry and prose for the factory girls' literary magazine The Lowell Offering. When mill girls returned to their rural family homes, she says, "...instead of being looked down upon as 'factory girls, ' they were more often welcomed as coming from the metropolis, bringing new fashions, new books, and new ideas with them."
For the Yaka of Southwestern Zaire, infertility is a tear in the fabric of life, and the Khita fertility ritual is a trusted way of reweaving the damaged strands. In Weaving the Threads of Life Rene Devisch offers an extended analysis of the Khita cult, which leads to an original account of the workings of ritual healing. Drawing on many years among urban and rural Yaka, Devisch analyzes their understanding of existence as a fabric of firmly but delicately interwoven threads of nature, body, and society. The fertility healing ritual calls forth forces, feelings, and meanings that allow women to rejoin themselves to the complex pattern of social and cosmic life. These elaborate rites—whether simulating mortal agony and rebirth, gestation and delivery, or flowering and decay; using music and dance, steambath or massage, dream messages or scarification—are not based on symbols of traditional beliefs. Rather, Devisch shows, the rites themselves generate forces and meaning, creating and shaping the cosmic, physical, and social world of their participants. In contrast to current theoretical methods such as postmodern or symbolical interpretation, Devisch's praxiological approach is unique in also using phenomenological insights into the intent and results of anthropological fieldwork. This innovative work will have ramifications beyond African studies, reaching into the anthropology of medicine and the body, comparative religious history, and women's studies.
"Danna Faulds set out on a transformative journey three decades ago, not realizing that it would lead her straight into the heart of yoga and an extraordinary relationship with the man who would become her husband. It led her to Kripalu Center in its ashram heyday, where she became a disciple of Yogi Amrit Desai and began a daily writing practice. It guided her back into the world where she witnessed from afar the downfall of the guru and the disintegration of his residential community. It broadened and deepened to include self-inquiry, poetry, non-dual experience, and the capacity to stay present with difficult mind states like depression and doubt." --P. [4] of cover.
"Perspectives from 22 master artisans fuse with industrial product design techniques and the author's own craft experience to offer a powerful framework for designing, making, and selling your work."--Amazon.com
Why does one society survive while others perish? When two cultures come into contact, how do exploitation, violence, and terror arise? Interested in the survival of various cultures in the face of encroaching white civilization, Peter Elsass has studied five separate groups in Venezuela and Colombia and documented their successes and failures as they struggle to remain independent. This book has broad implications for anyone working with minority populations.